Superman and the Relationship of N to TEN (10)

In the world of “gematria”, one of the basic accepted truths is that words of “equal value” share a necessary “esoteric significance”. What this means is that if we add the value of any given word, and if another word shares the identical value, then this means that there is an “esoteric significance”.
- Image Source

The fact that words have shared mathematical values becomes a “mystical reality” and so the words are seen to be “mystically connected". A word of caution: Do not buy so easily into this simplistic definition.

In truth, although words may surely be interconnected via simple Gematria (ordinal addition), or “adding up the ordinal placement of the letters”, the assumption that this exercise reveals an "esoteric" or "hidden significance", is grossly in error. The very act of taking a word like “the”, which has constituent letters of T, H, and E, with each having respective letter placements of 20, 8, and 5 respective, adding up these constituent components to arrive at 33, and declaring that "voila!", you have mystically come to the great mystical esoteric significance of the word "THE", is really a naïve simplicity.

One may search for connections and meanings between words of similar value, but one cannot be assured that one has been able to ascertain the precise designed “esoteric value”. The ascertainment of the designed mathematical underpinnings of the language is far more an artform than a hard science. There is a whole series of rapid and yet rational observations one must execute before any particular word can be broken down and esoterically reconstructed.

In the case of the word “THE”, it is the “root” to a pretty deliberate key known as “mono-the-ism”. Since “the” is being equated to a “singular god”, as opposed to a “pantheistic” reality, perhaps it would make good sense to solve for the esoterics of the word “the” before leaping to conclusions as to precisely what “mono-the-ism” truly is.

Trust NOTHING that is clearly defined by the Illuminatus systems, either “white” or “dark”, for each hides their own or creates their own codes to hint of or ridicule the other.

In the case of the word “The”, since it is being linked back to the word “god” as a “singular” as opposed to a plural, then logically, and rationally, where did the word “the” imply multiple or many gods to begin? Sometimes it just takes a small amount of logic and reasoning to smell that something is not aright.

So what one must do is guard against unilaterally twisting and turning words needlessly such that one destroys the truth that is encoded within. It is often wise to take critical sacred nomenclatures as “the”, seeing how it is the very root being equated back to “god”, and seek for parallel numerical concepts in other words.

In the case of the word “the”, as in “mono-the-ism”, we can link this word to such words as DIOS, ZEUS, INRI, ABRAXAS, etc. In the word ABRAXAS, one must use the Greek alphabet, and its value adds to 365, or the number of days in the year. In the case of DIOS, we must use the summative value of the letters (summative being the value of the letter from 1 to itself or ordinal position), and so DIOS is 10+45+120+190 = 365 days. The same holds true for INRI, which shows a value of 45+105+171+45 = 366 days.

So in the case of THE, we must break it out into its constituent components. The Letters T and H are located at 4 and 8 respective. The summative values of T and H are 10 and 36 respective, with E being placed at ordinal 5. The formula (T*H) + E = (10*36)+5 = 365 days reveals the esoteric code of “THE”, and so THE is placed back into esoteric relationships to DIOS, ZEUS, INRI, ABRAXAS, LEO, etc.

NOW that we have placed all these words back into their proper “esoteric values”, we can make the final necessary transposition back to the primary source, or the SUN. (see the Isisian Codes below): S is 3 and N is 5, hence U is utilizing its summative value from 1:6 to form 21, or the U letter. SUN is but a code for 3(sum of 1:6 = 21 = U) 5, or 365.

This is the proper way to go about solving for “esoteric values”, wherein “esoteric” simply means “hidden”. Words indeed may be esoterically predicated on simple reading and adding the letters together, but this cannot be assumed.

SUN = 19+21+14 = 54? Anyone with a third grade education can do that equation. Do you really think that an “illuminatus system” is so simple, even though it does from time to time and indeed quite often, rely on such simple measures? Even the very word “read” can be seen to be the word set “re-add”.

“Reading” or “re-adding”, is a very basic component, but in no way can contain the whole of the system. This next section teaches a basic cipher relationship between N and the number 10, and for this, we shall use the Occult Code of Kryptonite, the only substance known to be able to destroy “super” man.

Superman and the Relationship of N to Ten


At the end of the day, this article is really a lesson in the language of the Illuminatus. It is designed to teach the relationship of N to 10. We will use "Superman" as the means to teach the relationship.

CHAPTER I
Section 1. In thirty-two (1) mysterious Paths of Wisdom did Jah, (2) the Jehovah of hosts, (3) the God of Israel, (4) the Living
Elohim, (5) the King of ages, the merciful and gracious God, (6) the Exalted One, the Dweller in eternity, most high and
holy--engrave his name by the three Sepharim (7) --Numbers, Letters, and Sounds.(8) - Source

When you break it all down, all that is being said is that there is a construct in play, and that construct is based on "letters", "numbers", and "sounds". The "letters" represent 3 primary archetypical constructs and so remain "letters", "numbers", and "sounds" at all times. The idea that the "Greek" and the later "Hebrew" were "mystical" in this regard is again, naive.

The Letter B clearly shows you that is comprised of the mathematical formula of 1+2=3, and so it is designed from the outer characters of 1 and 3 which are then contracted to form the letter B. B is a mathematical formula based in it summation from 1 to itself, which is 2, and so 1+2=3 = B. It is a Letter. It is a "Number". And it is a "Sound". More, it is an entirely constructed and designed "reality".

The Letter D is placed at Number 4. It, too, is a "Letter", a "Number", and a "Sound". It is designed against its mathematical formula set into a dimensional reality, wherein the "4th dimension", or the Taoist metanumerica of "time", or the Pythagorean model of the 4 = "the Solid", can too be revealed by the mathematical formula of 1+2+3+4 = 10 = D, wherein the D is derived from the rising Sun on the HORIZON.

