There is power in knowing the truth while the masses remain dormant, unawares and not gifted with the ability to ascertain the manner in which words are controlled to put forward fabricated truths.
Between Esoteric and Exoteric
Words, by their very nature, are veils - they are the physical representation of ideas and concepts and objects set to paper against a series of symbols, aka, "the Letters". Behind each word is a recognized set of meanings, and further behind the words (and letters) remain hidden meanings.
What is "esoteric" and what is "exoteric" is really a fairly recent phenomena relative to English, at least by nature of the "word" itself. The word "esoteric", if we are to believe the entry in Wikipedia, is first recognized to enter the language in 1701 - at least in written form. Comprised as it is claimed from the "Greek", the words root is that of S and O, eso, meaning "within".
Esoteric has been traditionally used to define knowledge or meanings which are traditionally "closely held", while its antonym is the word "exoteric", or a set of knowledge, beliefs, traditions, etc., that are widely known. Competent researchers into the "Occult", or "Western Esoteric Traditions", can point to a wide body of material appearing in the late 1890's and on through the 1930's, where the material appears to taper off in volume and value.
It was during this period that there was a struggle within the Mystery Schools, with some, as Rudolph Steiner, advocating a release of information so that the general population would be better tooled for their own individual spiritual development, while others held the belief that that esoteric knowledge should be withheld from the general masses.
By the late 1960's through the early 1980's, clearly the latter's opinion had held sway, with esoteric knowledge as simple as Manley P' Hall's "Secret Teachings of All Ages" having to be spoken of in hushed terms. Withholding information, of course, is a "Setian" or "Jehovian" path, by and large. Symbols and words and contrived thoughts all have predictable affects on the audience. The projections carry with them their own sets of vibrations, and enhanced and delivered with precision, have predictable results. A stairway to heaven, set against the Hermit of the Tarot, fused to music and words that speak of the "the Lady who knows" is a song to "the Goddess".
Words have Two Meanings
There's a sign on the wall but she wants to be sureAnd you know sometimes words have two meanings
In a tree by the brook there's a songbird who sings
Sometimes all of our thoughts are misgiven - Led Zeppelin, Stairway to Heaven
Perhaps one of the top 10 rock songs of all time, Stairway to Heaven is filled with "occulted", or esoteric, imagery. "With a word" "she" can "get what she wants. A word and "the Word", perhaps, being interchangeable. Of course, words can have "two meanings" for which what we believe may be "misgiven", or perhaps more appropriately, "willfully or otherwise" given in error. Hence your thoughts are "misgiven".
Yet there is a practical, or pragmatic, approach to the use of "esoteric English" to reveal elements of the Construct. The "Construct" is the philosophical reality fused to the esoteric constructions contained within the Letters. The Letters, their placement, their shapes, their phonetics, their notaricon and temurah, are but elements to aiding in the deciphering of the Construct.
For instance, O is "nothing", which is Feminine. This means that according to "the Construct", from a philosophical representation of truth, that all things are emanating from the Feminine, or "the Goddess". What then is created within itself is "the God", or the A, which is the "1". The B, comprised as it is of the mathematical formula of 1+2=3, means "Male 1" + "Female 2" = "Child 3". Hence the design of the Letter B, is "that of the Goddess Isis", pregnant with the baby Horus, from an acroamatic or philosophical coding.
Yet from a practical or pragmatic "esoteric English", we can see and hear that "the Construct" is tightly woven around the phonetics and design of the letters that comprise the B, which is too the word TWO.
If we reverse the TWO, we form OWT, comprised as it is of the word OUT and OW*CH. Spin back the letters AB to form BA, and we arrive at the word BA-KE, and the word ACHE, equally. Now throw in "childbirth" as process of "C", and it all begins to make sense. The child rises like the bread in the oven, wherein O is but an E and so an OVEN is an EVE-N, wherein each hides either EVE or VENus equally.
Further, as the picture above shows, a "TWO TRUCK" is spun innocently enough to form the word TOW TRUCK.
Then consider "human cultural traditions" relative to the "TOW TRUCK".
The TOW TRUCK is the "second truck", but yet it is the first. The vehicle that does not work is the second vehicle, and consider the traditions of "women not working", at least in the open society. Consider the tradition of women following closely behind the male. Each of these are "traditions" imposed on the population through logical constructions that are traditionally hiding the "Construct", or the nature of the rational design set into the A and the B from a placement position.
The B as "the bee", who is "the Queen", does not go out and work but stays in the HIVE and lays the eggs while the worker bees (as A's) go forth and work. The construct is being hidden in myriads of ways waiting to divulge itself to the interested inquirer.
And while we are on the subject of hidden, or pragmatic, esoteric construction in the language, let us not forget that the "pi"ed "pi"per will "lead us to reason".
And when you have a sudden awakening or awareness? The word is called an E, PI and Phi, or an "epiphany".
