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Saturday, December 22, 2007

The Tau, the Ankh, and the Anchor

The Winter Solstice. The longest night of the year and the shortest day of the year. For 3 days, the Sun will appear to hover in the sky as measured against its noon zenith, neither falling nor rising as measured from any series of marking points on the Earth. After 3 days, the Sun will be visibly moved about 1 degree on the ecliptic.

Hallelujah! The Sun is Born!

Manley P. Hall, in Secret Teachings of All Ages, speaks of the Winter Solstice in this way:

The pagans set aside the 25th of December as the birthday of the Solar Man. They rejoiced, feasted, gathered in processions, and made offerings in the temples. The darkness of winter was over and the glorious son of light was returning to the Northern Hemisphere. With his last effort the old Sun God had torn down the house of the Philistines (the Spirits of Darkness) and had cleared the way for the new sun who was born that day from the depths of the earth amidst the symbolic beasts of the lower world.

Concerning this season of celebration, an anonymous Master of Arts of Balliol College, Oxford, in his scholarly treatise, Mankind Their Origin and Destiny, says: "The Romans also had their solar festival, and their games of the circus in honor of the birth of the god of day. It took place the eighth day before the kalends of January--that is, on December 25. Servius, in his commentary on verse 720 of the seventh book of the Æneid, in which Virgil speaks of the new sun, says that, properly speaking, the sun is new on the 8th of the Kalends of January-that is, December 25. In the time of Leo I. (Leo, Serm. xxi., De Nativ. Dom. p. 148), some of the Fathers of the Church said that 'what rendered the festival (of Christmas) venerable was less the birth of Jesus Christ than the return, and, as they expressed it, the new birth of the sun.' It was on the same day that the birth of the Invincible Sun (Natalis solis invicti), was celebrated at Rome, as can be seen in the Roman calendars, published in the reign of Constantine and of Julian (Hymn to the Sun, p. 155). This epithet 'Invictus' is the same as the Persians gave to this same god, whom they worshipped by the name of Mithra, and whom they caused to be born in a grotto (Justin. Dial. cum Trips. p. 305), just as he is represented as being born in a stable, under the name of Christ, by the Christians."


But ours is a Craft of Letters, and our Letters become woven into the tales that are the mythology. Although I have tried to express clear the nature of the Tau, the Ankh, and the Anchor before in so many certain ways, on this Yule festival, where Osiris has been placed into the log and the log set ablaze, where the Trees of Life (the Christmas Trees) are presented with gifts, let me try again to speak clear of the Tau, the Ankh, and the Anchor.

The Order and Placement of the Alphabet

When we view our 26 Letters, we view our Letters as the embodiment of "the God". We must place the Alphabet into precise balance and orders before the philosophy will reveal itself. To accomplish this, we have many tools at our disposal, much of it emanating from the Spoken Word traditions.

If we say that everything is OK, we mean that the Letter O is located at 15 and the Letter K is located at 11 and that the design of our Philosophy (the Alphabet) is only "OK" when its constituent components are based on 15 and 11. Clearly it may be noted that the numbers 15 and 11 sum to 26 (15+11=26), but how do we know that this is OK? Because the Letter O is a Symmetrical Letter and the Letter K is an Assymmetrical Letter and our Philosophy has a precise order and value and design set against the 15 and the 11 when set against Symmetrical and Assymmetrical Design.

The Symmetrical Letters are as follows:

AHIMOTUVWXY = 11 Letters = K

The Assymmetrical Letters are as follows:

BCDEFGJKLNPQRSZ = 15 Letters = O

OK?

Just as there are designs based on Symmetry and Assymmetry, there are designs based on linear progressions, time progressions, archetypical progressions, phonetic progressions, and so forth. Various progressions, when set against various correlational progressions (they are all correlational) appear as wheels of a cipher wheel, each being turned a requisite amount to set the ciphers into their proper placement to begin the counting.

In this way, we can turn the assymmetrical letters into position, starting at J, and show that the hidden design is set against the Word, or Pi.

JKL=3 (paired letters)
N=1 (letter)
PQRS=4 (paired letters)
Z=1 (letter)
BCDEFG=6 (paired letters)

The Assymetrical Letters are paired to form Pi, or 3.1416 = (JKL)(N)(PQRS)(BCDEFG).

Pi is the "Omnific Word".

"If you got it, do you have it?"


One of the cipher patterns of our Philosophy is the "standard lay of the Alphabet". The ALPHA is a code. H is Pi. Remove Pi (H) to reveal ALPA. What is our pattern within the Isisian Codes? The cipher goes from A to P, breaks and shifts at Q, then reorders from Q to Y sharing the same values as the letters A through I. Even still, we consider and primary 9 numbers to in general their ordinal value, while we consider the "7-up" letters of JKLMNOP to have either ordinal or reordered values from 1 through 7 (hence 7-up).

Under these conditions, the letters ALPA are respective 1, 12, 16, and 1. A, L, P, and A. This is the APPLE, or the "fruit of knowledge". It is also a mathematical formula.

L-A = 12 - 1 = 11 = K
P-A = 16 - 1 = 15 = O

OK?

To solve for the BET of the "Alphabet" requires more study, but let us focus on the "standard lay of the Isisian Codes", or the ABC's.

ABCDEFGHIHIJKLMNOPQRSTUVWXYZ

If you "got it, do you have it"? Yes. I have "got" this, therefore, I "have" this. If I G-T this, I must "halve" this.

Divide the Alphabet in HALF.

ABCDEFGHIJKLM-NOPQRSTUVWXY

The Alphabet divides at the letters M and N, or the numbers 13 and 14.

MN = 1314 = Pi

Still, you have not "got" it yet, so you must HALVE it again in order to "get", or "GT" "it". Divide the Alphabet in half again.

ABCDEF-G-HIJKLM-NOPQRS-T-UVWXYZ

GOT (GT) IT?

The Letters G and T are now resting at number 7 (this way and that) from the beginning and the ends of their respectived "halves" of the Alphabet. That you must have something if you got it is but an oral code attesting to the fact that you must HALVE the Alphabet in order to arrive at the proper center placements, which will then have the phonetics of G and T, is but a another form of overt code set against homonymns.

Got it? Good!

And still, we are only getting started!

The Tau, the Ankh, and the Anchor



Here is a riddle. If I "teach" you something, do I not invoke the Letter T? And if you are "taught" something, is not "taught" simply a past tense for the Letter TAU? You see how cleverly the philosophy is woven into the language? Whether I used the letter T as in TEE(CH) or the same said letter described as the letter TAU, as "TAU-GHT", still, it is the Letter T that is the primary root factor.

If this were "division", one might equate this to "reducing everything to the least common denominator", which in this case, is "merely" a "letter", the Tau, or the letter T.

In John Yarker's "The Arcane Mystery Schools", one can find a near Universal Reference to the Tau symbol, and to St. Francis of Assissi, we find an absolute reverence to this "god" of the God". From the Franciscan Order website,

"The early biographies of Francis tell us that he used the Tau very often as an expression of his devotion to the Cross of Jesus. We have copies of some of his letters in which he made the sign of the Tau in his own hand. On the wall of the little chapel of St. Mary Magdalen at Fonte Colombo the usual design used by the Poverello traced in red is to be found."

What is oft not told is that St. Francis of Assissi was an initiate into the Egyptian Mystery Systems and was, by and large, as his actions and deeds prove, wholly beholden to spreading the esoteric values contained within the Letter T.

So what is the Letter T?

To simplify, we may equate to the Letter T as a geometrical measurement, meaning that it represents the height of the sun at noon zenith as measured on a daily basis. Esoterically, the Letter T becomes "exalted" at two primary days: the Winter Solstice and the Summer Solstice.

This can be further inferred by breaking out the oral tradition code word of SOLSTICE.

SOL'S = Sun's = Summer
T = Measurement at Noon Zenith
ICE = Winter

SOL's T as Summer and Winter T as ICE becomes then a very effective code to reveal the astronomical value latent in the Letter T. That the "T" is designed to act as a "lift up" of the Sun on the horizon can equally be inferred by the simple yet incredibly difficult game of golf: to raise the ball up is said to place the ball on a "tee".

As symbolic of the Ankh, we have the Letter T and the "vulva". What this is representative of is the "birth" of the "Sun god" at the time of the Winter Solstice (ICE T).

As you can imagine, it all gets sorta difficult to explain and express as it all gets tedious when one seeks to directly represent the concepts into "words".

