Upcoming Guests on Inside the Eye - Live!

Visit Inside the Eye - Live!, the new website for Inside the Eye - Live! radio show with The Fetch!

Show starts at 10:00am Eastern Call in or listen live!

Show Archives (including show summaries) from Apr 1, 2013. Previous show archives (without show summaries here).

Important note to visitors. Blogger has changed the HTML code used when this blog was originally created. What that means is that some pictures may not load, or pictures have disappeared from original linking URL's and are no longer available. Fixing any picture requires an entire reload of all pictures so that the pictures work with HTTPS, or Blogger will not allow any in story photo updates. Pages are currently being updated (freshened up). Be patient as pages get updated. Updates are based on various page use/visit priorities.

Friday, August 29, 2008

English Gematria and the Order of the Universe

"Things" are not as they appear and truth as it has been crafted is not so difficult to penetrate nor so difficult to pierce - if only you had the knowledge and the education to see through the Construct. Let us blast through some of the basics.

1) We hold that mankind has been drowned. As such, we hold no difference, phonetically and hence esoterically, between the global mythology known as "the Deluge" and that which constitutes a state of "Delusion". The very design in the phonetics holds the core or key of the fabrication.

2) We hold that the "Word" is "Pi" and that English is a hyper-dimensional representation of this reality. As 1 is to the 0, so the male is to the female. Each cannot exist without the other.

3) Gematria is an Occult Science as well as an Occult Art. Gematria is the willful or conscious embedding of esoteric formulae into the language with the intent to hide and yet reveal the core of the Construct, while ART is used as a means of interpretation.

"For the mode of any more abstruse experiment, we explain it,
Lest any mistake arise about it; and to the intent, also,
That we may excite others to excogitate better methods
." - Sir Francis Bacon, Alphabet of Nature


ISIS = 9+19+9+19 = 56 = 19+16+5+5+3+8 = SPEECH
OSIRIS = 15+19+9+18+9+19 = 89 = 18+5+12+9+7+9+15+14 = RELIGION

In the Oral tradition, we twist the L

4) The Construct is wedded, or embedded, into Nature. In Nature is revealed all things.

"In Nature's infinite Book of secresy
A little I have read."--Antony & Cleopatra i.2"

5) Symbols as Letters are two dimensional representation of 3 or more dimensional concepts. Example: D is as the Sun as it appears on the HORIZON. The word HORIZON is a CODE for the following:

H = Greek Letter Pi Transposition
ON = ON(e) = One

HORIZON as an ESOTERIC CONSTRUCT embeds the code of "Pi (as the Letter H) is comprised of the ZERO and the ONE. The Letter D, being a 90 degree turn of the Sun as it appears to rise on the HORIZON, thus becomes the 3+ dimensional representation of this conceptual.

Esoteric English and the Pi Proportion

Of all the axioms held there remains the primary axiom: Pi is the building block upon which the whole of the Illuminatus system is predicated. If you keep this core thought in mind as you delve further into your own research, this reality will become ever more profound and clear.

However, let us aid in the illumination:

One book you should equate yourself with is "The Beginning of Masonry" by Higgins. He writes in the chapter called "The Pi Proportion",

"It is completely in accord with the ancient philosophy, which, in apostrophizing the Deity as the "Pi proportion", meant what later, in Isaiah, is called "The living Elohim" - The Pi proportion, endowed with omnipotent self-exertion in the ordering of inchoate matter; in other words, a LOGOS active in Cosmos. The Pi proportion is something that is never absent, in one form or other, from every one of the world's primitive religions, and certainly enters deeply and radically into the philosophies that have given rise to what we in these days call "Masonry".

Elsewhere, this excerpt is noted:

The Pi Proportion, infused as it is "into all things", would of necessity, then, be infused into the very words which comprise the language that such Mason's were crafting, or so it would seem. Diurnal orbits, planetary speeds, speed of light which have clearly been embed into sacred architecture, would be embed into the English language itself.

To understand how this might be so, the concept known as the Pi proportion has to be understood. Fortunately, it is very, very, simple. The 1 as a diameter cannot exist without the circumference. 1's are encoded as male and 0's are encoded as female. Each cannot exist without the other. This "stupendous mechanism" is only stupendous when set against Jehovian, or Setian metaphysics and its total reliance on male centric, or "1, 1, 1" theologies.

The 1 and the 0, male and female, god and goddess, remain key to the operative nature and plan of the Universe. It is common sense and observable to all, yet mankind's primitive religions insist on a male centric theology.