Even the word HORIZON is telling you precisely its inherent code.

H = The Greek Letter Pi
ORIZ = ZIRO = Zero
ON = ONE

HORIZON = H, the Greek Letter Pi, is comprised of the ORIZ (Zero) and the ON(e). The Egyptian Glyph for the shared phonetic of T is the English Letter D simply rotated 90 degrees to the left (counter clockwise).



So when we peer into Letters, the joke is not to become numb when you peer into the numbers. Rationally analyze what lies before you. Take this chart, for instance, of the Egyptian numbering system:

Do you see anything in particular that appears to be a "letter/number/sound"? How about the glyph for the Number 10?

The lower case letter "n" is crafted or linked to the Egyptian number "10", which is to say that the larger Luciferian system is imbedding the larger code into the Egyptian even as it must later be fused to the larger Alphabet philosophy.

Now how is "n" = 10? Here is a Key Word: TON.

How much is a TON? It is 2000 pounds, correct? Since T is the 20 Letter and O is O, the letters TO reveals 200(n). What must "n" equal? It must equal 10 just as surely as the Letter T must equal 10. After all, how much is 7(T)? 70! This is what is known as setting up the transpositions. The Letter N is set at 14. The Sum of 1:4 reveals 10. D is located at 4, hence the sum of 1:4 is 10. D, being the glyph of the Sunrise, clearly reveals the 1 and the 0 as the word HORIZON hints. The Letter T is the dental (Letters/Numbers/Sounds), and too is phonetically linked via the Egyptian as being the Letter D turned 90 degrees, and so the DNT(als) are all 10!

The DNT's are all 10! What this means in a cipher pattern is that all of them may be used interchangeably, and so you must be aware of this reality. Now analyze the mechanics of the language.

Notice where your tongue is when you sound out the letter D.
Notice where your tongue is when you sound out the letter N.
Notice where your tongue is when you sound out the letter T.

Is not the tongue at the exact same location?

Yes? Of course. So why do you think that they will not too have clear designed mathematical precisions and hence the same values? Always, always, always, rationally work your way through solving for the mathematics of the sounds based on many factors, including the physical mechanics.

D=N=T=10

If you understood this "lesson", we can move on to revealing the Secret of Superman.

The Secret of Superman

Superman is really a code for "higher spiritual man". His chest is emblazoned with a gemstone. That gemstone is a two dimensional representation of this: How that is so is another story. However, what "destroys" "Superman", or a higher developed spiritual mankind is an element called "KRYPTONITE".

The word is obviously crafted. It is an anagramic play.

KRYPTONITE is simply reshuffled to ET-KRYPT-I-ON.

Now that you know the relationship of "n" to 10, and that D's and N's and T's can be used interchangeably, the T in ET-KRYPT-I-ON is changed to an N, to reveal

E(N)KRYPTION

Mankinds entire CODE is ENCRYPTED, and it is the lack of an ability to understand how this is so that prevents mankind from becoming "SUPERMAN", or a higher spiritually developed creation.

Through learning the nature of how this encryption works, and how it is designed, mankind is able to elevate himself above the dogmas and creeds that keep it perpetually arrayed in darkness.

All Seeing Eye, Gimmel, and Camel Cigarettes

The efforts you see are intended to enable you to piece together the Philosophy of the Illuminatus, and since profane "Occultism" is as subtle and yet monstrous a fraud as recorded human "history", the exercise oft revolves around providing a plethora of patterns such that when patterns present themselves in the real world, you, too, if you are able to comprehend the patterns, you may exclaim, "aha! I get it!"

And so another illusion falls.

And, seeing how reality has been called an "illusion", one should not be so quick to discount the very revelations as to how such illusions could be crafted. If you are moderately educated into the ways of Gematria, do you really think that a power strong enough to rule over a planet is going to have a system in place that merely "adds up the numbers" to arrive a value, and in the process reveal a series of "esoterically unique significances?"

Seriously. Everything is not so simple, and only the fool, as opposed to the Fool, would presume to come to comprehend the whole of the Construct. Says Plutarch, in "On Isis and Osiris"

"But the robes of Isis they use many times over; for in use those things that are perceptible and ready at hand afford many disclosures of themselves and opportunities to view them as they are changed about in various ways. But the apperception of the conceptual, the pure, and the simple, shining through the soul like a flash of lightning, affords an opportunity to touch and see it but once. For this reason Plato and Aristotle call this part of philosophy the epoptic or mystic part, inasmuch as those who have passed beyond these conjectural and confused matters of all sorts by means of Reason proceed by leaps and bounds to that primary, simple, and immaterial principle; and when they have somehow attained contact with the pure truth abiding about it, they think that they have the whole of philosophy completely, as it were, within their grasp."

The highlights are mine. Understand clear if you wish to proceed. The patterns revealed are as the "Robes of Isis"; each pattern affords a glimpse into the Construct. The ability to grasp clear what is being said is as attaining an "apperception of the conceptual", for the whole is set upon a "conceptual". Once an aspirant is able to see past the confused and befuddling realities that present themselves, and through effort and exercise become able to see the truths that are being contained within, the next step is that it becomes natural for the seeker to believe that he has come to an understanding of the Philosophy and so have it (the Philosophy) "within their grasp".

Just as you think you have achieved such, another permutation presents itself, and you soon learn what little is known of the whole. However, fortunately, there are numerous manifestations and usages of the Robes of Isis, and these guide us to the primary and simple immaterial principle. The Construct is set and crafted against Pi.

Let us begin.