Now we know that the Winter Solstice is traditionally set on the 21st day of December. This means that the first full day of Winter is the 22. We know that the T is the key letter, and its placement is at 7 of the second half of the Alphabet.

22 day over the 7 Letter = 22/7 = 3.1428571 = Recipricol 7 Pi.

Yet the Ankh means "eternal life", and so too does "the Tau" when set against Christian mythology (itself copied from Osirian systems).

The Anchor


And what then is "the Anchor"? The anchor is but a symbol of the MOLD SET of the Letter T in serif form. The upper portion of the Anchor is the Tau, while the bottom portion is as the Letter spun 180 degrees and set as a mold. The "Anchor" is what would then be released from the "mold" after being "cured" or solidified in the mold.

Here is where you begin to understand the idea of "baptismos", or an "immersion" in water. The immersion is really dealing with the birth process and the subsequent immersion into an aqueous atmosphere. It is through linking back to the Sun (MIND is a key code word here) that you are able to "rise above the waters" and hence "rise again".

That "Jesus" would later be said to "walk on water" remains but a simile to they of his initiates (modified Osirian schools set against Jehovian infiltrations) that Jesus was able to rise above the waters so much so that he was not immersed in same.

The first and the foremost becomes then the Letter T, another code for Pi.

The code set is an acrostic crossword puzzle comprised of ORION, INRI, and ZION. Study clear.

The T is comprised of the Letters ORION, a code for PI.

The Anchor (inverted T) is comprised of the Letters ORION.

The IRON CROSS is comprised of the Letters ORION.

If you peer outside of the ORION matrix, what remains are the letters ZIRO. What this tells you is that the ZIRO is ZIRO and the TAU is "the One". All this and more is encoded into the Illuminatus philosophy over thousands of years, as shown.

But for now, it is sufficient if you come to grasp that one of the cipher wheels reveals that the T is "the One", or the "start" of the Pagan calendar set against Pi, or the Omnific Word.

If you get that far, the eye-wareness may be a very special "Christmas gift" indeed.

And to all, a good night.



Tuesday, December 18, 2007

Of Libraries and Librations

The Library.

A curious place.

Save for traditional churches or morgues, perhaps no other place in the world is sacrosanct as to preserving silence than libraries. There is a traditional layer of respect within Western society that upon entering a library, respect and silence are deemed proper and expected. And just as one would not loudly shout and speak in disrespect at a local church or morgue, so too does no cultured and civilized individual violate the sanctity of a library.

What few know, however, is that a library is a form of morgue: it's shelves, containing rows and rows of books, are therefore stacked with the very embodiment of Osiris.

This article will delve into the philosophical underpinning of libraries and with it, send you into a journey of mythological decoding.

The Interconnectedness of Nature

Material existence we refer to as "nature". When capitalized as Nature, we refer to Isis. Philosophically, in a literary sense, we create "oscillations" upon the material through the use of 1's and 0's set against concepts and sounds. This is a simplification, yet a truth. As an example of this, we may invoke the letter M or the words ADM and EVE. The capitalized spelling informs you of a latent or hidden code.

Such a technique should be well established for the studied student, but so as to educate the interested, we provide this example:

Liber B vel Magi sub Figura I

Line 3 - Now then shall He end His Speech with Silence? For He is Speech.
Line 21 - And in the word CHAOS let the book be sealed, yea, let the Book be sealed.

Note the form and usage of the capitalizations. One line uses a single letter capitalization, as in the words "He is Speech" (reference line 3), while another uses an all capitalization technique, as in the word CHAOS as referenced in line 21.

Now since they who seek after Seth lie, there are multiple ways to check the "work". For instance, when Crowley writes, "for He is Speech", Crowley lies, for "He" is clearly "not Speech".

SPEECH = 19+16+5+5+3+8 = 56 = 9+19+9+19 = 56 = ISIS

ISIS is SHE and SHE is "speech". How could Crowley make such a foolish and glaring mistake?

The Alphabet is Osiris. The sounds eminating therefrom, which are impressed as sound upon the material (air), remain the domain of Isis. She is "Speech". What Isis preserves is the body of her beloved Osiris, or the written word as proceeding forth from "the 1", which is the Alphabet.

Since all things proceed forth and "emanate" from the Alphabet, or "the God", who is Osiris, it would stand to reason that there remains an interconnectedness to all things, an interconnectedness viewable and available to all - if only people would dare to look up and see the splendor before them.

In this way does the SPIDER WEB prove to be symbolic of the Mysteries and of Nature equally. After all, it was Isis who fashioned her venomous snake from the spittal of the god "Ra" mixed with the dust so that she may learn the secret name of Ra, or when the truce was honored between Odin and Thor, all the Gods spit into a bowl and created the Giant Kvasir who was a sign of peace and prosperity and brought inspiration to poets.

So the "spittal" of Ra, and the "spit" of the "Gods", and the "Spider Web" become subtly and powerfully interconnected, oscillating on and off but emanating from the same phonetic archetypical source.

The "spitter" tells the tales over fires and in the theaters. The spitter weaves the stories orally that become the beliefs of the society, the nation, the religion.

Libraries are not for "the spitters": libraries are the sole domain of the "Weaving Spiders".

Archetypical Components of the word LIBER

If we are to seek out a philosophic regarding the word "library", we must seek out the past references woven into the phonetics, or the "root" of the word, or the letters LBR.

LBR.

El Be R. Rebel. A magic spell of extraordinary genius too simple to be seen for what it is.

So we go deeper into the material, into the generated stories from all the spitters and spiders through time. Dictionaries are a good place to start, but dictionaries, like the agenda's of they who make them over the breadth of time, change just as sure with the shifting sands of time. At one era a truth might be revealed, while in a latter era, unscrupulous heathens oft wipe and edit the knowledge from the earlier scripts.

Such are the traitors humanity must deal with as it seeks to rise above the waves: the very people that most of humanity come to rely upon to aid in the rising are the very same people charged with immersing humanity further under the waves. Fortunately, enough has remained to piece the whole back together.

LIBER. Consider.

The word "liber" is used to describe the part of a plant from which some of the earliest forms of paper was derived. From this paper comes the recording of knowledge and information, and so the word "liber" becomes known as a word to describe a book of official records. Yet there are two "gods" associated with the word, Liber and Libera, and one astrological sign, Libra. Within the Arts may be found more symbols such as "the Scales of Justice".

A most concise description comes from "The Woman's Encyclopedia of Myths and Secrets" by Barbara G. Walker:

Libra

"Astrological Lady of the Scales, from the Goddess Libera worshipped in Carthage a Astroarche, Queen of the Stars. Like the Egyptian Maat, she represented the balancing process of karmic law. Her figure-eight glyph of "equilibrium" (now the mathematical symbol of infinity) signified action and reaction under the rule of Fate.

In astrology, Libra is still "ruled by Venus", because she was identifies with the Roman Venus-Aphrodite of the ius aturale - natural law, matriarchal justic. The blindfold on today's Goddess of Justice was unknown in antiquity. She not only held the scales of every man's fate; she also had the All-Seeing Eye."


Librations and the Moon

We must then consider the form and manner within which we may reconstruct or destory the links between the words "libration" to that of "Libra", signifying "the Scales", all the while keeping in mind that the "scales" are every bit as linked to the tides, and the tides to time, and so forth.

The word "libration" deals with an astronomic reality: just as the Earth "wobbles" on its axis as it spins in its orbit, so too is there a "wobble", or an oscillation to the moon as it revolves around Earth. As referenced in Wikipedia,

In astronomy libration (from the Latin verb libro -are "to balance, to sway", cf. libra "scales") refers to the various orbital conditions which make it possible to see more than 50% of the moon's surface over time, even though the front of the Moon is tidally locked to always face towards the earth. By extension, libration can also be used to describe the same phenomenon for other orbital bodies that are nominally locked to present the same face. As the orbital processes are repetitive, libration is manifested as a slow rocking back and forth (or up and down) of the face of the orbital body as viewed from the parent body, much like the rocking of a pair of scales about the point of balance.

In terms of observation from planet Earth, this means that roughly 59% of the Moon's surface is visible in total over a period of time, and thus a total of 41% of the Moon's surface remains forever unobservable relative to Earth observation. The Moon, appearing to "rock" from side to side, becomes then the astronomical archetype for the scales that as a balance on a beam, come to rest.

