The Gra, the Holy Grail, and the Vesica Piscis

When one seeks to penetrate the Mysteries, such mysteries to include the Holy Grail, it might benefit the seeker to understand the Hermetic Arcanum:

Let the studious Reader have a care of the manifold significations of words, for by deceitful windings, and doubtful, yea contrary speeches (as it should seem), Philosophers wrote their mysteries, with a desire of veiling and hiding, yet not of sophisticating or destroying the truth; and though their writings abound with ambiguous and equivocal words; yet about none do they more contend than in hiding their Golden Branch.

What this tells us is that there is a discernable philosophical reality hiding under the "manifold signification of words", that these significations are veiling and yet not destroying an underlying "truth", and that through a comprehensive analysis of words, studious "Readers" may be able to penetrate the entire system through a conscious recognition that what appears to be contradictory in wording may indeed be complimentary when placed into perspective against other comparable or related works.

"Readers" as opposed to the generic use of the word "reader", being that the former is capitalized, amounts to that of someone with a "title". This is a very simple yet succinct example as to the manifold significations of words. However, significations of words take on many forms, from the elevation of philosophics surrounding "the Omnific" or "Lost Word", to subtle hints as to how to build the the Philosopher's Stone.

Building on the Conceptual

Well-being I won
And wisdom too.
I grew and took joy in my growth:
From a word to a word
I was led to a word,
From a deed to another deed.

Odin, by sir E. Burne-Jones

When we build on the manifold significations of words, it is necessary to lay foundations along the way relative to the larger philosophic which has been for thousands of years in the process of being veiled. Hence in the poem "Odin" by Sir E. Burne-Jones, the hidden message is that well being and "growth" has much to do with the ability to penetrate the veil and to come to an understanding of the Conceptual. Words, or their manifold significations, must be pierced before one may be able to place a word down as a foundation stone. Each word must then be built one upon the other for each leads one back to the veiled and encoded philosophical truth contained in the language.

The entire process is what Plutarch refers to as "an apperception of the conceptual".

But the manner in which Philosopher's sought to veil and conceal without destroying contained, too, an artistic element. Thus in the form of expression known as Art we may find veiled references to the larger and all encompassing Construct. Thus in the Letter E we may find the Scales of Ma'at and the diameter and the circle (reference the design in the "e", lower case E), and so forth.

Yet still we have not approached the Golden Branch, which may be likened as being comprised of two components: a Geometric component and a literary expression of what would be mythologized as "the Lost Word", or the first 32 digit sequence of Pi.

GEMATRIA, or the fusing of Letters to Numbers to Sounds for the express purpose of encoding the larger Construct, plays a critical role in being led from one word to the next. Likewise, as the manifold significations of words is far more comprehensive than the laity can imagine, it is significant to note that in the root formation of words (consonants), we may derive two key words with the letters GMT:

GeoMetry and GeMaTria

Gematria provides the critical clues to the accompanying Geometry upon which the larger Construct and Philosophy has been caste.

Basic Philosophic Foundations

The Philosophy of the Illuminatus may be broken down into two primary elements, 0 as Female and 1 as Male. 0 as union, 1 as separation. Life is the process of evolution and dissolution. When male and female unite, life is created. Each individual life represents a division, while each individual death represents a dissolution, said dissolution trending when the soul operates normally towards "union".

The perfect expression of this element is fused to Pi, wherein the masculine 1 represents the male and 0 or circumference encodes the female. Neither the 1 as male nor the 0 female are said to exist "individually"; each must exist in harmony with the other.

These basic principles become inverted, as a "6" to a "9". If you are "sans gravity", or in a vacuum, without a reference point, and you were to see a 6 or a 9 floating past you, it would be impossible to know by the observation if you are looking at "6" or a "9", from purely a conceptual point of view. Hence within the Conceptual. The same would hold true if you took the letter X, divided it "at the waters", or the center point, cutting each half loose and allowed each to float independently. The V or the inverted "v" would be as the 6 is to the 9; each is derived from a composite symbol.

Gematria is the tool used to enable you to understand this aspect of the Philosophy or "Design of the Construct", as you prefer.

In the word SIX, we have two components, the Letter S located at 3 and the Roman Numeral sequence of IX, or 9. The number 3 of S is expressed in its summative form (1+2+3=6), and so the female 6 really cannot exist without the masculine 9 and so this is encoded as the word (S)(IX).