The Robes of Isis and Gimmel as the Camel

Gimmel is the third letter of the Hebrew and Greek Alphabets. That Gimmel is 3 shows us a small part of the larger reality. From a pure Western Occult sense, we really do not care whether the Gimmel is Greek, or Hebrew, or Aramaic, etc. All that matters is the word GIMMEL, for in the Gimmel rests the lock and the key to the secret of the larger primary and simple "immaterial principle", which is defined herein as "the Construct".

What we know is that there were a series of modifications and transpositions involved in the formation of the Letters and the mythologies upon which the Letters serve as the backbone or framework. Again we return to F.D. Buck who wrote in "Mystic Masonry",

"...the modifications or transpositions of sacred nomenclatures as they passed from one race to another, were generally cleverly accomplished so as to assimilate their esoteric formulae of local significance..."

GIMMEL is the esoteric "transposition or modification" of the word CAMEL. It should be phonetically obvious to even a basic level of Occult inquiry, but still you must "prove it", meaning establish precisely how the modifications and transpositions were being effected. The process of doing so provides the aspirant a glimpse at "the apperception of the conceptual" even as the process involves working with "the Robes of Isis", wherein the "letters" are the "robes" of the more hidden and still to be revealed imbedded philosophical reality.

Let's first solve for the "transpositions and modifications".

The "Isisian Codes" are like "the Master Key" as hinted at in "the Matrix Reloaded". In order to have a series of ciphers, it would make sense that you would need a series of keys. A Master Key intimates "all the keys". Remember the vast number of keys in the possession of "the Keymaker"?

Merovingian:Oh yes, it is. The Keymaker is mine and I see no reason why I should give him up. No reason at all. - The Matrix Reloaded

The Merovingian, representative of the Merovingian bloodlines: the Illuminatus. Possessing the Key, and being but a broker of knowledge, surely such a priestcraft would have no need to release "the Key". A series of modifications and transpositions hints at a Key, but failing access to the Key, and being taught that the Key cannot possibly be "the Key", how do you arrive at the Key?

Gimmel. Located at 3, while the Letter G is located at 7.

Seraph:
The code is hidden in tumblers. One position opens a lock. Another position opens one of these doors. - The Matrix Reloaded

The Code is hidden in tumblers. One position opens a lock. Gimmel is one of the locks, which I call a "hinge point" for it fuses one system to another.

Keymaker:If one fails, so must the other.

In otherwords, the various Alphabets must be properly placed and oriented in order for the larger system to work. Once you remove the proper order, the whole system fails. Gimmel is located at 3, but the first clue is that technically, it is not a Letter": it is a "word". Something is amiss. It's esoteric value is that it is a Camel.

Gimmel = Camel

Phonetically clear enough. The Letter G is located at 3 and shares with it a phonetic equivalent to C. The shape of Gimmel reveals nothing. It's revelation is seen in the "English" in that the Letter C shares a clear design parallel to the Letter G.

C = G

Each is made of the Letter C, with the G having but a T located such that the horizontal of the T is set at the middle of the C. As per the Isisian Codes, the Letter C is 3 and the Letter T is 4.

C(3)+T(4)=G. The Glyph G is encoding the mathematical formula. The CODE is in English. The clue is in Hebrew, wherein the "clue" is but one of the many "robes of Isis" that lead us to the primary and principle truth, which may lead us to an appercetion of the conceptual.

Phonetically, the hard C (kuh) is modified by the "T' to arrive at "G". Energetically, this is akin to adding Cyan to Magenta to arrive at a different color, Blue, or adding any given note to color any given scale or chord.

The reason for the shapes are clues to the Philosophy, or "the Construct". The Letter C is 3, yet it is "one", as in the "triune god", for its shape is that of the Occult, or the "Occultation" via the process of "solar" or "lunar eclipses". The Mel Gibson produced movie "Apocolypto" used this archetype very well as shown in here.

The Letter G, on the other hand, is adding a dimensional reality of time, as set against the T as representative of the Sun as it crosses the Equator at the time of the Spring and Fall equinox's. Hence the Letter G is the sign of the Spring and Fall Equinox, while the G spun 180 degrees on its axis reveals the Hebrew Letter Pei.

We can return to the Matrix Reloaded and say that The Code is hidden in tumblers and that one position opens a lock. Pei is another of those locks. Since we know that Gimmel is G is 3 in the Greek/Hebrew, we can simply "tumble" the G if "g"immel to a C, to create the word CIMMEL. We then tumble the I if SIMMEL as the I is a 1 is an A and reveal its esoteric code of CIMMEL = CAMMEL, or the CODE OF CAMEL is GIMMEL.


The Secret of Humpty Dumpty, Gimmel and the All Seeing Eye

So we have shown the mathematics, or the "transpositions and modifications" of Gimmel into "Camel" set against a local archetype of regional or local significance, but there is still far more to Gimmel as Camel as the All Seeing Eye and the best way to understand this is to understand the secret of Humpty Dumpty.

The Egg is the Sun, which has "fallen". Some say that its knowledge was "LOST", which encodes the SOL and T, while some say that it is STOLEN, which too encodes the SOL and T. What was LOST was STOLEN, and became the negative attributes of the Illuminatus even as the positive attributes encoded the knowledge for all to see and "decide for themselves" as to what was true and what was false.

In the story of Humpty Dumpty is a tremendous clue to the Code.

Humpty Dumpty sat on a wall
Humpty Dumpty had a great fall
All the Kings horses and all the Kings men
Could never put Humpty Dumpty back together again.

The "wall" is the graph of the Sun over time (a year) as measured at noon zenith. At the "winter solstice", this is called "the dump T", while at the Summer Solstice we have the "hump T". Hence Humpty Dumpty is the philosophy of the Sun as set against the T's, or noon zenith exaltation at Winter and Summer Solstices.

