7, 13, and the Enigma of the Year

If I were to ask you, "What is the relationship of 7:13, from a philosophical perception relative to number?", what exactly would you answer? At the end of the day, being able to answer just such a question is what the Mysteries are all about. What is the relationship of 13:19? What of 7:11? 1:2? 2:3? 3:4?

How do you then go about fusing the relationships of number to letters, to archetypes, and then to sounds and then place it all into a comprehensive philosophy?

There are words that exist that are placement codes. MARS is one such code. ASININE is another. In the word MARS, we break it to read M's Are S's. How? Just as Q is the Palindrome of Z (Q = 17 = 153 = 351 = 26 = Z), so too are M's = S's in that the sum of 1:13 (M) = 91 and the sum of 1:19 (S) = 190, to reveal a formula of M = 13 = 91 = 19x = S.

MARS.

Further, since A is Osiris and I is Seth, and the "ass" is designed as "the One", and the 1, or the Letter I is located at the 9 position, and it is Seth (the god of the Jews) who is the impostor and makes such absurd and ridiculous claims, hence "ASININE" is both a placement code wherein the definition is equally fused to the design in the Construct, and so "the Ass", or "the donkey" is the Jewish god is the 9 is the I is the nine, is ASININE.

The design reveals the code.

That mankind was made in the image of "GOD" belies a secret: GOD has a value of 26. The Alphabet is comprised of 26 Letters. O's are the feminine, P's are the masculine, B's are the profile of a pregnant woman, V's are symbolic of the feminine, D's will give you direction (erection) and so forth. The first thing to crow (grow) in the morning is the cock, I's are asses, while EYES are A's, and so forth. Such are the coy plays in the language, all effected by a clever mathematical cipher. C's (as 3) are G's (as Gimmel or Gamma), M's are S's, D's are T's, and so forth.

The Esoteric Significance of the Number 13

The Illuminatus System is based on the 26. Higgins cannot say it clearly enough in his treatise "The Beginning of Masonry",

"This system was based on a 26 letter Alphabet...of which alpha was the first letter, mu or mem the middle, and omega the last..."

The Letter M, resting in the middle, would be the Great Key, obvious by both its design as well as by its placement, which in a 26 digit system, was "set in the middle", which would be at the Number 13. Yet for generations through time, the secret key of the Number 13 (as M) would be vilified through the use of superstition. This "vilification" should not be seen as an accident, and Higgins does seem to intimate that the vilification was not an accident either:

"Even some of our most common superstitions are relics of this state of things. All the prejudice popularly entertained against the number 13 resides not in its "unluckiness," but because it was the key to religions mysteries that the priests did not wish the people to penetrate; hence, if a man started to run every time he encountered this number and would refuse to think of it for fear of breaking his leg, the sacerdotal interests were safe."

Even if you were not frightened by superstition, you still had to work through logic and reason and may have been working with an Alphabet that was not designed around the 26 and did not have the necessary constituent components to put the whole back together. In this context, we have the idea of the "sacred Alphabet", an alphabet that was based on the 26, which was the Alphabet Freemasonry was working with, which is that of the modern English Alphabet.

It was not easy to comprehend the way in which the cipher wheels were working, and the logic, even when explained fully, like a snake in the grass, slithered away before the mind could grasp that there was a potent and yet powerful spell. Said Higgins,

"Certain numbers show the peculiarity of representing two different sacred quantities; as, for instance, the number 888 . This has a special significance of its own, but was constructed from 3 times 8 (24) counters (8 units, 8 tens, and 8 hundreds)-there being a mystic relationship between the two ideas represented and between the two numbers involved."

It could not be said more clearly, but worth a repeat:

CERTAIN NUMBERS SHOW THE PECULIARITY OF REPRESENTING TWO DIFFERENT SACRED QUANTITIES.

In the case of the above example, there are many misdirections, and logic and reason would be required for you to solve for the equation. Using the "substrates" as given, we see that Higgins says that the construction is based on 3 times 8 (24) counters (8 Units, 8 Tens, and 8 Hundreds).

The 8th Letter of the Alphabet is H, while the 24th Letter of the Alphabet is X.

8 Units is 8
8 Tens is 8X
8 Hundreds is 8C

X is located at the 11th letter of the second half of the Alphabet. The sum of 1:11 is 66, while the Letter H at 8 will sum from 1:8 to reveal 36, which is 6*6. Both H and X are two different letters that share a common "sacred value" (66). But you have to fully grasp this, for as Higgins says,

"To the brother who is really interested in learning the truth about this wonderfully constituted ritual of ours, it may be emphasized that failure to know or recognize these methods of the ancients has been the reason why so many of the past expounders of Masonry have failed to "hit the mark ."