Thus the word S-IX encodes the philosophy, not the point of destroying it, but to veil it, as it were, into a simple mathematical expression. When we further review the Isisian Codes, we note that the word FIVE is located at Column 6 (FV=6). The formula of "5=6" as an "Hermetic degree" is well established, the degree veiling the underlying mathematical construction.

In the word 5 (FIVE), we can then invert the formula:

F = 6
IV = Roman Numberal 4
E = 5

F = 6; (IV)+E = 4+5 = 9

FIVE and SIX each contain the 6 female and the 9 male. Combine the two, and you arrive at the inspiration behind its formation, or a "spiral galaxy", the root "spiral" being integral to such words as "spine", "spirit", "spire", etc.

In each of these cases, we demonstrate the use of Gematria as a means to hide the inherent truth into simple yet easily visible and decipherable mathematical cryptograms. In the case of the 6 and the 9, the 6 is an inversion of the 9, and vice versa, with each representing division and yet unity equally as one cannot be separate from the other when viewed relative to the larger design (a spiral galaxy).

As in the case of the "spiral galaxy", we can build further onto the Construct: life as material existence requires order upon which to be founded. This "order" can be construed as the aggregate density of matter fused to time that enables the chemical processes that enable life to flourish. These processes become represented in a physical observation as a "spinning" process (again invoking the "spi" formation as in "spinal", "spiral", etc.). That "pi" follows the S in the spelling is clue enough, that the S can be viewed as 1/2 of 8 is clue enough, that the letter set to denote "that which comes before a word" is called a PRE-FIX is clue enough:

PRE
F=6
IX=9

PREFIX = PRE F(6)(IX)9

Through solving through the FIX, you have built upon a "word" and can now be led to another word. In this case, one could solve for the rational reasoning behind PRE, taking the above information into account as you try to reason it through.

Past Tense of Present Conditions

When we delve further into the manifold signification of words, it often becomes necessary to utilize the full range of tools available to us, such tools to include a comprehensive understanding of Gematria (Letters/Numbers/Sounds). We also require the use of Art, Music, Meditation, Reasoning, and so forth.

The critical start point remains, however, to realize that a Construct exists, that you are a part of this Construct, that part of your journey is to rise above this Construct so as to manipulate same rather than be manipulated by, to the degree and extent possible.

You become wise when you realize that millions of people have come before you in the development of the Construct and the preservation of same. Each of these were in search of their own "Holy Grail". Some of these people are well known, say a "Da Vinci", but in the United States alone, Masonry and its adherents numbered in the millions of people. Even if a small percentage of these people came to understand the Construct, say 2%, the numbers of those preserving and advancing and refining these inherent truths numbered in the 100's of thousands of people over a series of interlocking generations.

These people, knowing the war against ignorance is as keeping the sea at bay, practiced and set down the foundation of "Truth" in silence, and you can be assured that somewhere cells are operating in silence to continue to preserve this knowledge even in the face of egregious affronts to "these gods" to whom these cells are beholden.

So in each individual work of Art, or in each subtle poem, or in each rousing march one may find clues to the Construct hidden within. For example, the acrostic puzzle to the start of the Star Spangled Banner, "Oh say can you see, by the dawns early light" is an acrostic puzzle that reads "OCCULT":

Oh = O
(S)ay = S = 3 = C
(C)an = C = 3 = C
U = U
(S)ee = 3 = L
T = Sun arising on the horizon (dawns early light)

OSCUL(T=Dawn's Early Light) = OCCULT

Without the Occult, you cannot seek after your GRAIL save for a superstitious goose chase. Manifold significations are key to breaking down the Philosophy of the Illuminatus in a manner that enables you to see.

Take for instance the idea that "n" = "10". This principal is dealt with in the article, "Superman and the Relationship of "n" to "10"". There is a transposition set wherein N's are "D's" are "T's" are "J's" are "W's" are "X's", and so forth. What this means is that there "may be" "esoteric significances" set into words where a single letter is being changed within this sequence.

Within the Construct we have "The Garden of Eden" and the casting out of mankind therefrom. In the word GARDEN, the phonetic set of GARDEN can be changed to GARDED (guarded). In the word "guarded" we can shift the "d" to a "t" and create "guarted", implying that "art" is used in the guarding of the way to the "Garden of Eden", and so forth. Still, you must keep in mind the idea of Pi, or 1 and 0, as defined, lest you be led astray.

The word GARDEN is really referring, in a past tense sense, to that which is being "guarded". There is no difference philosophically in the design between the word "guarded" and "garden"; each is implying the exact same thing. What is being "guarded" is also known as a "garden". The philosophical implications should not be underestimated as you trace the energy from a profane idea of what a garden is to an understanding that the word is referring in past tense to the defacto guarding of "plants" to be used for some beneficial purpose in the future.