Now. Transpose that knowledge to the Gimmel = Camel. The camel has one or two "what"? HUMPS. So the shape of the "camel" of G is being referenced back to the humps and dumps of T. Afterall, they are not mutually exclusive. The T and the G are the major marking points of the Sun as it is measured "on the wall", each being the 7th letter of each respected halves of the Alphabet, and each first full day traditionally falls on the 22 day, forming the Omnific Name of Pi, or 22/7 = 3.1428571, or a recipricol 7 Pi representation.



So the clue is that it is the Sun that is the All Seeing Eye. The Camel is representative of the Wall of Hump T and Dumpt T, the two "pillars" of light and dark being the Summer and Winter Solstices, which are only in balance on the day of the Spring and Fall Equinoxes, and only for a very brief moment in time on those days. Hence Gimmel as "a King in the desert", and the Pyramid, and the Camel, and Hump T Dump T, are all simple representations of "the Robes of Isis".

The principal and primary truth is that the whole is set against Pi, and that the Construct is Pi, and the purpose is to create a "creation" set against Pi, where there is a harmony and a balance. This is the hidden secret and desire of those who put this knowledge into concrete even as they had "no creeds".

F and V, The Swastika and the Dreidle

The Letters "F" and "V" are the "labials of the language". From the Book of Formation (Sepher Yetzirah), we find (and there are numerous translations), "The two sounds of each letter are the hard and the soft, the aspirated and the softened. They are called Double, because each letter presents a contrast or permutation;" - Source We can deduce that there is a design to the sounds. In the case of the Letters F and V, we can infer that the "F" is modeled on the "hard" and the "V" is modeled on the "soft". In addition, as "F" and "V" are labials, wherein a "labial" is defined as a sound that is made by partially closing the lips, it can be inferred that the mechanical process of speech will be encoding particular archetypes that will be shared with like sounds; hence, the Letters "B" will be closely related to the Letter "V" (as in the Latin coding). M and W will share in the archetypical coding, but in B and V we can see design parallels as in the words GRA(V)ITY and the statement GRA(B) IT.

By shifting the G to a C, as G is a model of softness while the hard sound of C is a model of hardness (Gimmel-G = 3 = C), the word GRA(B) becomes the word (C)RAB, which is the sign of CANCER. CANCER, as you can see from the Isisian Codes below, reveals

C(A)N
CER

The A of the CN is the scale, hence CN = 3.14
CER = 352

314+352 = 666

Hence CANCER will be our "HOME" as we move further into isolating and illuminating the Construct of Luciferianism.

For now, note clear the design of the English sound sets modeled on forms of hardness and softness:

B=2=R (design parallel, Be and Are)
C=3=S
D=4=T (a model of hardness and softness)
E=5=U
F=6=V (a model of hardness and softness)

Controlling the Esoteric Construction of the Language

Perhaps one of the greatest kept secrets going is the literal crafted and controlled creation of the language. Through hundreds of years now of forced education on "Darwinism" and "evolution", a prevailing mass cultural belief is that "language" "evolves" in a near random unfathomable fashion that "etymology" and other linguistic sciences set out to explain and prove. The knock is that the various "sciences" become "realities by concensus", difficult to change once believed, and doggedly determined to both impose and preserve its beliefs until overwhelming firepower (evidence) destroys the previous beliefs.

The Occult world has never been constrained by such thinking, and more to the point, should be considered by the pragmatist to be instrumental in the fomenting and funding of such thinking. "Science" and "academia" tend to form a comprehensive buffer and defense against the masses coming to understand how the inner code is crafted and functions.

The goal of the Setian Elite (those aligned with Jehovah/Typhon/Seth), is to control the code so that it may be manipulated for self serving purposes. In short, the goal is to "define and control" "The Truth".

The result is a mass conciousness malleable to mass brainwashing.

Since ultimately, what is said and heard and read IS the weapon of mass reach in the process of mass brain washing/programming, then the major tools of the trade become the mass media industry, be it print, electronic, religion, education, etc. The tactical simplicity is to reduce the arguement to focus on "points" (talking points), and thus deny periphery vision.

Periphery vision provides coloration, context, and even opposing and countervaling opinions. In a Setian Luciferian system, such periphery vision is to be denied and destroyed at all costs.

This is done conceptually through the Letters F and V.

The Center Point of the Illuminatus System

The center point of the Illuminatus System is set at 6 (F and V), yet there is a clear design parallel between what is 5 and 6, what is E(5) and what is F(6), what sounds as "eff" and what sounds as "vee/vuh", etc. (see chart below). That the Letter V is 5, yet is placed at position 6, or that the word FiVe is set at position 6, produces an immediate confusion into the equation. Deeper studies into Setian systems would reveal this, but a hint of how this knowledge is known and encoded can be found in "the Golden Dawn", a Setian Initiatory System aligned with former Crowley constructs.

The aspirant is admitted first into the grade of "5=6 degree." - SourceNone of this should be underestimated, for it is critical to the larger Key.

FiVe = 6 location and V as 5 is located at the 6 position.

The Letter F located at Number 6 is 1/4 of the glyph for the Solar Wheel, or the Swastika. The Number Word FOUR says, OUR F, which is 6. Four (our F) is complete when there are 4 F's. Note that the Letter F and "f" contain within it elements or designs around the Letter T, located at 4. The 4 F's, are 6*6*6*6 = 1296. The four squares in the middle become the 1+2+3+4 = 10, so 1296*10 = 12960 YEARS, or the "correlational diameter in time" of the Earth's Wobble on its Axis.
The word AXIS reverses to reveal SIX A's, or the Star of David.

What begins to unfold is a mutually significant truth. The Swastika as a representive of the Solar Wheel (6*6*10*6*6) is representationally equivalent to the Star of David. The two symbols are simply dimensional representations of this dreidle. The V is looking at the Dreidle from the front (the V of the Star of David", while the Four (F's) is looking at the Dreidle from the top down. The two symbols are not exclusively distinct.