The Pi Proportion and the Ordering of the Universe

When we look at the process of "constructing this really divine system", it is impossible to do so without the Pi proportion. As referenced above, there is an intrical link between observable "cycles" of the Universe as viewed from Earth.

The easiest way to comprehend this is to translate the concept of "cycles" into the word "orbits". Orbits can be divided into their respective Pi proportions through the establishment of key marking points in the observation process.

For example:

The period from a New Moon to a Full Moon effectively divides the orbit of the Moon as it circles the Earth in half relative to the time it takes for the Moon to complete one orbit around the Earth. The "1", or "diameter component" of the "Pi proportion" would then be the orbital time divided by 2.

The Synodic Orbit of the MOON is 27.3 days. Divide 27.3 days by 2 to arrive at the "Pi proportion", or the "diameter", which reveals a formula of 13.65. Check your numbers against the Isisian Codes to correctly encode, or construct, the word for MOON.

The Letter M has a value of 13.
The Letter O has a value of 6
The Letter N has a value of 5.

The Formula for MON is M.ON = 13.65 days from New Moon to Full Moon. As the orbit of the MOON is not constant, but changes, the word MOON would simply be set at a formula of 13.665 days, allowing for orbital tolerance.

The Word SUN reveals the formula of

S = 3
U = Sum of 1:6=21 Letter U
N = 5

or, more simply SUN = 365

EARTH = 5+1+18+20+8 = 52 Weeks, or the "circumference" of the "Pi proportion".

The Period from Winter Solstice to Summer Solstice is 52 weeks divided by 2 (in half) to reveal 52/2 = 26 weeks. This is the number of Letters to the Alphabet, which should be a clue enough, however, the Isisian Code words for this period is

GOD = 7+15+4 = 26 weeks

Since "GOD" is "masculine", and GODDESS is "feminine", then GODDESS would, by necessity, have a value that equates to the Pi Proportion. This Pi proportion would have to be a circumference reading, and so the cycle time, being observable and hence known, would then be encoded into the word. The proper way (through the use of Art) to decode this (or encode this, as it were), is to understand that the 1 and the 0 exist together. This is a conceptual reality, so words that are feminine will often include the masculine as designed (another observable conceptual reality): SHE contains HE, HER contains HE, WOMAN contains MAN.

There is an esoteric coding in play.

The male is the diameter code while the female component of the word incorporates the circumference of the Pi proportion.

In the word GODDESS, GOD is the DIAMETER while DESS is the CIRCUMFERENCE.

DESS reveals the following digits:

D = 4
E = 5
S = 19
S = 19

The formula, then, is easy to ascertain.

(S*S)+D = (19*19)+4 = 365 days; or
(S*S)+E = (19*19)+5 = 366 days

What is evolving is that the Universe is being set into a form of ORDER, and the order is appearing from the seeming CHAOS of the ALPHABET

The Great Year by Plutarch is said to be 25920 years. The PI proportion, comprised as it from a "diameter" and "circumference" component, would have as its circumference component the period of 25920 years, while the diameter component would have as its value a period of 25920/2 = 12960 years.

The Pi Proportion for the Great Year, or 25920 years is the word HELL. That is right. HELL.

H = 8 = 36
E = 5
L = 12
L = 12

HELL = (H*E*L*L) = 36*5*12*12 = 25920 Years

Of course, the idea of equating Letters to Numbers should not be a secret to anyone who is familiar with the United States Monetary System. The coding is there right before your very eyes.

Notice that the "B" is the 2nd letter of the alphabet and there is a 2 located as referenced. Study any US currencly, and this pattern will be found. Where you find an L you will also see the number 12, as 12 is the 12 Letter of the Alphabet. A "G" will have a "7", and an "I" a "9" and so forth.

So when you take the diameter (Pi proportion) of the Great Year of 25920/2 = 12960, this creates the Isisian Code of

L = 12
I = 9
F = 6

and E, having a right to remain silent as E is 5 and 1+2+3+4+5 = 15 = O Letter, the E has a value of O to show the proper Pi proportion formula.

LIFE = 12960 Years = 1/2 of the time of the Great Year.

I hope you have found this to be an entertaining and interesting read into the Ordering of the Universe using Esoteric English and higher level Gematria.

Friday, August 15, 2008

Insights into the Craft of Qaballa

Albert Pike wrote in "Morals and Dogma", "One is filled with admiration, on penetrating into the Sanctuary of the Kabalah, at seeing a doctrine so logical, so simple, and at the same time so absolute. The necessary union of ideas and signs, the consecration of the most fundamental realities by the primitive characters; the Trinity of Words, Letters, and Numbers; a philosophy simple as the alphabet, profound and infinite as the Word; theorems more complete and luminous than those of Pythagoras; a theology summed up by counting on one's fingers; an Infinite which can be held in the hollow of an infant's hand; ten ciphers and twenty-two letters, a triangle, a square, and a circle,--these are all the elements of the Kabalah. These are the elementary principles of the written Word, reflection of that spoken Word that created the world!"