The "Scales" as "Libra" and the "Torch" of Isis become "fused" in Libraries, where books, comprised of the physical embodiment of Osiris (the Letters manifest as words and so forth), and thus in silence (wherein the Moon is named "Silene") may all things contained in the Library (the Balance) may be considered.

The Philosophics behind the word "Library"

All life is a web. The rituals and the stories enrich or ensnare, build or destroy in a manner equivalent to their spiritual source. Whether one accepts the Sword or the Flaming Sword and Cherub, it could be said that if one does not come to have an absolute firm grasp of the reasons why one does "this" or "that", that one can be said to be "ensnared".

This is, of course, a "philosophic". Formulas are crafted all the time from both sides of the Occult aisle (the Dark and Light paths) such as to ensnare so as to lead in a path that leads to light and thus a growing of the soul, or in a path that leads to a devolution or literal "ensnaring" as in a Web.

Thus even the term WEB must be carefully scrutinized so as to understand the essence of the philosophics.

Libraries as an institutional presence before humanity eminate from the Occult crafts dedicated to "Isis and Osiris", or they who seek to lift humanity in a positive way. The destruction of Libraries falls under the spell of they who seek after the Flaming Sword and Cherub. They (libraries) represent in their purest form the aggregations of frozen minds who have penned their thoughts to paper (liber) so as to preserve these thoughts for present and future generations. Those who seek the destruction of Libraries seek to destroy past thoughts so as to plant seeds contrary to rational truths and logic.

Again. Philosophics.

As Libra balances this way and that, so too does the planet rise and fall from glory to depths of ignorance, the level of the destruction (ignorance) equal only to the decay of the transmission of knowledge typically reserved through Libraries.

It is the responsibility of they who know to secrete to they who do not in a manner as to preserve and enlarge the space for the growth of the Craft set against Universal Principles that guide life.

Those who dare to torture words dare to torture humanity.

There are too many "too's".

Sunday, November 18, 2007

Kabballah as a Literary Form of Ka'aba

Let us delve further into the metaphysics of "Kabballah".

Kabballah in its purest sense may be seen metaphysically as the worship of the cube as opposed to the cone. Hence you will see in various plates from the medieval period concerning the Inquisition wherein the victims of Jehovian courts are forced to wear "dunce caps". The word "dunce" is to imply "being stupid", but as the Setian Occult world is often flipped on its head in a most vicious and oft sadistic bent, what is a "dunce" would have meant a "highly advanced and knowledgeable" soul whose only crime was not to bow down to the ever encroaching imposition of the sadists who make up the core of Setian philosophical thought. Surely such a soul would be viewed as a "dunce", or a foolish soul, to the sadists who sought to destroy Western Europe and subjugate same to Jehovian or Setian metaphysics.

However, in spite of the terror that reigned throughout Europe under the yoke of Setian metaphysics, it is clear that the institutions previously built by Western elites (Osirian and Isian occultists), although smashed, were able to retain much of their core symbols. The "Christmas Tree", for example, renamed to appease the barbarian Setian infiltration, remains still to this day a symbol of power and choice for a large mass of todays humanity as a symbol of peace and life. A complex and yet incredibly simple symbol, the "Christmas Tree" brings life and happiness to an otherwise dreary and dreadful December in much of the Northern Hemisphere.

The "Christmas Tree's" shape is that of the cone, derived from the "sphere", while the pyramid is derived from the cube.

Kabballah. The Gold Standard?

Lets turn our attention to the "Gold Standard" of the Occult: Kabballah.

It is strange how little the mass public understands of this Craft, and even more amazing precisely because so many of the worlds "elite", and surely those who could be considered "the Illuminatus" in whatever names they wish to affix to themselves, are indeed either versed in or "respectful" to the traditions of the knowledged contained within "Kabballah", even as the manner and form in which it is taught is essentially a half truth, and hence an obfuscation and mystification.

Even without such, have you ever considered that noone really knows how to spell it? How many variations can you come up with?

Kabballah
Qaballa
Cabala
Caballa
Kabalah
Queballa
Qabalah

I am sure you can add a few more without too much effort or search, but you should ask a very simple question:

"If "Kabballah" is such a "Gold Standard", and this "Gold Standard" is ultimately fused to Letters/Numbers/Sounds, then why is this supposed "Gold Standard" so confused as to precisely how to spell its own "Gold Standard" name?"

Just more irrationality to solve when immersing oneself into Jehovian or Setian Metaphysics.

Kabballah (Single Die) and Qaballa (Pair of Dice)

There are two systems. A Hermetic Qaballa based on two dice, and a Rabbinical Kabballah based on a single die. Each of the systems will utilize the variations of numerous mathematical ciphers to try to prove it's "preeminence" and "truths". The former has been given a 1000 year head start, the latter is just being revealed to mass human consciousness.

Each has its own geometric matrix that reveals instantly the underlying "sanity" of the "truths" upon which each is based. The two matrices are really broken halves of a composite matrix known as "The Philosopher's Stone" as shown here.

----The Single Die, Kabballah

The fastest way to ensure that you are operating with the right "Qaballa" is to study whether you are using a single "cube", aka, a "die", or two cubes, or a "pair of dice".

The Isisian Codes are clear on this:

DIE = Single Cube = RABBINICAL KABBALLAH

PAIR of DICE = PARADISE = HERMETIC QABALLA

A system based wholly on the "single cube", or "the die", pretty much says it all: it is a system predicated on death. The Serpent did not lie. Such a system cannot truly elevate the soul in any form or fashion, and its disjointed method of operation and reliance on an out of balance mechanism ensures ultimate failure and false conclusions.

Another way to view the Kabballist's "Tree" is to understand the German rules to the game of hop scotch. More to the point, as the above picture from England (image source) shows, the Setian Tree of Life as an absolute occult system was in a way "ridiculed" into the the game of hop scotch whereby "Earth" or "Malkuth" was set at the bottom and "Ain Soph" as "Heaven" was set at the top.

The game, however, remains predicated on hopping on one foot (the dreidle or jack) and so by inference the system lacks balance and stability and as a matter of course, the participant in the system is destined to lose one's balance and "land on two feet", which means that the person is going to fail. Being in balance is tantamount to failure within Setian metaphysics because the goal of the system is to keep humanity and souls "out of balance" where it is easier to manipulate and force into ever progressing failures.

Hence the die of the "dice" hints at ever more complex philosophical realities linked to Setian metaphysics. Without some external force to "spin the Dreidle", the person will fall and hence "die". Failure, ultimately, is assured, at least from a spiritual sense. The "single die" as a spinning unique energy has inherent flaws, hence it is aptly representative of all the death that a system based on this philosophy brings.

It is all the flaws and the inherent death that such brings that enamors so much the Setian Illuminatus.

Fortunately, there is, and has always been, a hidden and competing Qaballa, that based on English and the Vesica Piscis and a "pair of dice". This is "the Hermetic Qaballa" and the Isisian Codes.

---The Hermetic Qaballa, or a Pair of Dice

The Hermetic Qaballa represents a dimensional shift in the Craft and is far more in alignment with archetypical constructions. It also is designed literally to the information found within the Book of Formation.

As a representation of the 22 Major Arcanum of the Tarot Cards, it can be shown that the Hermetic Qaballa is in perfect sequential representation, as opposed to the later "Illuminatus" renderings of the Setian Mason's who sought to link the Tarot to the Setian tree.

The absurdity of the exercise was only compounded by the absurdity of the mass of souls who bought into the exercise. No one seemed to want to resolve the fact that it was Setian systems who sought to destroy the knowledge and, failing to do so, themselves sought to fuse the archetypical knowledge to their own system that was simply half of a larger system hidden further still.

Later we will deal with the Hermetic Qaballa as a foundational matrix, but lets move forward with the Setian analysis.

A Numerical Basis to Language

Perhaps the reason why so few people can see the Nature of the Construct is precisely because the Construct has been caste against fused philosophy set against numbers, letters, and sounds. These sounds can be caste and passed from race to race and culture to culture over a period of time by an occulted priestcraft and the latter never ever being able to suspect the inherent intent to craft a reality based on a more occult philosophy.

The hidden philosophy, based on "the Garden of Eden" is "guarded" by a veil: guaranteed

So, it could be argued: the reason why you and indeed, the vast majority of humanity cannot "see" through this veil is because there has been a literal "HEX" placed on you in a literal and trans-dimensional sense: "reality" was crafted against a NUMBER, and yet few see that "NUMBER" is trans-dimensional.

