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What is the Illuminati's favorite number? 5? Or 6? Or yet another? This article will explain how codes in words, linked to number/letter/sound, reveal key elements of the Construct.
The Center, Concentric Circles, and the Number 11 in the OTO
One way to begin to ascertain a preferred (or favorite) number, is to peer into various constructions within the Occult.
For instance, using gematria, we know that Isis has a value of 56, a number that reveals the 5 and the 6 and for which the two sum to 11.
The importance of the number 56 is further embed into the work of Aleister Crowley and perpetuated through their liturgy and ritual. In the Book of the Law, NUIT, French for "night" or "darkness", is given a number, referenced at line #24:
I am Nuit, and my word is six and fifty.
An interesting note is that NUIT has a value of 56 in an ordinal set when I is given a value of 1 for it's Roman numeral placement (14+21+(1)+20), however, the attempt by Crowley to link "Nuit' to "Isis" is clear, but the use of 56 as part of 11 and concentric circles does not end here.
The importance of the 5 and the 6 as a part of OTO ritual may be found in the OTO work "LIBER O VEL MANVS ET SAGITTAE SVB FIGVR VI wherein a detailed set of rituals is based the Pentagram (5) and the
Hexagon (6).
Further importance of the "5" and the "6" is found in the OTO "grade" system. This system forms a set of concentric circles based on the 0-10 digit numbering system and the number 11 as follows: Grade Name
0=0 Neophyte
1=10 Zelator
2=9 Theoricus
3=8 Practicus
4=7 Philosophus
5=6 Adeptis Minor
6=5 Adeptis Major
7=4 Adeptis Exemptus
8=3 Magister Templi
9=2 Magus10=1 Ipsissimus
The "Grade" system is really revolving around the 11, for in each case, aside from 0=0, all grades total 11 when added (1+10=11, 2+9=11, etc.)
An interesting note is the final "name" of the grade 10=1, which reversed reveals a seeming relevant and cryptic code: IPSISSIMUS = SUM ISSI PI, or "the Sum of Isis is Pi".
Other Occult Observations
Of course, we have many observations within the Occult within which to ascertain a preferred, or "favorite", number.
The acroamatic cipher, wherein we read in Secret Teachings of All Ages,
"The creation myths of the world are acroamatic cryptograms, and the
deities of the various pantheons are only cryptic characters which, if
properly understood, become the constituents of a divine alphabet. The
initiated few comprehend the true nature of this alphabet, but the
uninitiated many worship the letters of it as gods."
The acroamatic cipher, is not, however, strictly limited to an exposition on particular letters of this "divine Alphabet": rather, the acroamatic cipher is used to encode letters and decryption information as a process of seeking ascertain the whole of the philosophical construction.
In the case of Torah, one can read in Genesis 3:14,
King James Version (KJV)
And the Lord
God said unto the serpent, Because thou hast done this, thou art cursed
above all cattle, and above every beast of the field; upon thy belly
shalt thou go, and dust shalt thou eat all the days of thy life:
"Onto your belly you shall go" is really an acroamatic cipher to explain what is being hidden. If you have a pair of snake eyes showing, or a snake eye showing, then "onto your belly you shall go", and instead of using the "1", you should use the "6".
A good case in point is within the rhyme patters of English, where the primary rhyme pattern is AJK (Ace, Jack, King. We are reminded that AJK, or A JacK, is the 11th card.
However, the advice is very clear, "onto your belly you shall go", for the "serpent" and "snake eyes" and the "dice" are all speaking about the same constructions.
On a pair of dice, the 6's are "on the belly" and hence it is this which should be used.
There are many other examples of this methodology, such as the Magic Square of the Sun, wherein all the values
of the horizontal, vertical, and diagonal rows total 111, yet the total
value is 666 wherein the observations trend towards "6" being the favored number.
Yet there is one more simple observation: the Qaballistic Approach.
The Favorite Number of the Illuminati
A qaballistic analysis is a useful method in order to ascertain a preferred, or "favorite", number: the very word "favorite" pretty well tells the whole story.
Just as we find hidden phrases within words, such as CRYSTAL = SEE OUR WISE TALE, FAVORITE, too, is rather simple: FAVOR IT
What should be "favored"? The F and V are located at number 6, even as the word FIVE is comprised of the F and the V. They are equal and can be proven easily enough so.