Now all of this is just fine and dandy, and to those with some inside knowledge, makes clear and perfect sense, even to those whose conclusions are still quite errant. There are issues to be debated over what Pike was advancing, but first let us discuss where we agree.

1) The Construct is indeed simple and absolute, and its logic, albeit "intutitive", once grasped, remains ingenious and exceptional. One may attribute to the Philosophy the term "admirable".

Example: there are two "1's", which we may define as A and I. A is Osiris is Able in that it may stand on its two feet. I is Seth is Cain (cane) in that it stands on 1 foot. The former is as the Compass and the Square, the latter is as the Square only. As each of these are technically "1's", wherein A = 1 = I, this reality brings about confusion. So as the Hanged Man of the Tarot is Odin is "the Letter El" is Osiris, so too is the Letter El referred to as Saturn.

The former brings enlightenment and lifts the spirit, the latter brings about death and despair. Hence, the individual as "the Ka", or letter K, may seek after "the 1", and either be caste further into the morass of matter, or find themselves becoming more enlightened and attuned with the Universe.

Es Ka Later lifts one up = hence an "escalator".
El Evader lifts one up = hence an "elevator".

2) The Philosophy is based on the necessary union of ideas and signs.

This is really not so esoteric once you break it down, hence it could also be inferred to be "rather simple". In order to communicate a sound in written form, it is necessary to codify the sound. In order to communicate the idea in written form, it is necessary to codify the idea.
In order to further codify the sounds, as in letters, or ideas, as in numbers, it becomes further necessary to codify each of these disciplines.

"Primitive characters", be they written representations for numbers and letters (to include signs of the ZODIAC signs, and so forth), contain within them, therefore, a fusion or union of ideas to signs. In a modern context, we may say that the written formats of numbers and letters (and other signs) carry with them archetypal coding, very much at the root core of DNA, which the Occultist could describe as "a consecration of the fundamental properties by the "primitive characters".

A subtle key here is that to the Occultist, the "primitive characters", being type coded into DNA, remain wholly outside of DNA, and hence have their own existence.

What this means is that "the primitive characters" have been "discerned" or "discovered" and remain powers and force unto themselves.

3) The Philosophy is as simple as an Alphabet, a fusion of Letters to Numbers to Sounds.

Aleister Crowley wrote in "Magic without Tears",

"No one has ever found out why the order of the letters is what it is. Probably there isn't any answer."

Of course, he could not be further from the truth and more incorrect. In truth, the Philosophy IS the Alphabet, and indeed is a fusion of Letters, Numbers, and Sounds. Where Pike inferred a Trinity of Words, Letters, and Numbers, technically, this is incorrect. The Trinity remains of Letters, Numbers, and Sounds, for the Sounds have to too be set into their proper mathematical matrix before the WORDS can arrive at their intended esoteric constructions.


SUN shows a value of

S = 3
U = 5
N = 5

The U must have a Temurah component, for the Sum of 1:6 is 21 is the U Letter. If U as a sound were not placed at 21, then the sound pattern relative to the esoteric construction of SUN = 3(sum of 1:)65, or SUN = 365, would be destroyed. If L were not set and given a value of 50, then the word SOL as

S = 3
O = 6
L = 50; would too be destroyed. The Construct or Philosophy remains absolute and unerring.

4) The Philosophy is as profound and infinite as the Word; theorems more complete and luminous than those of Pythagoras.

Why Crowley was brooding that "no one has found the reason for the placement of the Alphabet" is rather puzzling for someone who displayed an intuitive and working insight into the larger aspects of the Construct. The Alphabet, being the Philosophy, is too an adumbration, or reflection, of "the Word". What this means is that it must by default represent clearly this "Word" through the very nature and intent of its design.

By taking the Symmetrical and Asymmetrical shapes of the Letters, for instance, we can infer from the pairings of symmetrical and asymmetrical letters that the word as Pi is inferred and designed in. The asymmetrical letters are BCDEFGJKLNPQRSZ. They can then be paired up as follows: (BCDEFG)(JKL)(N)(PQRS)(Z). The pairings show the number of letters per pairing as (6)(3)(1)(4)(1).