They were originally designed to be "one and the same", and each deals first and foremost with the "gyroscopic nature" of life, wherein planets spin and then spin further on its axis creating the Precession of the Equinox, which is the original archetype for the All Seeing Eye.

The All Seeing Eye, needless to say, has always been a key part of the Masonic world. It is encoded into the US Dollar Bill and is an integral part of Western culture. The "mysticism" can really best be understood as being a representation of the Precession of the Equinoxes, an esoteric set of knowledge that would become the "Royal Arch Degree" of various Masonic systems.

The words "SEE" and "EYE" are but codes for the Precession of the Equinoxes, or the Number 11011. This concept is simply reduced to the Letters F and V, each representing a distinct set of permutations.

Towards a Comprehensive English Qaballa, Part I

I have studied the world of Qaballa in all its varied spellings for nearly 2 decades. I will be the first to admit that the space is filled with alot of religious lunatics. From Ginsberg and his Noahidist crypto-Jewish fascism, to Crowley and his tortured attempts to fit square pegs into round holes, I have seen it all.

To begin, it is necessary for the aware seeker, and "seer", to be acutely aware that there are two "Qaballas" in play: the profane Rabbinical "kabballah", a system predicated on the "cube" and an "underworld" component, and a secret and sealed "Hermetic" Qaballa, itself based on "two cubes", or what Crowley of the OTO hinted at but never revealed, "the Star on Star, and system on system".

Furthermore, it is helpful to understand that the Illuminatus System has been refined for literally thousands of years, and before any "book" ever hits "the bookstore", these works are often fused to numerical formulae and confused enough to hide their esoteric significances. This means that quite often, the various religious texts, be it "Torat", or "Qu'ran", or many other tales, have gone through a form of "tincturing", imbedding specific truths so as not to fully destroy "the Truth", but obscuring it quite enough so as to make it undistinquishable to the untrained and unsuspecting eye.

An anonymous author from the Hermetic Arts described this reality as follows:

Let a Lover of truth make use of few authors, but of the best note and experience truth; let him suspect things that are quickly understood, especially in Mystical Names and Secret Operations; for truth lies hid in obscurity; for Philosophers never write more deceitfully - than when plainly, nor ever more truly - than when obscurely. - Source


To begin, perhaps it might serve to understand Occult metanumerics. Taoist Metanumerics teaches that there are 7 metanumerics:

The Point
The Line
The Plane
Time
Mind
Spirit
Divinity

All creation is contained within this whole. What is beyond "divinity" is of a realm that is not privy to the human creation. These Taoist "metanumerics" are essentually the same thing as was taught by the Pythagoreans, wherein we find the following set against number:

The Point (the dot) is the power of the 1
The Line (the line) is the power of the 2
The Surface (the plane) is the power of the 3
The Solid (time) is the power of the 4

To save time, you can view work from Manley P. Hall, catalogued here: Entry Level Pythagorean Metanumerics

You will find the same basic patterns of thinking in "Rabbinical Kabballah", but essentially, what it will be breaking down to is rendition of a "cube" as it spins on the 6th sepherah called "Tip"eroth. At the end of the day, whether one is seeking after the Rabbinical Tree of Life, the Ka'aba of the Qu'ran, or the "cross" of the Christians, what a person is seeking after is the outer manifestations of the inner esoterics of the cube.

Here we see the cube as it has been unfolded, forming both the "Tau" or the Letter "T", and the "cross" of the Christians.

In this diagram, we can view the upper portion of the Rabbinical "kabballah". Note that what we need to do is turn the cube slightly to the right, and fold it down on a diagonal, to reveal the upper 6 "sepherah" of the Rabbinical "tree", which is really not a "tree" at all, but a revolving "cherub", or cube. Note that the numbers are placed juxtaposed as if it were a cube equally, with 1 being opposite of the 6, and 2 opposite of the 5, and 3 opposite of the 4, hence the source equally of such mesmer spells as "777", and its significance as part of the "slot machine" equally.

What this reveals is this shape. The "Magen" of the "Hebrews" or "Jews". This shape gives way to this as its upper portion or half.

This symbol would give way to this: And of course, this is all "just a game" this "worship of the cube"...

And so you think you understand the power of the Illuminatus as it crafted a system based solely on the cube?

However, the "dreidle" and the "cherub", in which "cherub" thinly veiled the word "cube", held a specific and damning clue:

DREIDLE = 4+18+5+9+4+12+5 = 57 = 3+8+5+18+21+2 = CHERUB

The past 1000 years have been devoted to creating a "Western Mystery System" predicated on the sole worship of the "flaming sword and the "cherub", or the "cube", but as we move towards a "comprehensive English Qaballa", we will be able to move beyond the mesmer of the "flaming sword and Cherub" and return back to the "philosophical Garden of Eden".

This is Towards a Comprehensive English Qaballa, Part II

The Gem in I, or "The Secret of the Twins"

"I will find
Where truth is hid, though it were hid indeed
Within the center."
- Hamlet, II, 2

Without getting into the mythological details, here is a fun little code you can try yourself. I call it, "The Gem in I" or "The Secret of the Twins".

If you are like me, you have read a fair amount of Occult literature. One of the main peculiarities you will find in work as it pertains to Qaballa (Kabballah), Gematria, etc., is that words are spelled sometimes with all "upper case" letters.

Example, from Manley P. Hall, Secret Teachings of All Ages:

Ex. 1 The name Solomon may be divided into three syllables, SOL-OM-ON, symbolizing light, glory, and truth collectively and respectively.