A reality based on NUMBER makes you NUMB-ER. Or, more to the point, "numb" and "number" just as you have "dumb" and "dumber" you have "numb" and "number": each are literal states of existence.

The crafting of "reality" around "numb" and "number" is a precise Occult science, the practitioners of which you should learn to take heed and respect and understand. You do not defeat an enemy without understanding same. If you move right, and right is into the heart of the enemies defenses, you will be mauled for the effort. If you move left, and the enemy has abandoned his position, you will be left with a mass amount of expended effort and energy and nothing to show for your time in the exercise.

Hence the need, as it were, for the Isisian Codes.



At position number 8 may be found the Letters H and X, yet the sum of 1:8 (1+2+3+4+5+6+7+8=36) reveals the square of 6, wherein the square of 6 is known as a cube. Hence a HEX and a Hexagon are but words based on precise mathematic clues found in the sounds (Alphabet).

What this tells us again is that the Rabbinical/Setian tree is "the Hex", or what is "guarding" the "garden of Eden".

So we return to the original thesis: there are two systems in play.

We recognize these as "Kabballah" and "Qaballa".

Qaballa = Osirian, or Hermetic, Qaballa, in that the system precedes rabbinical Kabballah and is a purer and more direct form of Qaballa. However, the two systems are actually not exclusive to each other and deal with two seperate aspect of the human creation. It is only in the manner and form in which the latter Kabballah has been foisted onto humanity that it is necessary to treat such as a uniquely different "animal" relative to an Occult perspective.

In truth, the two are not mutually exclusive at all, but the manner in which modern "kabballah" is being sold and taught is mixing aspects of Qaballa (Hermetic) to the rabbinical format as if the rabbis are akin to the sole arbiters of the crafting. That Western elites (Illuminatus) have allowed such to happen in the manner that they have, even to the point of creating a system of rational absurdities, is a testament to the level to which the secret of the whole is being protected at the expense of humanity as a whole.

Furthermore, that there are two systems in play again should not be a surprise to anyone who ventures into the philosophies used by those who term themselves as being part of "the Illuminatus" in whatever term they wish to attach to themselves. One of these break off branches that seeks to rewrite the esoteric of English is that of Aleister Crowley and his OTO/Thelema offshoots.

How many Mason's and related elites were ciphoned into tortured twisting of Crowley's Setian (Jewish) centric obfuscations cannot really be measured, but suffice it to say that there should be a presumption of a critical density in core control systems of the planet.

Said Crowley, who termed himself "the Beast", yet died a withered drug addict, had this rather cryptic hint at the two faces of Kabballah and Qaballa:

"46. Nothing is a secret key of this law. Sixty-one the Jews call it; I call it eight, eighty, four hundred & eighteen.

47. But they have the half: unite by thine art so that all disappear." - Source, The Book of the Law, Aleister Crowley

If "the Jews" have the half, then they cannot have "the whole". This is such a simplistic and self evident statement that it belies logic as to why anyone gives a pass on the craft of "kabballah" and does not call into question the very individuals who are teaching the system in a manner that oft comes across as demanding blind obedience.

The half is not the whole. Ever. We can oft surmise the hidden half if we have the visible half, but one can never be so certain unless the other half is exposed completely.

Kabballists as Ka'abists

The Kabballists are "ka'ab"ists. They worship the Cube in the Hexagonal form. It is no secret that the word "to put a Hex" on someone is seen as a form of evil. If you want to estimate the power of their crafting, witness the power of the Ka'aba, a signature of their Occult operatives.

Try as you may to rationally explain the Occult forces in play regarding the Ka'aba and the reaction is really not much different than you might have found from the Medieval inquisitioner, and this is precisely how the Kabballists want it.

Hence the Ka'aba and the Kabballists are far more interlinked than the masses dare to peer into and understand.

In the mind of the "kabballist", mankind will bow down to the Cube. What they seek is a form of slavish obedience in a classic Orwellian sense is the only reality that Setian forces understand and will accept.

They go to great lengths to craft religious constructs that hint at truths, cause pauses and delays, all while achieving their ultimate goal of total domination of the material realm.

Thursday, November 8, 2007

The Zodiac and Pi

This will be a whirlwind example of some of the logic found within the Isisian Code System.

First, we have our Alphabet, set against the 26. Each of these Letters have their unique and specific letter placement. These placements are every bit as a numbering system as you might find if you count from one to 26.. If you doubt this, then go to the library, or read a dictionary. A follows B, so the word ABSTRACT will come before BALL. There is a precise mathematical logic to the categorization of words every bit as found in a numbering system.

Setting an Alphabet against a numbering system is basic common sense: there is otherwise no other way to tabulate the words as formed within a language.

This basic idea of setting the logic of an Alphabet against a precise mathematical counting pattern is further encoded into "the Occult" at an introductory level in what is known as "gematria". The name for this is called an "Ordinal Code". A = 1, B=2, C=3, etc. This is a basic form of cipher, and not very sophisticated at that, and yet is sold to the masses in so many "leading edge Occult systems" as Kabballah, OTO, Thelema, etc., as being filled with volumes of "esoteric significances".

Although there are indeed many many "esoteric significances" to be found in various words, often times it is all just pretty silly. Crowley's mathematical system supports "Crowley's occult channels" of black magic, but does very little to arrive at the larger encoded truths set into the language by Continental Masons and other workers across the globe. A basic example of an Ordinal Code is the following:

ISIS = 9+19+9+19 = 56 = 19+16+5+5+3+8 = SPEECH

That Isis and Speech equal the same is said to be "esoterically significant", and when you add in the mathematical numbers as "56", ad nauseum, you quickly can find the various channels intended in the crafting.

When we reduce the "56" to "5+6=11", we call this a "reduced ordinal code", meaning that we reduced the original ordinal code to the value of its integers. There are so many rules "out there" that cover this knowledge set, but most of the time, the esoteric code in the word is totally destroyed when the word is reduced, so I never recommend that any words be reduced to double or single digit forms.

The rules are akin to sending one on a wild goose chase with no hope of arriving at the destination: the trail having been totally swept. Take the word ZODIAC, for instance. The letters of the word ZODIAC has ordinal coding as follows:

Z = 26
O = 15
D = 4
I = 9
A = 1
C = 3

So ZODIAC would take on the formula of 26+15+4+9+1+3=58. This could then further be reduced (reduced ordinal code) to "5+8=13" and "this means that because of this and that", or the digits can be further reduced to "and 1+3=4" and "this means that because of this and that", and on and on.

You can find this form of "gematria" everywhere on the "net", on the bookshelves, and promoted on talk radio shows in various forms. The idea is popular because it is so easy: any third grader can take a set of digits and add them up and then reduce the answer to a single digit.

Hardly a form of "highly advanced" coding system and utterly useless if we are to seek out the hidden codes and philosophy of the Illuminatus.

Thus the development of the Isisian Codes became necessary in order to help others pierce the veil and cut through all the static and white noise.

I have no doubts that the "higher power" behind this planet is a bit more educated and sophisticated than to follow the rules as set forward by some Rabbi's wholly unfamiliar with the Letter Set and the Language as an esoteric construct.

So lets go back and take a look at the word ZODIAC again.

Z = 26
O = 15
D = 4
I = 9
A = 1
C = 3

Now Dan Brown, the author of the Da Vinci Code, touched on something, and for which is again rather "self evident". In any Gematria system based on simple addition, any word and any anagram derived from the original word will necessarily be "esoterically significant" whereby the term "esoteric significant" simply means that word A will have the same value as word B and hence these two words take on some "mystical significance".

Hence words as BUT and TUB are esoterically connected, as both BUT and TUB have values of T=20, U=21, and B=2 to arrive at 20+21+2=43.

The real esoteric significance is to realise that the first thing to become submerged in a TUB is ones BUTT. That BUT and TUB have values of 43 really is not material without a huge amount of context.

However, again, the Illuminatus (and its higher power), to include "the Woman", the "Owl", "Isis", etc., are clearly far more sophisticated than such and besides, one still has to solve for "the Word", or Pi.

Failing to solve for "the Word" becomes as trying to run on a rubber sheet with your bare feet with the rubber sheet covered in oil. Either that, or you can admire a dog chasing its tail. Humorous. A nice distraction. But you are not going to pierce any veils anytime soon.

So let's again return to the word ZODIAC.

Z=26
O=15
D=4
I=9
A=1
C=3

Do you see it yet? The anagram is always esoterically connected; the manner in which you make the connections is the key.