With Pi (314) in the center, it is readily apparent that the pairings are encoding Pi, or 3.1416. This is a basic and clear design for which it is puzzling that Crowley feigned ignorance. The Value and Placement of the English Alphabet was and remains very well known, guarded, and protected.

This is no secret, however, within secret societies. Manley P. Hall describes the fusion of this philosophy to an Alphabet as being that of an Acroamatic Cipher.

5) The Construct is a theology summed up by counting on one's fingers; an Infinite which can be held in the hollow of an infant's hand; ten ciphers and twenty-two letters, a triangle, a square, and a circle,--these are all the elements of the Kabalah. These are the elementary principles of the written Word, reflection of that spoken Word that created the world!

You can attempt to "mystify" the above, or you can find a rational explanation for same. The Construct is a THEOLOGY. The root of the word THEOLOGY is the word THE. Rather than assume the definition as offered, it is often best to peer a bit deeper into words in order to gain an insight into their esoteric contruction.

In the case of the word "THE", we have a word that preceded all things (nouns), i.e., "the" birds and "the" bees, or "the fish in the water". THE is rooted too in "monoTHEism", "thespian", "theoretical", among many others. So having a distinct and comprehensive understanding of the word THE from an esoteric construction might prove beneficial.

When we break down the word THE, we note that it is comprised of two distinct sound features, "th" as a compound sound (comprising two letters with their own unique sound set), and the vowel ending of "e". Breaking it down constructively, you need to keep to the compound sounds as a single number unit, forming a word or mathematical formula of (TH)(E). How it is added, multiplied, and so forth, is the intuitive logic of the theology.

In this case, we use the Isisian Codes to reveal that:

T = 4 = 10
H = 8 = 36
E = 5

The formula, therefore, is (T*H)+E = (10*36)+5 = 365 = SUN.

The word THE, as it should be expected, is simply a cipher for "the SUN", having as its core Gematria the value of 365. Note that this "theology", or "belief" as you may have it, does not follow precisely the rules taught in a profane way regarding letters and numbers and values and esoteric constructions.

There is a simple genius to the Construction, a result that provides its own self evident truths. The Philosophy is as simple as "counting on the fingers of one's hands. 1+2+3+4+5+6+7 and so forth, on up to 36. Crowley has taken the summation assumptions to absurd lengths, for instance, but for all practical intents, the system is set against the 6, 66, and the 666.

In the case of the INFANT, we too can reduce this to a series of Letters, Numbers, and Sounds.


The word "IN" is a preposition. Prepositions often say precisely what they mean, meaning that they are "pre-positioned" into the larger Philosophy known as "the Construct". Hence an INTERPRETER could be seen as an INTER PRE T (ER), the root of the word being the Letter T, which would then contain the vast bulk of the esoteric construction to the word.

The Letter F is as its says, the "6", which then becomes the Dreidle or the Cherub or the Hexagon, which is the Cube. Another way to show this aspect of the Philosophy (theology) is in the word "VISITOR". Your time here on Earth is transient, meaning that you come, but you will go. You are a VISITOR.

VI = 6
SITOR = Sitter; or a "6 sitter"

ANT is often a suffix to imply a "person", for reasons which a comprehensive understanding of English Qaballa well expresses.

An IN-F-ANT and a VI-SITOR really are expressing very comparable realities to the design of the Construct as "existence" is often reduced to that of a CUBE within the larger Philosophy.

Where all of these things hold true, what does not hold true is a reliance on the 22 Letters of the Hebrew caste against a 10 set cipher system known as "sepherahs". The 22 Letter Hebrew System is an adjunct to the 26 Letter System of English. Basic research into Continental Masonry would show that they were wholly relying on a 26 digit system (and for clear and obvious reasons to anyone who tries to decipher the meaning of these things). The whole of the system works when the disparate systems are integrated into a larger and composite whole.

You cannot, for instance, make the system work without a comprehensive knowledge of the Roman Numbering System. To assume you can is to assume in error.

The System is based on Pi. The word ILLUMINATUS is comprised of a massive set of Roman Numerals.

I = 1
LL = 50+50 = 100
MI = 1001

1+100+1001 = 11.001001 = Binary Pi

Do you really think this is a coincidence? Do you really think that the U of ILL(U)MINATUS, when removed and divided by itself as ILLMI_NAT(U/U)S to reveal NATAS = SATAN is a coincidence?

Or is it evidence of a higher intelligence working and constructing its Philosophy and Theology into the language, both to conceal and to reveal?