The word GARDEN becomes what is known as a "PAST TENSE OF A PRESENT CONDITION." The "garden" is a present condition, but its ability to exist is based on the fact that it is "domesticated", not of the wild, and hence it is being "guarded".

The use of "past tenses" to represent "present conditions" is subtle yet intuitively genius. If we equate to the Letter B (make the bottom bigger than the top) to be the profile of a pregnant woman, then the "past tense of this present condition" becomes the word B'ed", or BED. Now the philosophical function of a "bed" as a word comes more into focus.

The BED is the past tense (location) of the present condition (a woman pregnant), latent life awaiting manifestations (BR)ED, another past tense of a present condition.

The GRA and the HOLY GRAIL

If I ask you the question, "Did he sail his boat today?", the word SAIL is implied to be in the "past tense". Equally, if someone "fails", then the word "fail" is, too, in the past tense.

In Illuminatus transposition systems, L's are at times equated to T's and by inference therefrom, are equated to D's. "D's" are oft used along with "N's" to represent "past tenses", as in "taken", "beholden", or "laughed". Yet when we study the words SAIL and FAIL, we note that these are too past tenses, so what then of the word GRAIL? If you are to be led from a word to a word, the words FAIL, SAIL, and GRAIL are all then "past tenses" of present conditions.

We then have to break out the roots of the letters, in this case FA, SA, and GRA respective. FA and SA would then (and do) have their own philosophic within the larger Construct, while GRA is an integral part of the larger geometrical and philosophical underpinning of the larger Illuminatus Philosophy.

So if we are in search of our Holy Grail, are we in search of a "past tense of a present condition"?

We must now begin to utilize all the available tools at our disposal. The first step is to solve for the basic word "GRA".

"GRA" means love in Gaelic. That is handy, considering that the "grail" is depicted as a "chalice" or "cup". "Cups" as a symbol have always been equated with "love" or "hearts". Yet we cannot forget that all of this goes back further to being but representations of an "acroamatic cipher". Hence in the creation of the "CUP" as a shape and the "HEART" as a shape, each is independently encoding the same letter, the Letter J.

We are then returning to the idea of "UNION", wherein to make a single person, we must take the letter J (10 as X) as a representation of male and female and combine it with the Letter J (10 as X) as representation of male and female. Thus the HEART as a J+J and the cup as a J mirored on a J are representing the same philosophical construction.

In this form of deconstruction, we are simply utilizing a vast knowledge of Gematria, but Gematria is not complete without the Geometric component. So we delve further into the Illuminatus System and find the following:

This is known as "the 32 Paths according to Gra". If you are patient, everything always starts to come together.

Because the "32 Paths according to Gra" remain a veiled system, for you cannot expect a pure release from a purely Occulted source, you should make the assumption that the paths as depicted have inherent and planned errors. What the "32 Paths according to Gra" properly show is the interlinking hexagons: the paths are scrambled and confused and set to Jewish (Setianists) concepts (a failure point as Osirian systems are not set to Jewish concepts and indeed are opposed to them).

Gematria is the tool used to put the paths into their proper placement.

In Gematria, we have the principal of "5=6". The Letters F and V create the word FiVe, and yet FiVe is located at position number 6 (see the Isisian Codes at the of this page). In the 32 Paths according to Gra, we have correctly the concept of 3-4-3 and the interlinking Hexagons. It is correct that that the depiction shows the interlinking hexagons. What is confused in the 32 Paths according to Gra are the paths themselves, for you must put the "Five" in the 6, or the Pentacle into the Hexagon. Further, the "tree" has to be cut down (becoming a garden) and laid on its side as shown here:



This, of course, is the Vesica Piscis, or the joining of two circles (individual units) into a whole single entity. Philosophical inquiries or foundations from this point can go in many different directions, from worldly pursuits to metaphysical journeys into the astral to metaphysical journeys into the self.

But since the Garden of Eden really says "that which is guarded", as "garden" and "guarded" are the same, we must cover our "Garden of Eden" with a Flaming Sword and Cherub (Cube), to reveal the Golden Branch, or the Philosopher's Stone.

We have completed our quest, as it were, and found our "Holy Gra-il", a geometric representation of the Vesica Piscis, complete with complex archetypal paths that lead one back to "self" and "self realization", a realization that leads one back to an understanding of one's communion and union with the Universe.