F = 6, IVE = (IV)+E = 4+5 = 9: FIVE = 6/9
SIX = S=3=6, IX = 9: SIX = 6/9
However, it is not the FiVe that is to be "favored", but rather the six, for here is where FaVorit is in the same column. The FV are in column 6. The letters E and U make up column 5.
Hence, when we combine all manner of observation, we may surmise that the "favorite" number of the Illuminati/Luciferian system is the number 6.
When me reflect and muse on the Zodiac, qaballistically speaking that is, we are hit with so many unique and fascinating insights, many of which it is hard to chalk up the observable realities as being a product of merely "coincidence". To begin, the very name ZODIAC presents us with a rather obvious qaballistic insight when inferred from the historical reality of just what "is" the ZODIAC.
What we know about the ZODIAC is that it has been with us a very very long time. The Jewish "Torah", that great book of intended obfuscations and half truths, tells of the Zodiac within the very first book of their work. From Genesis 1:14, we find this simple observation:
"Let there be lights in the expanse of sky to divide the day from the night; and let them be for signs, and for seasons, and for days and years;
This is the most prevalent translation available. The "lights" in the sky of course are the stars, and they are to serve first for "signs", which we may reasonably infer to be hinting at the Zodiac and its signs, a phenomena that Jewish chroniclers neglect to tell us as to their coming of existence from their "our god did everything" insanity.
The truth is, the Zodiac has been here long before the primitive Hebrews raised the issue in their "Torah". From where the Zodiac came remains shrouded history, concealed tightly, yet to be revealed. One of the earliest references to a form of Zodiac appears on a 12,000 year old temple recently unearthed in Turkey. Ten to fifty ton stones in the form of the Letter T grace the sight, animals of all forms gracing the pillars with an inscription that reads zodiakos kyklos, or "animal circle". - source
The Egyptian god "Thoth" is said to have been the teacher of astronomy/astrology within ancient Egypt, and the craft of astrology varies little from the precepts laid down within the earlier Egyptian systems. Below is the heiroglyphic plan by Hermes as referenced in Secret Teachings of All Ages by Manley P. Hall.
Here we see the Zodiac clearly divided into 12 different "equal houses" of 30 degrees, for a total of 360 degrees, which too is one of the more common delineations for the circle.
Although much of this is of interest, it does very little to solve or resolve the inherent qaballistic constructions within the Zodiac.
Overt Qaballistic Construction in the Zodiac
From a qaballistic point of view, we are interested in discerning or recognizing inherent codes, either archetypal, constructive, or mathematical, within the words that comprise the constituent components of the Zodiac.
The constituent components of the Zodiac are the symbols and words that comprise the signs of the Zodiac. Thus we view the words and the signs (symbols) of the Zodiac as constituent components of a composite whole.
The sign of Gemini (II) is conceptually united with the word (GEMINI).
A mathematical construction or code would reveal inherent "truths" within the larger "Pi Proportion" esoteric philosophical construction. A constructive construction may not necessarily be linked to a mathematical truth, but may belie a "technique" used within the larger qaballistic philosophical system, while an archetypal construction reveals some of the core philosophical precepts of the larger holistic qaballistic system.
Overt means simply that: Overt. The coding is open, largely visible, and requires very little discernment to penetrate the crafted "secret". To anyone versed in the manner and system of reason and logic employed in the fabrication, the coded "secret" reveals itself.
The most obvious is that of the word Zodiac, which, when written as ZODIAC, is meant to reveal an inherent construction (mathematical, constructive, or archetypal). ZODIAC simply needs to be "reordered" as it is an anagram of the first 8 digits of Pi set to letter form.
Another overt coding is the word and sign of GEMINI (they are inseparable).
The first observation is "constructive". The philosophical construction
is based on Pi. Hence the word GEMINI can be viewed as a simple phrase
shorted to a word.
GEMINI = (The)GEM IN I
Since "The Gem in I" is inseparable from the symbol, and the sign of GEMINI is a slight modification of the Greek Letter Pi.
Within the word GEMINI appears more constructive elements.
For instance, the word GEMINI may be broken down to the phrase "The Gem in I is that I am the Greek Letter Pi", all the the significance that such entails, but also, the word GEMINI can be seen to include the phrase GEM I N I, or "The Gem" is made of "I" "and/N" "I". In this observation, it is reminding through a constructive code, meaning that the sign is really a design of two letter I's combined into a single coherent glyph.