Qaballa, in all its varies spellings, is first and foremost a study of the Letters. The Letters are a manifestation of the "spoken word", the Word being Pi, and the Alphabet is a hyper-dimensional representation of Pi as a representation of "the Word". There is too much to tell in a format as a blog, but to those who read to gain insights and knowledge, I trust this piece will provide a new perspective on this most critical of Occult sciences.

Tuesday, August 5, 2008

The Esoterics of the Letters M and W

You who seek to enter the higher levels of the Occult Arts are at a tremendous disadvantage. The Arts are corrupted. It is for future generations to set them aright, but to do that, you must first have the tools. Life is for the living, and not to be in service to the dead. Rituals to bring about a ritual slaughter, whether it be a "moshiach" or a "rapture", are the inverse of what life is all about.

Growth through abundance does not imply abundance that partakes of the form of a tumor, killing the body even as it, the tumor, grows exponentially. Abundance must be predicated on an understanding of the forces of Nature wherein balance can be observed in all things.

To reach an understanding of NATURE, the Letters, gifts as they are in enabling mind to be become frozen in time, need to be comprehended and understood. Anagrams, gematria, temurah, notaricon - all are tools to aid in this understanding. The great deception is that English is just a language evolved out of somewhere even as the actual Construct is based on the 26 Letter of English. So people chase Hebrew as if the cooking is better in the other person's house, or in the vain belief that to "be exotic", one must not have any idea of the treasures below their feet and before their eyes.

Avoid this temptation. Dedicate - or rededicate - yourself to the knowledge before you.

Let the studious Reader have a care of the manifold significations of words, for by deceitful windings, and doubtful, yea contrary speeches (as it should seem), Philosophers wrote their mysteries, with a desire of veiling and hiding, yet not of sophisticating or destroying the truth;

Male and Female as a Pi Conceptual

A good primer for information is the glossary of Theosophy as purportedly written by Madame Blavatsky.

Regarding Pi, she writes,

"Bearing in mind that there is a geometrical key to interpretation of cosmic law and structure, and that the facts of geometry cannot possibly be arbitrary or meaningless but must be faithful representations of general laws; then we shall understand that the ratio {pi sym}, involving such radial and important elements as the straight line and the circle, must be of paramount importance. The figures, either for approximate decimal evaluations or approximate fractional ratios, play an important part in the symbology of the ancient mystery-language. These figures and the numbers which they make are found in the numerical values of letters and words in the Hebrew and Greek alphabets."

The irrational aspect of Blavatsky's rational analysis, and most probably deliberate deception, is that numbers are numbers and letters are letters. Philosophically, from an Occult perception, they are inseparable, and by default, the sounds of the letters are equally inseparable from the numbers. If you were to view every letter as an arbitrary letter, then any shape attributed to an English Letter A would still be a 1, and any shape of a Letter placed at 2 would just as surely contain within it the "2" value regardless of whether you called it "Hebrew", "Greek", or "Extralien" - the numbers form the backbone. Period.

What Blavatsky was perhaps hinting at is that Greek and Hebrew contained key significations to the larger code, itself based on the 26 and what would be become the modern English Alphabet.

Even if this were difficult for one to grasp, there is a level of absurdity in the assumption that English would not too contain within it critical components of a Pi Proportion, or 1's as males and 0's as females, in the esoteric construction of the Alphabet and words that would be derived from such. French, German, Spanish, Slavic, Russian, languages too that are derived from clearly defined sets of letters, must by necessity contain within them words that clearly could be construed to return back to this basic formula, or what is known as the Pi Proportion.

English is acutely potent and powerful precisely because it is crafted, a "child" as it were, of the "previous parents", of "Hebrew" and "Greek". As an anonymous alchemical treatise on Hermeticism explains,

"Now that (abandoning all blinds) we may write candidly and truly, we hold that this entire Work is perfected by two Bodies only; to wit, by Sol and Luna rightly prepared, for this is the mere generation which is by nature, with the help of Art, wherein the union of male and female doth take place, and from thence an offspring far more noble than the parents is brought forth."

Of course, we cannot know what is meant here unless we have a comprehensive understanding of what "Sol" and "Luna" mean.

"Now Sol is Masculine forasmuch as he sendeth forth active and energizing seed, Luna is Feminine or Negative and she is called the Matrix of Nature, because she receiveth the sperm, and fostereth it by monthly provision, yet doth Luna not altogether want in positive or active virtue."

But "Luna", obviously then, could not be "the Moon", for what growth comes from combining the Sun with the Moon? The Alchemist was not so lazy in his treatise.