Ex. 2 Accompanied by his retinue of planets, moons, and asteroids, this Divine King (SOLomon), whose glory no earthly monarch shall ever equal, passes in stately pomp down the avenues of space.

Notice that in each of these examples, the word "Solomon" has been recast and set into "capital letters". SOL-OM-ON, as shown in example 1 and SOLomon as shown in example 2. There are many reasons to do this, not the least of which is to convey some form of code, including codes that are "numerically designed", i.e., "Gematria", or to show some partial exposing of a hidden value, be it archetypical, as in "Light, Glory, and Truth, respective", or to show some numerical code. Furthermore, the use of CAPITALS is designed to set all the letters on the same footing, or power, so that words can more readily be viewed "this way" or "that", meaning from Left to Right and from Right to Left, or from the Center outward.

There are numerous rules to this "artform", not the least of which the casual observor may find as "finding whatever one wants to find and proving whatever one wants to prove." In King Henry IV, one of the rules to many used ciphers (including Gematria coding) is the phrase "I will find where truth is hid, though it were hid indeed within the center." This phrase represents a view to analyzing words from the "center" out.

An easy example of this form of coding is the word SOLSTICE. Just as the word SOL-OM-ON was shown above to be broken into its constituent components to mean

SOL = Light
OM = Glory
ON = Truth,

so, too, is the word SOLSTICE broken into its constituent components.

SOLS
T
ICE

If truth be found, search for it when hid in the center. This is clearl a "center out" word. The Letter T, as we have seen in "Pi and the Pagan Calendar" is a "god", or "letter" that is "exalted" at Noon Zenith of the Winter and Summmer Solstices.

The Ankh, as a symbol of the birth of the Sun God, means "everlasting life", a reference back the enduring solar pattern (love affair) between the Earth and her Sun. Hence Isis is giving birth to Horus at the Winter Solstice, which maintains and contains all the attributes of the "father", Osiris. Then you simply have to solve the equation. The Letter T is that which "lifts up the Sun" and is essentially a geometrical glyph akin to a measurement. It is no secret to any golfer that one "tee's up the ball". The Letter T, and the drink T (awakens you with caffeine) are all part of the basic part of the Isisian Codes.

The Letter T, in this case, represents the noon zenith of the Solstices.

SOLS =
T = Noon Zenith Measurement
ICE =

From here, you should be able to reason your way through to the solution. The word "SOLS" is "SOL'S" = Summer T and the word ICE is that which is "frozen" intimating Winter T.

SOLS = Sol's = Summer
T = Noon Zenith
ICE = "frozen" = Winter

Sol's T and Winter's T.

Now here is where it gets interesting. The period between the Winter T and the Summer T goes from the beginning of Capricorn (cap/cornerstone/eye of pyramid as winter solstice/Horus/Osiris) and the end of the Sign of the Twins.

The Sign of the Twins is called "Gemini", but agaim, but again, the GEM IN I is that the sign is a Letter, which is the Greek Letter II Each of the "I's" of the Gem in I is that the Winter Solstice is represented by the Letter A or Osiris and the Summer Solstice is represented by the Letter "I", or Seth.

Each of these Letters has a value of 1. A is located at 1 and the Letter I is the Roman numeral 1 and the first letter from the 9 in reverse.

The Winter Solstice is "the god of darkness" (Letter A)in that he is born on the darkest of days, but with his arrival, the days get brighter and brighter and longer and longer and death and darkness (Dece-ased and Dece-mber are afterall, sharing roots)are making way for the life of Spring. At the same time, on the other side of the planet, is being born "the god of light", who, however, "brings darkness".

These parallels become the idea that Osiris is "dark", or "Lucifer" is "the bringer of light", and come to mean too that when Seth is allowed to become "overpowering" and "brings about draught", that too knowledge and the benefits accrued from knowledge recede, while "Lucifer" being light and hence knowledge as symbolic of the days getting longer.

This is the mythical and trans-dimensional battle between "light" and "darkness" and hence the confusion as to who is light and beneficial and who is dark and and disastrous.

More clues lie in the words TWINS and WINTER.

The Letter T, essentially, is "the Sun" as represented by its marking point at the Summer T and Winter T. T is, in this case, "the Key".

T-WIN
WIN-T

At the Sign of the TWINS, the Sun is at its maximum height, so the Letter T is placed at the forefront of the word T-WIN(s), while at the Winter solstice, the Sun is at its lowest elevation in the sky, and so the letter T is moved "to the bottom of the word" to reveal the word WIN-T(r).

T-WIN(s) = Sun at Summer Zenith
WIN-T(r) = Sun at Winter Zenith

Simply show that the Letter T is the 7th Letter:
-------22------
NOPQRS-T-UVWXYZ
-------7-------

This reveals again Pi, or the Omnific Word, as 22/7 = 3.1428571 = Recipricol 7 Pi.

Voila. The "word" revealed.

"TWINS" and "WINTER" are "GEMATRIA" or coded words to reveal the Omnific Word. These words are critical keys to the System of the Illuminatus, which I refer to as "the Isisian Codes".

Ordo ab Chaos, Rationalising the Irrational

In thirty-two mysterious Paths of Wisdom did Jah, the Jehovah of hosts, the God of Israel, the Living Elohim, the King of ages, the merciful and gracious God, the Exalted One, the Dweller in eternity, most high and holy--engrave his name by the three Sepharim --Numbers, Letters, and Sounds. ------ These twenty-two letters, which are the foundation of all things, He arranged as upon a sphere with two hundred and thirty-one gates, and the sphere may be rotated forward or backward, whether for good or for evil; from the good comes true pleasure, from evil nought but torment. The Book of Formation (Sepher Yetzirah)

A commonly found symbol of the Illuminatus System is "The Double Headed Eagle". It is oft seen with either a "32" or a "33" encoded above the double head. A quick search will enable you to find numerous "mystical" or "esoteric" descriptions as to why the "two headed Eagle", however, a rational and pragmatic analysis shows that one should view the "double head" as evidence of "motion", or of "looking this way and that". The Eagle (the Illuminatus) sees things as they are, written from Left to Right and from Right, often simultaneously, and one cannot rule out "from center out", for as is known, "If truth be found, it will be found in the Center."