ZODIAC = 26154913 = CADOIZ = 3.1415926 = Pi

CADOIZ is but an anagram of the word ZODIAC. Therefore, "the anagram is necessarily always esoterically significant to the original word". No system of Gematria can deny this because it is a basic staple of most of their "beliefs" and esoteric channeling. In "popular" or "mass market Gematria", the word ZODIAC would appear as follows"

ZODIAC = 26+15+4+9+1+3=58=5+3=8 and this means "blah blah blah".

However, the Anagram is always esoterically significant to the original word.

The ZODIAC is the "big pie in the sky", and so an anagram derived from ZODIAC is CADOIZ.

This reveals the Ordinal Code of:

CADOIZ = 31415926

Or we can reveal CADO-IZ = 3.1415 IS

SO CADOIZ = 3.1415929 = ZODIAC

Which word was the ORIGINAL? Cadoiz? Or Zodiac?

Surely it was Pi = 3.1415926 = CADOIZ = the Anagram ZODIAC.

DON'T ADD in blind trust of the rules set about and taught to the public.

If you do, you lose the absolute clues and hence the absolute answer. In this case, the word ZODIAC is a clever little cryptogram for the first 6 decimal digits of Pi.

This is only the beginning of Pi encoded into the Zodiac. Such words as Pisces, Scorpio, and Gemini reveal and whole entire code. Trust me. If you add the Ordinal values of Pisces, Scorpio, and Gemini, you are going to miss the entire point of the encoding.



Thursday, November 1, 2007

Leo the Lion, A Lesson in Transpositions

This article, literally, is a lesson in the art of Occult transpositions. Occult transpositions take many shapes and forms, from morphing mythologies to literal mathematical ciphers encoded into seemingly "everyday" words. The idea of transpositions is very well understood in the Initiated Systems and it is further well known and discussed that there are various transpositions occuring between "sacred nomenclatures" as these nomenclatures are being "passed", or "encoded", from race to race.

The "Goddess Isis", for instance, is known as "the Lady of 10,000 names". Her primary name is "Isis", which some equate to as "throne", but we can transpose to "North" as it is Isis whom we seek to guide us through the darkness for when we require guidance while walking in the "night", we first seek out "the North Star" in order to gather our bearings.. She is also known as the OWL, which we can transpose to the number TWO - if you understand the nature of how to effect the transpositions.

It is all incredibly simple further once you are able to grasp into the nature of the apperception of the conceptual. For instance, when we view the picture of Hathor, a transposition of Isis, we note many things, but draw your attention to the design of the "hair". Not only does "Isis" maintain as her suit the "Swords", themselves a sign for the "air", while Pentacles represent Earth, Wands as fire, and Cups as Water, we note that within the word "hair" is the word "air".

The word AIR we may reverse to form the word RAI(SE), for it is the Mind as Intellect as Isis that "raises us up from darkness and ignorance". Within the phonetics of "raise" may be found the phonetics of "reason" equally, and so it becomes no secret of basic scholarship into "Shakespeare" that oft "raisen" was used as a phonetic code for "reason".

Everything is interconnected. This should, too, come as no surprise save for failure of the education system to properly teach the design. Sir Francis Bacon stated ever so clearly in "The Alphabet of Nature",

"Now, for the sake of perspicuity and order, we prepare our
Way by avenues, which are a kind of prefaces to our
Inquisitions. Likewise, we interpose bonds of connection,

That our inquisitions may not seem abrupt and disjointed."
- Sir Francis Bacon, Alphabet of Nature

The Master Number 11011



If you understood the "Secret of AJK", or the playing cards, you would fully comprehend by now that what is being encoded in the Ace, Jack, and King (AJK) is the Master Number, or 11011, or in short, "11:11". This number is known as "snake eyes" on the "craps table". When you have "snake eyes" showing, you simply have to go "to the belly of the serpent", for the cube or di remain one of the primary encodement "stones".

When we sum the value from 1:11, we arrive at the following digits:

1+2+3+4+5+6+7+8+9+10+11=66

This is a basic transposition. 6's may be 1's and 1's may be 6's.
Hence in the logo for "FOX", the F is a "6" as it is clearly set at number 6 of the Alphabet, while X is placed at number 11 of the second half of the Alphabet. Never mind that it is essentially a glyph of two "1's" set on diagonals to each other: the obvious you are not supposed to be able to see.

Since X is "11", and F is 6, and since "11" may be "66", then the code of FOX has a gematria value of 6066, or 6*6*6*10=2160.

6*6*6*10, or "2160" (note this number in the formation of "The Esoteric Formula of the Heart" wherein there are precisely "21 "6's" in the formation of the word HEART from 884) is a basic "astronomic constant" used by the Illuminatus in encoding various hinge or foundation points.

This number is the diameter of the moon in miles or the time period of 1 sign of the Zodiac. Hence "6" of these numbers relative to the Zodiac would be the time period of the Sun's precession through 1/2 of the signs of the Zodiac, hence the formula of 6*6*10*6*6 = 12,960 years.

Again. The number 12960 when placed back against the Alphabet reveals the code of LIFE. There are special properties to "E" as it is the "5th Letter" or the "5th Amendment", and hence has a "right to remain silent".

5 = 1+2+3+4+5 = 15 = O Letter or 0 Number and hence "no sound".

That E can be either a "5" or a "0" number is just another part of the larger transposition logic in play.

The Sun as Masculine or Feminine

Another interesting transposition is the morphing of the Sun from a "feminine" energy to a "masculine" energy. The astrological sign for Leo, for instance, is really but the outline of the hair of "Hathor".

Many cultures have regarded the Sun as being of the Feminine, although in Masonic constructions, it oft becomes necessary to formulate the Sun as being Masculine. As late as 1861, there was a magazine in publication called "Blackwood's Edinburgh Magazine". In Volume LXXXIX (89) (you can find whate'er esoteric meaning you wish for this number), on page 715, in a piece titled "From the Fatherland", the author states:

"My Dear Irenaeus - I think you will agree with me that that useful luminary, the sun ought to always be of the masculine gender. I happen to inhabit at present a country where the sun is feminine. The Germans gallantly say, that because the sun is more beautiful than the moon, their chivalrous forefathers inverted the classical notion of their genders and made him a lady and her a gentleman."

Aside from the obvious view of the Sun as a feminine energy being held in Western constructs quite late in the historical trail, there is still further insights that indeed, females may sometimes be caste as male and male be caste as female in so far as the esoteric coding is concerned.

The word SUN provides us with a rather unique insight into the above statement.


The Letter S is located at number 3
The Letter N is located at number 5

The Letter U is the missing part of the mathematical cipher, for it is placed at position 5 under this cipher pattern. However, we also know that the Letter U is the 21'st letter of the Alphabet, and the sum of 1:6 = 21, or the U letter, hence we can reason pretty confidently that the proper formula for the word SUN is as follows:

S=3
U=6 (1+2+3+4+5+6=21=U letter)
N=5

Note, again, the use of the "21"-"6" sequence. This is used so often that it defies why it has not been discovered before.

So we can see that the SUN is simply a CODE FOR 365, or the number of days that the EARTH revolves around "the SUN". 365 is a "corelational circle number", and hence is a feminine number, and thus this would make the word SUN a "Feminine deity".

The Sign of LEO mirrors that of the Hair of Hathor. Yet there is more to the code of LEO.

LEO the LION and The Sun

Let us now complete the exercise or lesson by showing the precise transposition of the word LEO and LION. As shown in the Isisian Codes:

The Letter L = 3
The Letter E = 5
The Letter O = 6

The Illuminatus has a very practical cipher known as "5=6". Take column 6 of the Isisian Codes. What word is revealed? FV? Five. It is a "favorite". 5's are 6's. Note the design similarity between E and F (5 and 6), as well as "5" and "6" equally. Even the words FIVE and SIX are showing precise design parallels.

S=3=1+2+3=6
IX=9

S(IX)=69

The word FIVE, too, is a cipher for 69.

F=6
IV=4
E=5

F=6
IV+E=4+5=9

(F)(IV+E)=69

5's and 6's are interchangeable. So if we have a word as LEO with a value as follows:

L=3
E=5
O=6

And, we know that 5's and 6's are interchangeable, we can simply show that LEO is a CODE for

L=3
E=6
O=5

LEO = 365 = SUN

So all that is left is to solve for LION. Here again we have the mathematical formula already half evident. LI is "1/2" of the word LI(FE). Since E = O = N, we can simply cipher these letters to reveal the following:

L=12=L
I=9=I
O=6=F
N=5=E

So the code LEO the LION is simple a code that says "The Sun is Life"!