Superman and the Relationship of N to TEN (10)

In the world of “gematria”, one of the basic accepted truths is that words of “equal value” share a necessary “esoteric significance”. What this means is that if we add the value of any given word, and if another word shares the identical value, then this means that there is an “esoteric significance”.
- Image Source

The fact that words have shared mathematical values becomes a “mystical reality” and so the words are seen to be “mystically connected". A word of caution: Do not buy so easily into this simplistic definition.

In truth, although words may surely be interconnected via simple Gematria (ordinal addition), or “adding up the ordinal placement of the letters”, the assumption that this exercise reveals an "esoteric" or "hidden significance", is grossly in error. The very act of taking a word like “the”, which has constituent letters of T, H, and E, with each having respective letter placements of 20, 8, and 5 respective, adding up these constituent components to arrive at 33, and declaring that "voila!", you have mystically come to the great mystical esoteric significance of the word "THE", is really a naïve simplicity.

One may search for connections and meanings between words of similar value, but one cannot be assured that one has been able to ascertain the precise designed “esoteric value”. The ascertainment of the designed mathematical underpinnings of the language is far more an artform than a hard science. There is a whole series of rapid and yet rational observations one must execute before any particular word can be broken down and esoterically reconstructed.

In the case of the word “THE”, it is the “root” to a pretty deliberate key known as “mono-the-ism”. Since “the” is being equated to a “singular god”, as opposed to a “pantheistic” reality, perhaps it would make good sense to solve for the esoterics of the word “the” before leaping to conclusions as to precisely what “mono-the-ism” truly is.

Trust NOTHING that is clearly defined by the Illuminatus systems, either “white” or “dark”, for each hides their own or creates their own codes to hint of or ridicule the other.

In the case of the word “The”, since it is being linked back to the word “god” as a “singular” as opposed to a plural, then logically, and rationally, where did the word “the” imply multiple or many gods to begin? Sometimes it just takes a small amount of logic and reasoning to smell that something is not aright.

So what one must do is guard against unilaterally twisting and turning words needlessly such that one destroys the truth that is encoded within. It is often wise to take critical sacred nomenclatures as “the”, seeing how it is the very root being equated back to “god”, and seek for parallel numerical concepts in other words.

In the case of the word “the”, as in “mono-the-ism”, we can link this word to such words as DIOS, ZEUS, INRI, ABRAXAS, etc. In the word ABRAXAS, one must use the Greek alphabet, and its value adds to 365, or the number of days in the year. In the case of DIOS, we must use the summative value of the letters (summative being the value of the letter from 1 to itself or ordinal position), and so DIOS is 10+45+120+190 = 365 days. The same holds true for INRI, which shows a value of 45+105+171+45 = 366 days.

So in the case of THE, we must break it out into its constituent components. The Letters T and H are located at 4 and 8 respective. The summative values of T and H are 10 and 36 respective, with E being placed at ordinal 5. The formula (T*H) + E = (10*36)+5 = 365 days reveals the esoteric code of “THE”, and so THE is placed back into esoteric relationships to DIOS, ZEUS, INRI, ABRAXAS, LEO, etc.

NOW that we have placed all these words back into their proper “esoteric values”, we can make the final necessary transposition back to the primary source, or the SUN. (see the Isisian Codes below): S is 3 and N is 5, hence U is utilizing its summative value from 1:6 to form 21, or the U letter. SUN is but a code for 3(sum of 1:6 = 21 = U) 5, or 365.

This is the proper way to go about solving for “esoteric values”, wherein “esoteric” simply means “hidden”. Words indeed may be esoterically predicated on simple reading and adding the letters together, but this cannot be assumed.

SUN = 19+21+14 = 54? Anyone with a third grade education can do that equation. Do you really think that an “illuminatus system” is so simple, even though it does from time to time and indeed quite often, rely on such simple measures? Even the very word “read” can be seen to be the word set “re-add”.

“Reading” or “re-adding”, is a very basic component, but in no way can contain the whole of the system. This next section teaches a basic cipher relationship between N and the number 10, and for this, we shall use the Occult Code of Kryptonite, the only substance known to be able to destroy “super” man.

Superman and the Relationship of N to Ten


At the end of the day, this article is really a lesson in the language of the Illuminatus. It is designed to teach the relationship of N to 10. We will use "Superman" as the means to teach the relationship.