When viewed further as a physical "artistic representation" of the Sepher Yetzirah (Book of Formation), the "32" can be viewed as "the 32 paths" and the double heads seen as a representation of the "spinning heads" as trying to read words as they are written within the Sphere. However, as the introduction to the Book of Formation clearly intimates, the System is based on "Letters/Numbers/Sounds" (be careful of the "translation you use"), we can also represent the double headed eagle simply as a recognition that the Luciferian System contains an element of "reading from Right to Left", of reading from "Left to Right", and of reading from "the Center - out".

All of this will make more sense as you become familiar with the Luciferian System.

However, there is still an even further clue to the "32" or the "33", and this clue takes us back to "the Word", which is Pi, and what one soon realizes is that a part of "returning the Word" requires a full comprehension of Pi - to 32 decimal digits. Wherein Pi is a wholly "Irrational Number", what soon is revealed is that Pi is wholly "rational" through the first 32 decimal digits. It is these 32 decimal digits which are the "skeleton" or "the wire frame" to the larger Luciferian System.
In order to grasp Luciferianism, it is critical to understand that there are two systems in play: one that reveals and brings forward enlightenment, and a second which conceales and spreads ignorance. The first invites you to partake in the essence of "the God", while the second seeks to deny all aspects and knowledge of "the God".

The "God" is the "Alphabet", set against a 26 Letter representation. It is not based, even remotely, on the 22 of the Hebrew, and Continental Masons are clear in this. Godfrey Higgins writes on page 34 of "The Beginning of Masonry",

This system was based on a 26-letter alphabet answering to the 26 of JHVH, with alpha was the first letter, mu or mem, we the middle, and omega the last, philosophically referring to the beginning, middle, and end of human life.

Where Pi, wholly irrational, never ending and never repeating, once created reveals itself to be without beginning and without end, remains timebound and yet timeless, can be viewed as a form of chaos, utilizing the 26 and the 32, we can create Ordo ab Chaos.

Observe the Word. The 32 decimale digits or the 33 digits, including the 3 to the left of the decimal point reveal themselves as follows:

3.14159265358979323846264332387950...32 decimal digits.





A quick observation reveals that at the 32nd decimal digit the very first 0 appears. This 0 becomes the "0" of the Fool of the Tarot, and so is the "start", and so we return back to the 1, or the Magi, at the beginning of the decimal sequence. This can be viewed as written on a sphere, the 32 digits thus beginning with the Fool of the Tarot at "0", proceeding to "1", and counting out forward

Contained within this sequence is a series of paired digits, each will later be fused to various "mythological philosophies". However, the first task is draw order out of the chaos that is Pi.

The first paired digit to repeat in Pi is the number 26. Between the two 26's rest 13 letters. The sequence, again, "ends" but "begins" at 0, yet appears to begin at the "alpha" or "a=1", contains within its center a series of 13 digits (m = 13). Another way to view the Order appearing out of the Chaos is to establish the Sun's "marking points", which are based on the 26 as there are 26 weeks from Solstice to Solstice and Equinox to Equinox.

The Winter Solstice is 1 and 26 inclusive, as is the Summer Solstice, hence there are "13 weeks" to the halfway point (Equinoxes) between the marking points of the Solstices. It soon becomes apparent that Earth's cycles are modeled against an image of Pi. Outside of the two 26's (not including the 0) are 14 digits.

What this reveals is one of the first of the "constructs", where it is said that the Pharoahs (Fair O's) derived their power and upheld the laws of Ma'at.

M = 13
A = The Scales
AT = 14 (See Isisian Codes at bottom of the page)

13/14 = 1314 = A Diameter of 1 has a Circumference of 3.14.

Ordo ab Chaos.

Pi itself is representing the seasonal cycles of the planet (26 weeks from Solstice to Solstice with 13 weeks between to arrive at the secondary marking points (Equinox to Equinox). What lies within the 26's is the Letter M at 13, and what lies outside the 26's are 14 digits (revealing Pi again in a transdimensional presentation). 13 inside/14 outside.

MA'AT.

That the Letter A can and is (was) used within the Illuminatus System as "scales" can be see in this picture called "the Congressional Scales".

However, in Western Occultism, at the inner core of the Illuminatus Systems,
it was always understood that there were two systems in play. Aleister Crowley, a "guru" to some of the more modern systems affiliated with the OTO and "the Black Lodge", hinted at this reality in his work called "The Book of the Law" , where he stated at "50":

There is a word to say about the Hierophantic task. Behold! there are three ordeals in one, and it may be given in three ways. The gross must pass through fire; let the fine be tried in intellect, and the lofty chosen ones in the highest. Thus ye have star & star, system & system; let not one know well the other!

That is because Pi itself has two sets of harmonies, one defined as "MA'AT", or the totality of the whole, and then another system designed purely around the second 26, we we find another set of paired digits.


A close observation shows that there are 12 digits that are paired in 3 sets.

79 on the left is mirrored against a 79 on the right.
32 on the left is mirrored against a 32 on the right.
38 on the left is mirrored against a 38 on the right.

The Center is 462642. The 26 is the FATHER.

FATHER = 6+1+4+8+5+2 = 26
46 and 43 reveal first 4+6+4+3 = 17 = 3+14 = SN

The Holy Ghost becomes the revealed digits (12 total) of 79 32 38 ---- 38 32 79.