"By the name of Luna Philosophers understand not the vulgar Moon, which also may be positive in its operation, and in combining acts a positive part. Let none therefore presume to try the unnatural combination of two positives, neither let him conceive any hope of issue from such association; but he shall join Gabritius to Beia, and offer sister to brother in firm union, that from thence he may receive Sol's noble Son."

If you cannot see the swipe at Jehovian/Setianist systems, then you know not enough of what these systems are about. Luna, in this case, clearly means "Earth" and the Feminine resident within and influenced by Luna, as it were.

Further, the political overtones of the above statements should not be glossed over.

It is good enough if you first come to understand the nature of 1 and 0, Male and Female, M and W.

An Esoteric Insight into SOL and LUNA

As shown above, SOL is the Sun, given an "active" component of impregnating Luna. Luna, therefore, by simple reason, cannot be "the Vulgar Moon", as referenced above, but must be Earth. Now this gets confusing to most, but it is really not so difficult. The Moon as Luna affects the Feminine of Earth, so the effects of Luna are used to describe the condition on Earth.

This is known as a "reflection". The reflected source is used to describe the point of observation. For example, in the word SOL, we have the letters as follows:

S = 3
O = 6
L = 50

That SOL = SUN is self evident, each is 365. But the SUN as a word really has no bearing to 365 save for its observable properties relative to a heavenly body, in this case "EARTH". The same holds true for the word LUNA.

L = 3
U = 6
N = 5
A = 1

Since the synodic orbit of the MOON around the EARTH is 27.3 days, then the Pi Proportion, or the diameter as measured in time of this perdiod, aka the period from the New Moon to the Full Moon, would be 27.3/2 = 13.65.

LUNA then becomes an anagram, for the numbers 3651 are an anagram of 1365, or 13.65 = ALUN.

LUNA as ALUN and MOON become identical mathematical representations of the same Pi Proportion measurement. Yet still, LUNA is oft referred to as "the Earth as a process of its effects of Luna upon same."

The Esoterics of the Letters M and W

The Occult is filled with reflections and mirrors. As Luna affects Earth, Earth is given the name of Luna when we refer to the affects of Luna on same.

The days of the year are 365, while the synodic orbit of the Moon around the Earth is 1365. Each number is coded into words which become the language, the language effectively sealing the philosophy to the language. Yet the sealing of this Philosophy goes far deeper, all the way into the archetypal world of the Letters.

"Kabballists" are well versed with the concept of archetypes being affixed to Letters, even though few are able to penetrate the totality. Hebrew Letters have myriads of Occult significations attached to them. Gimmel is a camel, Pei is a tooth, Beis is a house, and so forth. Much of this information, unless you are involving yourself in calling up anti-human daemons, remain primarily "guideposts".

Hebrew, along with the Greek, remain earlier "parents" for a much awaited for 'exalted child', or the 26 letter set of English, the letters within this Alphabet carrying with them a veritable treasure trove of archetypal realities that would have sent Jung into ecstasy.

As Sun is Male and Luna (Earth) is Female, and as Sun "sends forth seeds" and impregnates Earth, which then grows the myriads of thoughts from these "seeds of the Sun", we may infer that M is the Male and W is the Woman - a simple use of Notaricon.

However, just as M contains within it the divisions of:

M = I V I = V II

II = Pi = 1413 = ADM; and
V = VE = EVE = (666);

So too does W contain a "double U", or DNA from both male and female.

Another way to view M and W is that M is the Sun and W is the Earth. The "seeds" that are sent for is "pure white light" which travels in a vacuum of space. The V of the M may be viewed as "the focal point", while the II of the M may be viewed as the projected rays. So the composite Letter M is as "the Sun's rays projected into the vacuum of space."

When these rays hit an atmosphere, as Earth, they refract and then reflect, hit the troposphere, and reflect again. Diffusion, of course, equally present. We may regard this refraction and reflection as the "light of the Sun as it refracts and reflects into the atmosphere of the Earth. This phenomena we may regard as being represented in the shape of the Letter W.

M as a "mirror" of W could then accurately be represented as follows:

M = Sun
W = Earth

Each tip and point and line of the Letter, therefore, has it's own esoteric significance. In the case of the base angles of the Letter W, we may infer too that since W is that of the "the Woman", or Earth, we may attribute the lower angles of the letter as "the point of the Winter Solstice", meaning that the Sun goes down, reaches its lowest point, rises again, then falls again, then rises again, and on into infinity.

This can be supported by an analysis of the rhyming values of letters shares with U, which are the letters Q, U, and W.

Q = 17; 17^2 = 289
U = 21; 21^2 = 441

289+441 = 730, which is the total value of 2 years (365+365=730), which then represents a dimensional shift in W.