CHAPTER I
Section 1. In thirty-two (1) mysterious Paths of Wisdom did Jah, (2) the Jehovah of hosts, (3) the God of Israel, (4) the Living
Elohim, (5) the King of ages, the merciful and gracious God, (6) the Exalted One, the Dweller in eternity, most high and
holy--engrave his name by the three Sepharim (7) --Numbers, Letters, and Sounds.(8) - Source

When you break it all down, all that is being said is that there is a construct in play, and that construct is based on "letters", "numbers", and "sounds". The "letters" represent 3 primary archetypical constructs and so remain "letters", "numbers", and "sounds" at all times. The idea that the "Greek" and the later "Hebrew" were "mystical" in this regard is again, naive.

The Letter B clearly shows you that is comprised of the mathematical formula of 1+2=3, and so it is designed from the outer characters of 1 and 3 which are then contracted to form the letter B. B is a mathematical formula based in it summation from 1 to itself, which is 2, and so 1+2=3 = B. It is a Letter. It is a "Number". And it is a "Sound". More, it is an entirely constructed and designed "reality".

The Letter D is placed at Number 4. It, too, is a "Letter", a "Number", and a "Sound". It is designed against its mathematical formula set into a dimensional reality, wherein the "4th dimension", or the Taoist metanumerica of "time", or the Pythagorean model of the 4 = "the Solid", can too be revealed by the mathematical formula of 1+2+3+4 = 10 = D, wherein the D is derived from the rising Sun on the HORIZON.

Even the word HORIZON is telling you precisely its inherent code.

H = The Greek Letter Pi
ORIZ = ZIRO = Zero
ON = ONE

HORIZON = H, the Greek Letter Pi, is comprised of the ORIZ (Zero) and the ON(e). The Egyptian Glyph for the shared phonetic of T is the English Letter D simply rotated 90 degrees to the left (counter clockwise).



So when we peer into Letters, the joke is not to become numb when you peer into the numbers. Rationally analyze what lies before you. Take this chart, for instance, of the Egyptian numbering system:

Do you see anything in particular that appears to be a "letter/number/sound"? How about the glyph for the Number 10?

The lower case letter "n" is crafted or linked to the Egyptian number "10", which is to say that the larger Luciferian system is imbedding the larger code into the Egyptian even as it must later be fused to the larger Alphabet philosophy.

Now how is "n" = 10? Here is a Key Word: TON.

How much is a TON? It is 2000 pounds, correct? Since T is the 20 Letter and O is O, the letters TO reveals 200(n). What must "n" equal? It must equal 10 just as surely as the Letter T must equal 10. After all, how much is 7(T)? 70! This is what is known as setting up the transpositions. The Letter N is set at 14. The Sum of 1:4 reveals 10. D is located at 4, hence the sum of 1:4 is 10. D, being the glyph of the Sunrise, clearly reveals the 1 and the 0 as the word HORIZON hints. The Letter T is the dental (Letters/Numbers/Sounds), and too is phonetically linked via the Egyptian as being the Letter D turned 90 degrees, and so the DNT(als) are all 10!

The DNT's are all 10! What this means in a cipher pattern is that all of them may be used interchangeably, and so you must be aware of this reality. Now analyze the mechanics of the language.

Notice where your tongue is when you sound out the letter D.
Notice where your tongue is when you sound out the letter N.
Notice where your tongue is when you sound out the letter T.

Is not the tongue at the exact same location?

Yes? Of course. So why do you think that they will not too have clear designed mathematical precisions and hence the same values? Always, always, always, rationally work your way through solving for the mathematics of the sounds based on many factors, including the physical mechanics.

D=N=T=10

If you understood this "lesson", we can move on to revealing the Secret of Superman.

The Secret of Superman

Superman is really a code for "higher spiritual man". His chest is emblazoned with a gemstone. That gemstone is a two dimensional representation of this: How that is so is another story. However, what "destroys" "Superman", or a higher developed spiritual mankind is an element called "KRYPTONITE".

The word is obviously crafted. It is an anagramic play.

KRYPTONITE is simply reshuffled to ET-KRYPT-I-ON.

Now that you know the relationship of "n" to 10, and that D's and N's and T's can be used interchangeably, the T in ET-KRYPT-I-ON is changed to an N, to reveal

E(N)KRYPTION

Mankinds entire CODE is ENCRYPTED, and it is the lack of an ability to understand how this is so that prevents mankind from becoming "SUPERMAN", or a higher spiritually developed creation.

Through learning the nature of how this encryption works, and how it is designed, mankind is able to elevate himself above the dogmas and creeds that keep it perpetually arrayed in darkness.