Very simple. Very clever. And indeed, incredibly ingenious.

This is how you begin to de-story the signatures of the Occult and bring the beauty that was encoded into the system back to "life".

Sunday, October 28, 2007

The Circle of Rhymes and A JacK O' Lantern


The Rule or Form of the Alphabet

After this manner we compose and dispose our alphabet:

We begin solely with history and experiments. These, if
They exhibit an enumeration and series of particular things,
Are disposed into tables; otherwise, they are taken separately
And by themselves.
- Sir Francis Bacon, Alphabet of Nature

Analysis of the Letters of the Alphabet

Let us go into the finer nuances of our Alphabet.

In a craft dedicated to a revelation of "the Letters", it obviously becomes quite necessary to observe and study the Letters in every possible connection that one can think of and at the same time, peer into the patterns that provide for the connections and correlations of one letter to the next, and so on. This means that letters need to be analysed against "shape", "sound", "phonetics", "mathematics", whether they are written forward or backward against a natural archetype, whether they are turned this way or that (at 90 degree angles), etc.

Nothing can be left to chance as nothing was left to chance in the creation of the same said letters. There has always been a rational input, a philosophical reasoning into why one letter comes before another, or why one letter is shaped as it is, etc.

So as Sir Francis Bacon stated as referenced above, "if
They exhibit an enumeration and series of particular things,
Are disposed into tables..." meaning that the Letters are broken down into their various constituent components and designs. These are then categorized (set into tables), and if the Letters do not appear to fit into any given set of "enumerations of particular things", then they are dealt with accordingly and individually.

However, the very basic point to start is through observation of those things that exhibit a high degree of "peculiar enumerations". One such basic observation was covered in the Alphabet as a Hyper-dimensional Representation of Pi . Here we dealt with the design of the Letters as set against symmetrical and assymmetrical design.

It was revealed that the design itself reveals "the Word", or Pi.

The Letters are further broken down into a myriad series of mathematical ciphers. The Superman and the Relationship of N to Ten provides but one key insight, wherein the various numbers that cipher into co-relational "10's" is explained in expanded detail. In this way we can show a rapid transposition set between various letters that all share a value based on the "number 4 or 10 as a product of the summation from 1 thereof".

This knowledge aids us in the effecting of transpositions and modifications.

The Circle of Rhymes


AJK
BCDEGPTVZ
F
H
IY
L
M
N
O
QUW
R
S
X

Another way in which the letters can be seen to exhibit "peculiar enumerations" is to break out the Letters into their constituent "rhyme sets". This "table of rhymes" I refer to as "The Circle of Rhymes" in that always the patterns reveal Pi or some correlational equivalent thereof.

What this means is that we sequentially work our way through the Alphabet and place all letters that rhyme with each other into their own unique sets. Having completed this, we look for any patterns that exist; afterall, we are not crafting the language, we are merely observing what has been crafted and seeking to understand the thought processess as these processes have gone into crafting the totality of "the Word".

AJK, The Primary Rhyme Pattern


Since the Letter A is the first letter of the alphabet, we will place all letters that rhyme with A after the A. This is the first rhyme set. The letters that rhyme with A are the letters J and K. For my friends in England, I do respect that you say the letter J as "J-eye", and so view the Letter J as more accurately reflecting a rhyme sequence to I more than A, but we are working on the Continental Mason's model and it is clear that the pattern mathematical should indeed be AJK.

AJK, being the first, is known as "the Primary Rhyme Pattern". It is, of course, far more significant than that, for it clearly reveals "the Master Number" as further shown in the article called "The Ever Mystical 11:11".

AJK = 1,10,11 = 11011 = The Master Number

The way the Master Number works is we simply sum from 1:11 to reveal what lies on "the belly of the snake".

1+2+3+4+5+6+7+8+9+10+11=66

We thus transpose the 11011 of AJK to the "belly number" of 66066, wherein the game of "Craps" and the "dice" remain the basic archetypical framework for the mathematics, and thus we arrive at this representation.

The numbers 66066 are then set into the following formula: 6*6*10*6*6 = 12,960. The number 12,960 is the number of years to 1/2 of the Earth's wobble on her axis, and so is a correlational "Pi Proportion", as it is representative of the diameter in time of the Earth's wobble.

A Platonic Cycle = 25920 years (PLATO GREAT YEAR) = 25920/2 = 12,960 Years = Pi Proportion or "correlative diameter in time".

The numbers 12, 9, 6, and special cipher of E (its sum of 1 to itself is the number/letter O) reveals the word LIFE.



Thus "AJK" is known as "the Primary Rhyme Pattern" for it reveals the cipher for the Platonic Cycle of 25920 years.

You might now surmise that there is more to the code of A J K O'lantern equally. A Jack O' Lantern reminds us that is the Sun that is falling further and further in the sky, to die again and be born anew on Christmas day. Isis as Baset is there as an "omen" and a key to the whole of the Ancient Mysteries.

So let's light a lantern to "Jack", Osiris, and be wary of the Goddess Bastet (Isis) and spread some cheer to the children who dare us to trick or treat!

Sunday, October 21, 2007

The Esoteric Formula of the Heart


When we deal in "esoteric formulas", we are dealing with acroamatic ciphers hidden in either "art" or "words", wherein the "words" oft comprise that of "myths" and hence, still, remain a part of the arts. In this way we can refer back to "On Isis and Osiris" by Plutarch and show that his use of the words, "On the third day Typhon was born, but not in due season or manner, but with a blow he broke through his mother's side and leapt forth." - source is thus a set of words used to describe the planetary sign for "Mars".

So when we read various mythologies, said mythologies to include that of Setian, or Rabbinical "kabballah", we read the various texts as being encoded acroamatic representations hiding a clear and lucid underlying philosophy that traces back to a literal acroamatic cipher.

Since this article is dealing with the "Esoteric Formula of the Heart", we may use the above statue of Isis, or we may use Setian word formulas, as a means to gain insight into the Occult formation of the word HEART.

Why Solve for the word HEART?

As the mythology of the Illuminatus goes, there was once a word of stupendous power, a word that was removed, and its return and lucid comprehension remains the domain of they who are of the "initiatory class", and it is they who really control this word and use this word to perfect their own essence so that they may "rise again", or be "resurrected" from the decay and morass of the lower world, said "lower world" really being a simple code for "mass humanity".

When we peered into the rabbinical "tree of life" in the article "Deciphering the Tree of Life", what we learned was that the "Tree of Life" is really not a "Tree of Life" at all; rather, it is best to be understood from an esoteric construction to be that of a cube spinning on a more hidden matrix known as "the Garden of Eden". In order for the "Tree" to be formed, "Da'ath", or Ma'at, or "the Feather" had to be removed. Da'ath, or "Ma'at" is but a cipher for Pi, and so we have just another "myth" of "the Omnific Word", or Pi, being "removed" and thus needing to be "recovered".

It becomes "recovered" in "the Garden of Eden" as the Zodiacal sign of the Twins, or Gemini, which is but the Greek Letter Pi.

So the "Heart" is really a cipher for "reason", or the "intellectual faculties" set against moral standards. Afterall, upon the death of the Pharoah, the "heart" is "removed" and it is "weighed" against the Feather, or Ma'at, wherein both the Feather and Ma'at are but ciphers for Pi.

Lower Pi (the Heart) as a material manifestation is weighed against Upper Pi (spiritual or eternal existence) as represented by Ma'at or "the feather", and "validation" is inferred or denied to the Fair O (pharoah) and the soul either joins the company of "the gods", or returns to the "Wheel of Fortune", or the world of ever incurring incarnations set against an ever devolving existence.

Having said all that in quick summary, it can be inferred further that, needless to say, "the Heart" plays such a crucial role in the formation of the Illuminatus System that, to proceed without a concious and rational understanding of its formation, is tantamount to folly.

(Image Originally Sourced at CrichtonMiller.com)

The Setian "Esoteric Formula of the Heart"

Essentially, there are two "hearts": the Setian "Heart", which must necessarily be traceable back to the "spinning cube", and the "Osirian Heart", which will be based on the acroamatic cipher as inferred by Manley P. Hall in Secret Teachings of All Ages. Through studying the oral traditions of English and the "written", or Kabballah traditions of the Hebrews (as these traditions are literally the written code sets of the Osirian systems adapted to the Hebrew Letters), we are able to gain a lucid insight into the nature of the Illuminatus and their philosophy.