That all of this is linked to the YEAR should be expected, seeing how M is placed at 13 and W is placed at 23.

The actual matrix appears as follows, and is known as the "Circle of Mirrors":


W is mirrored under M. M is 13, W is 23. To the left and to the right of W are the Roman Numbers V and X, representing 5 and 10 respective.

(M+W)*X = (13+23)X10 = 360

Add the V to the left to form 365, and leap year of "1" above the V to form 366.

This matrix is famous elsewhere.

"Through HIM are all things possible".

Of course, within the above matrix is that of Pi.




Monday, August 4, 2008

Shakespeare and the Mysteries

Clarence tells us of King Edward's mysticism in these terms:

"Hearkens after prophecies and dreams;
And from the cross-row plucks the letter G."
- Shakespeare, Richard III, I, 1.

The Mysteries, wrapped as they are around the Alphabet, become revealed plainly with a bit of knowledge. In the above passage, the "Letter G" clearly maintains some relative import. Further, that Clarence is "hearkening" after "prophecies and dreams" speaks of the shamanic element to acquisition of the core the Mysteries. That Clarence plucks from the cross bow "the Letter G", and Odin "spies the runes", are but another example of Occult transpositions. Each is dealing with the use of "altered states" of consciousness to penetrate the Mystery of the Letters.

The Cross-row and the Alphabet

The 1913 unabridged edition of Webster's dictionary has a very definition for the crossrow:

Crossrow \Cross"row`\ (-r?`), n.
1. The alphabet; -- called also Christcross-row.

And from the crossrow plucks the letter G. -- Shak.

To prove the point, a very simple line was taken from Shakespeare, wherein the Letter G is plucked from same. However, what few noticed was that Shakespeare was describing a particular set of rules to deciphering the Mysteries as they lay embedded into the evolving English Language.

The Letter G was being plucked for a reason, for it is a critical key to the larger philosophical construction based on numbers.

The Letter C, located as it is as Position Number 3, combined as it is with the Letter T, which rests at a position of 4, creates the Letter of G. The Letter G, resting as it is at number 7, reveals that 3+4=7. The "G" hides 2 of the Letters to the Sacred Alphabet, the Letter C and the Letter T, as well as their esoteric, or Occult positions (see the Isisian Code matrix at the bottom of this blog).

Aside from the mathematical coding being set into the Letter G, the plucking of the Letter G reveals a simple secret to how to decipher words from a basic esoteric construct. The Letter G is showing that is it is a composite conceptual symbol, itself enshrined into the Masonic "Square and Compass". The Letter C is as the Compass, while the Letter T is as "the Square". Each of these symbols, C and T, are set against each other into conceptual philosophical dance.

In the case of the C, it is as the Sphere of the Earth, and in the case of the Letter T, it is as the day of the Equinoxes, when the Sun passes the Equator and hence the days and the nights of equal value. The conceptual must be understood implicitly to grasp the Conceptual, which become as the apperception of the conceptual.

That the C is a circle and the T is as a measurement of a vertical height is as a plane to a perpendicular. In the case of the C, it is as the "plane of the Earth", and becomes the mythological "Garden of Eden", while the T is as the Sun, seen as it does as an apparent rising and falling in a vertical rise and fall in an arc across the sky.

This dimensional perception is hidden into the Letters, or the philosophical construct through the merging of two distinct geometric concepts fused further to astronomic observation of the Universe as viewed from a planet.

By "plucking" letters from words, we create the same concept melded into the very fabrication of the language. One such example is the word COVER.


The Letter C is created by the shadow of the Earth as it "covers", or passes over, the surface of the moon. Hence the Letter C as a process of its fabrication and philosophical construction is described in the word "C-OVER". This very philosophical truth was used to promote the Mel Gibson movie, "Apocalypto".

Summation as an Esoteric Strategy

When one looks at the names of the seasons, WINTER, SPRING, SUMMER, and FALL, the observations for the reason behind the names from a philosophical perception is simple.

The word SOLSTICE hides it's specific construction. SOL'S-T is the Summer Solstice while T-ICE is the Winter Solstice. Hence the word "SOLSTICE" hides its esoteric construction. During the month of June, summer will appear at the end of the sign of the TWINS. Again, pluck the first letter from the word to reveal T-WIN, hop the T to the bottom of the word to reveal WIN-T, and you can see that T-WIN and WIN-T is really an esoteric code for the Summer and Winter Solstice.

TWIN hides the esoteric construction through the plucking of the Letter T from the "crossrow" and reusing the precise letter.