17 and 26 are critical numbers, for their sums from 1 to themselves reveal that they are palindromes, and a palindrome when read as left or right are seen as to be the same. Q, resting at 17, when summed from 1 to itself is 153, while Z, resting at 26, when summed from 1 to itself is 351.

153 = 351

That Jesus says, "I and the Father are one hints at this element of the larger code and brings forward the "7 broached candlestick of the Hebrews", but in reality, the "candlestick" or MN or AH are simply encoding elementary attributes to Pi. The Symbol of the Sun, a circle with a dot in the Center, rests squarely on the 26/17. Each of the other symbols are representing the respective 2 sets of the 6 paired digits.


Note too that "the Ghost" on the Right side of the 26 (Father) shows a "33" and this "33" is said to be when Jesus ends his ministry and is "crucified" (becomes the Holy Ghost). The very mythologies are crafted around Pi. Pi is the framework, the skeleton, and the omnific Word that keeps the whole of the system together through time and space.

Utilizing the "Great Key", or the "mythical Word", Pi, we are able to reconstruct the forces set in play against and with humanity, and ascertain what is useful and beneficial, and what is a danger and hence to be shunned or neutralized.

Ultimately, however, all things must return back to "the Word", and in the case of the Double Headed Eagle, we may use either the "32 decimal digits" or the "33 digits, the 3 to the left of the decimal and the 32 decimal digits" as the beginning of our search point.

3.14159265358979323846264338327950...

Ordo ab Chaos

Masonry and "The Word"

What precisely is "the Word" and can it be ascertained? I am thoroughly convinced that "the Word" is not "a word" at all, but rather, an esoteric construct based upon a "number". It's keys appear to be found in the higher esoteric constructs of "Gematria", the interest within the Osirian/Isisian Masonic Systems seeming to pale or be crushed shortly after the Roswell incident in 1947.

There is a code to the language. It is rather easy to see, as any good optical illusion, once you see it. "Truth" as oft insisted upon by politicians is really immovable once one begins to comprehend how Gematria works in a real sense, and not the public "profane" versions as taught in the Rabbinical Schools.

In the end, it all goes back to "the Word".

There are keys and clues everywhere, but what is hidden in plain site is removed from ones eyes.

There is a cipher, or so it appears. Manley P. Hall wrote in Secret Teachings of All Ages regarding the Acroamatic Cipher,

The acroamatic cryptogram is a pictorial cipher drawn in words and its symbolism must be so interpreted.

He goes on to say,

"The creation myths of the world are acroamatic cryptograms, and the deities of the various pantheons are only cryptic characters which, if properly understood, become the constituents of a divine alphabet. The initiated few comprehend the true nature of this alphabet, but the uninitiated many worship the letters of it as gods."

The Word is an Alphabet, yet it is a number. It is a Letter fused to mythology, hence a Mason's need to come to understand allegories and symbolism.

There is a reality. The Female always encompasses the Male. SHE encompasses HE, HE is encompassed by HER. Ancient Egypt would paint this as Geb being encompassed by Nut. We would call it "GOD" and "GODDESS", for each word is a numerical and coded picture of an absolute reality.

There are 52 weeks to a year. The diameter in time would thus be represented by 26 weeks. G+O+D = 7+15+4 = 26 Weeks. Hence GODDESS encompasses the Male.

GOD is the Diameter
DESS is the Word

D = 4
E = 5
S = 19
S = 19

Thus the formula reveals itself.

(S*S)+D = (19*19+4 = 365 days in a year.

God is the "diameter or the 1", while GODDESS, reveals the 1 (GOD) which creates the O, or DESS, for surely (S*S)+E = 361+5 = 366 equally.

Then again, there are properties to E. It does have a right to remain silent for it is the 5th Letter.

LIFE
KNIFE
WIFE
STRIFE

It remains silent.

L = 12
I = 9
F = 6
E = 0

Why? Because the Great Year of Plato, the Masonic Grand Arch, is based on the wobble of the earth on HER axis. This Great Year is 25920 years. It's diameter, in space time, is 25920/2 = 12,960 = LIFE.

Solve for the Word, and the pattern reveals itself.

No quest would be complete without an introduction to and an understanding of the “Lost Word” for “the Lost Word” ultimately is the foundation upon which “the Truth” is predicated. Albert G. Mackey, M.D. 33 Degree, says of the Lost Word, “The search for the Lost Word is the search for truth.” He continues, “The WORD, therefore, I conceive to be the symbol of Divine Truth; and all its modifications – the loss, substitution, and the recovery – are but component parts of the mythical symbol which represents the search for Truth.”

He later says, “The search, then, after this truth, I suppose to constitute the end and design of Speculative Masonry. From the very commencement of his career, the aspirant is by significant symbols and expressive instructions directed to the acquisition of the divine truth; the whole less, if not completed in its fullest extent, is at least well developed in the myths and legends of the Master’s degree.”

We can surmise from the above that there are two operative elements to the acquisition of “the Truth” relative to a recovery of “The Lost Word”; one being a written component, and the secondary, and more critical and important element, that of the instruction within the ancient “lodge” systems via a “spoken word” instruction component.

It is not our point to revisit the “mystical renditions” of this Word, save for that which allows us to reveal it in its entirety without the mystical obfuscations. However, we hold that some basic understanding of how it is viewed and constructed will guide the aspirant to an ascertaining of the critical construction of this Word.

The Lost Word is the “foundation” to the underlying “philosophy” as alluded to by Plutarch. However, the Lost Word does not exist within its own “vacuum”: it is fused to a component called “the Foundation Stone”, which is a geometric archetypical creation. These two components make up the needed components to understand acutely the whole of the philosophy.