A very good written rendition of the "Jewish Heart" can be found at "Inner.org" wherein there are four primary rules or foundations to the construction of the "Jewish Heart". They are as follows:

1) The "Jewish heart" "is composed of a pair of the Hebrew letter lamed (ל) facing one another. In Hebrew, the holy language that holds the secret of all creative power, the word “heart” is written לֵב, a lamed (ל) followed by a bet (ב)."

In other words, what they have done is taken their letter "lamed" and spun it 180 degrees on vertical center so that it is mirrored against each other. Thus the two "lameds" are "face to face" to each other.

2) The "Jewish heart", being comprised of a lamed mirrored on itself, must then include a definition of their "lamed" in order to set their system up back against the Omnific Word, or "Pi". Consequently, this second clarifier should come as no surprise:

"It is stated in the Midrash (Otiot d'Rabbi Akiva) that the name of the Hebrew letter lamed stands for Lev Meivin Da'at: "the heart that understands knowledge." The same idea is expressed in the form of the letter lamed (ל), which depicts the aspiration of the heart to ascend to the highest level of consciousness, the understanding of knowledge. Knowledge (da'at) is the power of the soul which forges the connection between man and God, between man and his fellow, and especially between husband and wife, as it is said at the dawn of creation: "And Adam knew his wife".

As descibed above, Da'ath is Ma'at is Pi, and so there is a union or joining between lower Pi (material existence) to that of "Upper Pi", or "eternal spiritual existence". What the "rabbi's" are stating is but a corrupted view of a known Occult reality within the Osirian mystery systems.

Da'ath = Ma'at = Gemini = Knowledge = Communication (between lower and higher conciousness) = Heart

These are merely archetypical transpositions of a very basic and simple system.

3) "The word for "heart" in Hebrew, lev, is spelled lamed-beit (לב). The letter beit (ב) equals 2. According to the great medieval kabbalist, Rabbi Abraham Abulafia, the word lev itself alludes to its actual form: two (the numerical value of the letter beit) inverted, face-to-face lameds. The two lameds facing one another form an image of the heart, the form drawn by God, the Divine Artist."

Since the Divine Artist is Thoth, and the Alphabet is the material representation of Osiris, we can see that the Jewish or Setian Illuminatus system is appearing more and more to be a fraud (again). The actual "shape" of the "Heart" requires no "lameds" at all, rather, it requires TWO J's mirrors on each other, such as to form the traditional shape of the "Heart" as shown here.

4) "Both of these faces united, in the form of the Jewish Heart, aspiring upward to the invisible, infinite Divine essence. This union was like the union of a bride and groom, aspiring upwards together to receive the blessing of God, the "third partner" of marriage."

Again. This was already well known and solved. By removing Ma'at (Pi) which they called "Da'ath", what was removed from the equation was the 3rd sign of the Zodiac, but the 6th card of the Major Arcanum, or "the Lovers", which is comprised of "male and female", from the larger archetypical matrix within the "Garden of Eden" as the Tree of Life became "constructed". Hence the above is simply alluding to this portion of the larger "Philosopher's Stone" wherein it is simply dealing with the Gemini/Ma'at/Pi component of the larger system.


The lamed is composed of a "neck" (a vav, whose upper tip is a yud) situated on a "body" (a chaf). The two "necks" of the two lameds ascend out of the heart (formed by the two "bodies" of the lameds) as do the two major blood vessels, which channel the life-force from the heart to the brain and from the brain to the heart. The two yuds at the tops of the lameds signify the two brains (i.e. the right and left cerebral lobes) of chochmah ("wisdom" and insight) and binah ("understanding" and integration). In addition, these two yuds allude to the two eyes, the two "antennae" of the heart,

And so you have it: two "antennae" protruding from "the Heart", yet the Heart is said to be "lev bet", or 2, and yet 2 is Isis.

So what was this clever rabbi encoding? Nothing all that "esoteric" at all. He was describing the Suit of Spades.



Solving for the Esoteric Formula of the Heart

So how is "the Heart" really crafted? Essentially, a "heart" is comprised of the letter J mirrored on itself. JJ, reversed 180 degrees on center, with one J mirrored against the other creates an acroamatic cipher describing the Letter J.






Further, the use of such terms as "hooker" to describe a female can be derived from a "single J", as a single J is that of a "fish hook". For the more astute here, I am sure you can see that the shape of the Letter J can then be seen in the walk of the female from behind and that further, although there are many "phallus symbols" the world over, in truth, the "HEART" is a female sexual symbol.




The "heart's" design in Nature is "the Goddess", or "the Sacred Feminine". When set against Isis, the "antennae" are as the "horns", with the phonetic parallel of "horns" and "whores" rather closely linked. The two "horns" are thus divided in the center on the crown of the head of Isis, hence creating "two J's".

What this is saying is that the "headdress" is an artistic representation of the larger Occult craft of "1's" and "0's" representing "males" and "females". The TWO J's are as the two "parents", or the "male and the female" as spoken of by our rather deceptive and misleading rabbi.

The inference is that to "make a U", or a "you", it is necessary to have "two "J's" mirrored on each other, or a union of male and female. Furthermore, the combination of one J mirrored on itself creates the letter U, and it is from this letter that is derived such words as "uterus" (U T R US), UTTER, meaning "to speak", with a reference back to Isis and Speech, etc.

In otherwords, what we have is the Heart is a code for the Sacred Feminine. The Sacred Feminine is linked back to the head dress of Isis, which shows two J's mirrored on themselves.

When the rabbi says that only Hebrew has words of creation and power, he lies, for he describes merely the letters used to formulate the Suit of Spades, while our system is used to craft the Suit of Hearts.

Furthermore, we recognise that the Heart and the Spade are uniquely different in that the Heart is the Sacred Feminine, while the Spade is that of the Male and Female in sexual union.

It is no secret that to "neuter" a pet is to have it "spade". This is but another glimpse of reflections and mirrors and opposites and directs being used in the formulation of the language via an oral tradition.

This does not conclude the totality of the Esoteric formulation of the word HEART, for the word HEART too has a number of "power" in that its number is 85124. The way this formula works is to recognise that numbers are used correlationally. This means that decimals and other parts of the mathematical equation may or may not have value, but rather, the numbers being used are the totality of the value.

For instance, on St. Valentines Day, the number is 2/14, meaning February 14. The Number 2 is summed to 3 to create the hidden equation of 3.14, or Pi and the Holiday surrounding the Heart.

By utilizing the formula as shown in the Bicycle card above, we can see the number 808. This is important because the number 8 sums to 36, so 808 is a code for 11011, or 36036 or 66066, which then leads you back to the number of years of the Earth's precession cycle.

By taking the number 808, and transposing it to 884 (36*36*10), we create the following formula:

884 = 36*36*10 = 12960 = LIFE

884 as LIFE + the following formula creates the word HEART:

884 + (6*6*6*10)+(6*6*6*10)+(6*6*6*10)+6*6*6*6*20)+(6*6*6*6*20)+(6*6*6*6*20) = 85124 = HEART

Again, this formula is crafted. There are precisely 21 (U) 6's in the formula, and the sum of 1:6 is 21, or the Letter U. There are multiple dimensioned channels going on.

Each 6*6*6*10 has a total value if 1/12 of the Precession Cycle of 25920 Years.
Each 6*6*6*6*20 has a total value of 1 Precession Cycle of 25920 Years.

Thus if we have 3 units of (1/12) of a cycle, then the value for this portion of the formula is 3/12, which reduces to 1/4.

And if we have 3 Precessions Cycles as represented by the 6*6*6*6*20, then we show a new formula of

3 1/4

Which correlationally is what? Remove the "/" from the formula, and we have remaining 314, which is what?

3.14

Pi. The Omnific Word. Pi and Life.


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Sunday, October 14, 2007

Macroprosopus, Reflections, and the Isisian Codes

"As above, so below."

The Symbol of Macroprosopus provides us with an intuitive guide into the manner in which what is above too is as below. It may also be used as an intuitive guide in the creation of the Garden of Eden, the hidden matrix that is guarded by the Flaming Sword and Cherub, or the rabbinical "tree of life". Ultimately, reflections, or mirrors, lie at the very heart of the Illuminatus system.

This article will provide some reflections on "reflections" and mirrors as used by the Illuminatus and within the Isisian Codes.