SPRING deals effectively as it implies. The Sun, having recoiled to the WINTER SOLSTICE, "springs" back up into the sky, and so we have "SPRING" being linked to the hopping up of the Sun as a spring that has been compressed and coiled. Remove the C from COILED to reveal C-OIL, reverse the OIL to form LIO, and reference to the Serpent as a symbol of the Sun as Leo reveals itself.

As the Sun reaches the Summer Zenith, its noon position as a daily measurement (as well as its position at sunrise and sunset) will begin to "FALL" as part of an X-Y graph.

SUMMER, however, is a mathematical term. SUM.

Shakespeare hints of the use of Summation in The First Part of King Henry IV


O monstrous! eleven buckram men grown out of two!


But, as the devil would have it, three misbegotten
knaves in Kendal green came at my back and let drive
at me; for it was so dark, Hal, that thou couldst
not see thy hand.


These lies are like their father that begets them;
gross as a mountain, open, palpable. Why, thou
clay-brained guts, thou knotty-pated fool, thou
whoreson, obscene, grease tallow-catch,--


What, art thou mad? art thou mad? is not the truth
the truth?

The operative phrase here is "from two doth come 11", a reference to the use of two 1's as in II to also have a value of 11. The process from which the statement presents itself describes a series of summation steps.


Nay, that's past praying for: I have peppered two
of them; two I am sure I have paid, two rogues
in buckram suits. I tell thee what, Hal, if I tell
thee a lie, spit in my face, call me horse. Thou
knowest my old ward; here I lay and thus I bore my
point. Four rogues in buckram let drive at me--


What, four? thou saidst but two even now.


Four, Hal; I told thee four.


Ay, ay, he said four.


These four came all a-front, and mainly thrust at
me. I made me no more ado but took all their seven
points in my target, thus.

The power of the summation in Gematria set against English is critical to comprehending many a formula. Examples as SUN, INRI, DIOS, among others, provide examples of this.

What Shakespeare is saying is that there are basic truths. That it was "so dark" is a reference to the Typhonian/Jehovian world. The truth can be had through a comprehensive understanding of the mathematical formulas encoded into the language. These basic truths, encoded against a mathematical structure, become self evident for anyone able to see.

That S has a value of 3 and N has a value of 5, we can see readily that the Letter U is derived (or set against) the 21 position, which is the Sum of 1:6.
That "vaya con dios" means "Go with God" in translation, but literally means "go with the days", hints further that Dios is linked more closely to Abraxas, whose value is well know to be 365, and so DIOS too should be expected to reveal the same value, which it does when you apply values of letters as a process of summation.

D = 4 = 10
I = 9 = 45
O = 15 = 120
S = 19 = 190

DIOS = 10+45+120+190 = 365

The Intuitive Nature of Esoteric English

Of course, in depth research into Shakespeare would reveal that Shakespeare was and remains a composite operation and not the workings of a single individual. Most complex works are aggregated into a single body of work and then secreted, often through the use of a single name. Joseph Smith of the Mormons, Aleister Crowley of Thelema are but two classic examples of a marketing point man designed to release a larger construct.

Those who were responsible for encoding and embedding the truth worked tirelessly to leave traces of same throughout history. The rise and fall of a cultures wardrobe, for instance, could leave clues. The Bow Tie or Victorian dress each reveal subtle Occult signatures.

Relatively simple and intuitive mathematical formulas linked to structural intuitive foundations could break words up into several ciphers, each revealing double and triple meanings, each and everyone true in and of themselves, yet none of them revealing the core esoteric meaning. Intuitive genius would prevent all but the most dedicated to truly pierce the early inner workings, and patterns would not begin to reveal themselves until the words that would make the language became more and more refined.

An anonymous Masonic author wrote,

"Letters are symbols of sounds. The letter X is a symbol of the sound EKS. It is also the Roman numeral signifying ten; in mathematics it signifies any unknown quantity. Thus it means different things in different places. The school boy struggling with algebra does not think of X as meaning ten or a part of the word extra, or example; to him it means a number he must find. If on the title page of a book you read "Published MCMX" you understand the book was printed in 1910; the X here is not EKS, nor is it a number to be found by algebraic calculation. The meaning depends here on the location, and the use."

This is an excellent insight into the nature and design of the Construct.

"You have made good work, you and your apron." - Coriolanus, IV, 6:96. - Shakespeare

Sometimes those who worked to conceal worked also to ensure that what was concealed could be revealed, and in times like these, when to tell the truth is revolutionary, efforts to reveal the truth are the true sparks of light on an otherwise surface of the ocean in the middle of the night.