The Transmutation of Number

Another clue to the Illuminatus System is as follows, from Higgins:

Ancient philosophy always viewed the Great Architect in three aspects as Creator, Preserver, and Transformer . Nothing, said they, was ever lost. Spirit and matter were coexistent and coeternal . Matter was continually going in and out of perception, perishing apparently, in one form, only to be worked over into new forms in the vast laboratory of Nature .

To put this into a contemporary perspective, what this means is that there are an endless series of ciphers set against the letters, sounds, and numbers. 1+2=3 and 1+2+3=6 and 1+2+3+4+5+6 =21 and 2+1 = 3 might be one way of viewing it. Take the above example and fuse each of the series of digits to a comprehensive philosophy, and you begin to arrive at how "the Construct" is really a system that shows the interconnectedness of all "things".

Higgins explains it this way:

"The three side of the Pythagorean triangle represented Osiris, the male or creative principle to the Egyptians ; but, though the female principle was a four and the offspring a five, and these were three, even if you added 3, 4, and 5 together to make 12, for 1 plus 2 made three. This was the way the Pythagoreans reasoned, claiming, perhaps truly, that if we understood "number" we should understand everything in creation,..."

Thus when we combined 3 squared as the Letter I as the 9th Letter, and combined it with the feminine V, itself located at 22, but that 2*2 is 4 and 4 is the square of 16, we arrive at the shape of the Letter Y, or the fusion of the Male and the Female, the very glyph itself preserved "naked" in the Temple of Sukoh in Indonesia. And since nothing is lost, we can show that the 1 as A is the male and 2 as B is the female, to arrive at the 3, which is the glyph of the B showing the female latent with life (pregnant), and so "Matter" as representative of the numbers "goes in and out of perception", and yet remain constant and the same, always going through a process of regeneration.

The glue that holds it all together, still, is "the Word", or Pi. So in the calendar we will find that the Numbers 9 and 16 will be together (except in rare circumstances, and thus the Letter I as 9 and the Letter P as 16, to form PI, will form to the right of the center of the calendar, while the 13 and the 14, combined as it is with the 15, shows PI as 131415.

The Number 13, The Letter M, and the Days of the Year

This alchemical work from the Middle Ages shows the letter Y with an "androgynic figure", but the real secret is that the Letter Y is comprised of the make as the vertical "I" as the masculine and the "V" as the feminine. That this figure appears in the Temples of Sukoh in Indonesia and alchemical works of the Medieval Europe hints at the sacredness and the longevity of the use and knowledge of the symbols nearing a Universal knowledge, elements as they were and are of "the Sacred Alphabet".

In the Letter M, we too see that it is comprised of the Male and the Female.

Divide the Letter M into its constituent glyphs to form

M = I V I

Reorder the glyphs to show

M = I V I = V I I

This then creates the number of VII, or SEVEN. The "II" of the VII is a cipher of the Greek Letter Pi, or 1314. When reversed, it forms 1413, which, when set back against letters reveals:

M = I V I = V I I = "V" and "II"

1413 set against the letters reveals the word ADM, or 1413, or Pi in reverse, which then becomes ADM as male, while the V reversed is phonetically ciphered from

V(ee) = EEV(e)

Hence the Letter M is an acroamatic cipher for the words ADM and EVE, or Male and Female.

M =

V = Female = EVE = 666
II = Male = ADM = 1413 = 3.141 = Pi

Thus in the words SEVEN and ELEVEN, we see that the middle portion of the words contain the key word of EVE, while the beginning of the words contain the number 3 as EL and ES (L and S) are each located at number 3; N is located at 14, so M, as 13, SEVEN as 7 and ELEVEN as 11, are then showing transmutations that will lead you back to Pi and 666.

More, Higgins states,

"Pythagoras reduced all manifestation of form to squares, circles, and triangles. The Greek letter G (gamma) is in the form of a Mason's square . The letter 0 is a circle, and the letter D (delta) a triangle, giving us the word "God". These are the numbers 3, 6, and 4 alined ; added together, a total of 13, but as 364 (13 times 28), the months of a lunar year, which was the origin of our 52 weeks of seven days each,..."

Now here is where the riddle and enigma begins.

There is a relationship of 7 to 13 and 4.

There 52 weeks to a year, and the year is marked by the Equinoxes and the Solstice. These marking points are set at the Letters G and T, wherein G symbolizes the Equinoxes and T's are representative of the Solstices.

There are 13 weeks to each quarter, and the sum of 1:13 reveals a total of 91, or the number of days to a quarter of a year. However, there are 7 days to a week, and so 13 weeks times 7 is also equal to 91.

This riddle is wrapped up into the playing cards:



Yet:

91 days per quarter times 4 quarters = 364 days
52 weeks times 7 days per week = 364 days

And yet all this time you were taught there are 365 days.

Where, exactly, is the 365th day?