Mirrors and Reflections

We have already discussed the nature of IXXI, or "9-11 ", and how this is used as a foundation code for what is regarded as "The Garden of Eden". 9-11, or IXXI, provides us with the formation pattern, but provides little in the way of the archetypical coding of the various cipher wheels (sephira) and pertinent paths. In the diagram of Macroprosopus, for instance, we can see that the IXXI is encoded into the picture, and that there is a division of the letters running along the center horizontal and thus making a conceptual "mirror" or "reflection".

In addition, what is floating in the sky, as in half the Star of David and the full Tau or letter T, is being reflected in the water.

This "mirror", or reflection component is necessary if we are to solve for the archetypical foundation of the Philosopher's Stone, or, more accurately, the "Garden of Eden". IXXI allows us to form the proper geometrical matrix only. However, it is not enough to merely secure the actual geometric matrix; rather, since the geometric matrix serves as a roadmap of the human psyche in classic Jungian thought, it becomes critical and necessary to properly place all the symbols within the various cipher wheels (sephira), as well as to properly number the channels between the various cipher wheels or sephira.

Even after all this is done, it is necessary to go back through the work and do all the double checking "of the math", as it were. My original matrix for the Garden of Eden, for example, had one error that was not resolved for nearly 2 years. So solving for the archetypical or occult framework requires much work and double checking prior to release so as to ensure that the answers intuited are indeed accurate and correct.

This is all precisely so do to the inherent nature of the Construct, and the way in which immersion into the Construct creates conditions whereby it is easy to be deceived.

Mirrors, or reflections, play critical roles in the formation of reality. For instance, when we view the Moon, which is a symbol of the Occult, is stronger than the Sun because its light can still shine during the day when even the Sun reigns supreme. What this implies is that the Moon is able to reflect the light of the Sun and shine even when the Sun too shines as well as when the Sun does not. Conceptually, the Moon, as a symbol of the Occult, has light that is stronger than the Sun because the Occult is using the Sun and the reflection of the Sun equally. It is not using one exclusively over another, but uses the direct light of the Sun, but more importantly, the reflected light of the Sun.

For the dark side of the Occult (the left hand path), their reflection is that of the CLOUD. Within the word CLOUD is the annagrammic play of the word OCULT. Since T=D, we simply cipher CLOUT and CLOUD and OCULT (occult). In this way, the Occult acts as a cover or a seal which blocks out the Sun and the Moon, or may gently wisp by and not effect the light of the Sun or the Moon at all, or may obscure partially the Sun and the Moon. Yet stronger still is the anagrammic play of the word OCCULT to form the word CLOUD. The word CLOUD shows a reflection of LOUD, and yet clouds are silent, and so we are reminded that the strength of the "cloud", or the Occult, is stronger still as it can blank out the light of the Sun at its highest point.

From a conceptual point of view, we simply recognize that our existence here on Earth is subject to many influences and occluding forces, of which "clouds" act as a beneficial or detrimental force depending on the strength and duration of the influence. Clouds, or "the occult", may change the colors of the light reflected from the Moon as it reflects the Sun's light, while the moon changes phases and reflects ever increasing or decreasing shades of light.

It is only the left hand path that seeks to obscure entirely, even as we recognise that all things are obscured in some way.

If we imply that being loud is as "overpowering" what others can hear, then we have a reflection of the power of the Occult in this world and so should take heed of strength and learn from its reflections, for in the end, it is only the reflections we can see, and not the actual working as the words and works were set into place.

Mirrors as an Occult Staple

The picture of "Macroprosopus" is designed to hint at the use of reflections and mirrors as part of the primary conceptual foundation and that these reflections and usages thereof must be thoroughly understood if you are to acquire an apperception of the conceptual.

All the "gods" partake of the essence of Osiris, and Osiris, as the Letter A, manifests as himself in a "material form" akin to the mythology of Christianity. Osiris as the Letter A provides us with the conceptual tools to begin to de-story the fabrication of "reality", occult or otherwise. Pi is "the Word". This means that there is a division and seperation in that 1's are males and 0's are females, that each has its own unique and seperate existence, but that the 1 and the 0 are not mutually exclusive to the other, in that the the 0, female, is created by the 1 of the male. This is basic "intercourse", or "sexual union", or "the Letter X".


X's = SEX, yet the X is a reflection of female over the male. This reflection provides the intuitive insight to understanding the nature of Geb and Nut of the Egyptians. Geb and Nut are but an artistic representation of the Letter X, of the sun rising into the womb of the Earth, or the sky.

Yet all of this is linked "technically" or "fundementally" back to Pi.

If you contemplate on the design, and in this we imply the design of the human body, for it too is designed around the idea of Pi, or the "Word", the visual shape of the vagina shows a correlational "1" when "closed", while the shape of the male phallus shows a correlational "0" when viewed from "the tip". It is through the cardinal conceptual turning of the two dimensional design that we are able to arrive at the proper perspective 3 dimensional reality wherein in this case, the "1's" as males are appearing in mind properly as "males" and the "0's" are appearing conceptually in mind as being properly designed as "females".

In this way we may begin the process of conceptualizing the inherent design and begin to understand what is "true" and what is "false", what is the "mirror" and what is the "actual".

Another way to view this is to use Occult reference material, which today is needlessly and intentionally confusing and "mystical". For instance, the Sepher Yetzirah, or "Book of Formation", states the following:

"These twenty-two letters, which are the foundation of all things, He arranged as upon a sphere with two hundred and thirty-one gates, and the sphere may be rotated forward or backward, whether for good or for evil; from the good comes true pleasure, from evil nought but torment." - Source In this example, the sphere can be turned this way or that.

Imagine it as a ball sitting on the ground. I write the number 6 and then turn the ball 180 degrees. You see my 6 as a 9. I then write a number 9 on the ball and turn it again 180 degrees. Now you have two 6's or two 9's, depending on how you view them AND assuming you knew to view the numbers "this way or that". If I say that the number is a 6, and I wrote the number as a "6", AND you tell me that the number is a "6", and hence we both agree that the number is a 6, then what is discussed is "true", and hence "good".

However, if I write the number 6, and you tell me that the number is a "6", and yet I purposely mislead and say that the number is a 9, then I have reversed the number and hence "evil", or a "lie", proceeds forth. Since there is no additional context points for you to view the reality as it exists at that point in time, you have no way to really know if the number is a 6 or if it is a 9.

Now expand this concept to multiples of glyphs (letters, etc.) and spin the multiples of glyphs as if on a sphere while you are sitting in the center of the sphere while immersed in a total vacuum! This is how complex and complicated it can all get.

The Universe is incredibly complex in its simplicity.

Context as a Critical Component

Hence "context" is critical to understanding the preciseness of what is being viewed relative to a Letter and especially as to how one views and de-stories occult insignia and mythologies. For example, in the above view of Macroprosopus as shown above, there is a "T" reflected in the water, and yet there is an "upside down T" floating in the air, and hence reflecting in the water is the Letter T derived from the reverse T in the air.

This view is "true" from an Occult sense, but why? Hence the principle of "know thyself" means that certain truths you should focus on and ascertain for yourselves, even as guidance is provided along the way.

In otherwords, it is not enough to understand that what is "above" is "as below": it is critical that a person understand to reverse the image of above and analyze it as if it is reversed or upside down. Ideas and images must therefore be turned "this way" and "that", meaning rotated 180 degrees or flipped 180 degrees, shifted 45 degrees and flipped 180 degrees, read forward, but interpreted in reverse, center out, or in various combinations of the above

How "the God" manifests cannot be so easily controlled by simplistic formulations, and to arrive at willful and intentional codes too cannot be assumed to be a simple and straightforward process. In the end, we are limited to the tools available to us through the restrictions of the design (material existence), and so a wide range of tools utilizing a wide range of interconnections is wholly necessary to effect an understanding of the whole

When Plutarch says that Typhon tears to pieces to the sacred writings and scatters them to the winds, this is a very ample and accurate depiction, and so we must view the Construct as a giant puzzle, that, like Humpty Dumpty, we try to piece back together again so that we may beat back ignorance and delusion and create for ourselves a world and society where our spiritual foundation is rooted in a form of reason that is impermeable to ignorance.

The primary point to remember is that the Illuminatus utilize and utilizes a vast array of reflections and mirrors in their system, and so if you are to penetrate their philosophical system (a system that belongs to all of us), it is critical that the idea of mirrors and reflections be understood completely.