Since GEMINI ends at the start of the Summer Solstice, we can make further inferences that the two "I"s are the Letter's A as 1 as I as Osiris as the Winter Solstice and the Letter I as Jehovah/Typhon/Seth as the Summer Solstice, a duality of existence between "good" and "evil".
Other rather overt codes within the Zodiac are combined signs of Gemini, Scorpio, and Pisces. What is unique about these three words are that they all contain Pi. They are respectively the 3, 8, and 12th signs of the Zodiac and placed in the 6,th, 10th, and 3rd month respectively. This is a very simple pattern to recognize.
GEMINI is the 3rd sign and 3 sums to 6, or the month where the sign of Gemini ends. We give Gemini a value of 6.
SCORPIO is the 8th sign in the 10th month. SCORPIO is a contracted mathematical phrase. SCORE PI x 10, wherein to SCORE means to multiply. The Sum of 1:8 is 36. Multiply it by 10 and we arrive at 360 degrees of a circle.
Pisces is in the 3rd month but the 12th sign.
GEMINI (6) x SCORPIO (360) x PISCES (12) = 25,920 years. This is "The Grand Arch", the Platonic Great Year, or the number of years for the Earth to wobble one time on its axis.
Further overt qaballistic observations regarding the Zodiac include the signs of CANCER, VIRGO, and LEO.
Like Gemini, CANCER can be shown to exhibit multiple layers of qaballistic constructions.
CANCER is known as "The Sign of the Home". Perhaps we can draw some inspiration from the Arabic and Hebrew, where a house or home is called "BEIT", which forms the number 25920. The manner in which the BEIT is formed is by observation of the precesses through the Zodiac. This precession is as the sun moving sideways, and hence it is linked esoterically to nature in the form of its animal, which is "the CRAB".
This demonstrates a constructive constructions. Perhaps it would be better understood as "instructive", providing insights into the larger manner in which the philosophical principles are constructed.
This is the manner in which the philosophy is qaballistically linked to Nature. The CRAB walks sideways just as the Sun appears to move sideways in a circle around the observed fixed point of Earth. In the same manner does BARK cover the inner portion of the tree.
The word CANCER is further a code for PI and 666, or the primary numbers of the esoteric philosophical construction.
CN is 314
CER is 352
314 + 352 = 666
A Qaballistic Musing on the Zodiac
Let us muse a bit about some of the more unconventional, and perhaps "avante garde" qaballistic observations regarding the Zodiac.
Many of the names appear to have some clear qaballistic construction.
Gemini, Cancer, Leo, Virgo, Libra, Scorpio, and Pisces are clear. Those signs that have escaped discernment (at least for this author) are Aries, Taurus, Sagittarius, Capricorn, and Aquarius.
For those names that have escaped discernment, some theories are offered:
ARIES = A RISE
TAURUS = TAU R US, a link back to the worship of the Bull and the Tau Cross
CAPRICORN = CAP RE-CORN, begins on the Winter Solstice, and hence the CAP would be in recognition of the birth of Osiris and as CORN is symbolic of the Sun, a signature for the new Solar year.
There appears to be a Pi Proportion link between April and Libra, a constructive example show the modules of hardness and softness in that B is soft while P is hard. Hence A(P)RIL and LI(B)RA demonstrate the usage of models of hardness and softness while equally demonstrating the use of the anagram, all of which is anchored to the first sign its Pi Proportion opposing sign.
As commented in other articles, the sign of Leo is as that of Hathor's hair, while VIRGO is the Original VI (6), showing that the Feminine is 6, while the Masculine is 9. Equally, Virgo is the 6th sign of the Zodiac and appears in the 8th month, which creates a 666 sequence.
Further insights can be gleaned through an analysis of the the Zodiac as it is placed against the Garden of Eden.
The Garden of Eden is an archetypal construction and is representative of the World of Form, among others.
We can see there are 22 paths, each in an unbroken circuit, beginning and ending in Cancer, the sign of the Home. The numbers entering into/emanating from the sign of Cancer are as follows:
0+5+6+19+18+21 = 69
What we see here is Aries above Aquarius (A Query Us?). In this form, Aries appears as a dousing rod which seeks to find the water that lies below the surface.
Why a dousing rod?
As the Garden of Eden intimates, Aries and Libra represent present and near immediate future while Libra represents a distant future.
Pisces represents raw, unprocessed emotions, while Aquarius represents processed emotions. A practical example of that is being confronted with an event and "losing it", either in anger, over exuberance, etc.
Raw, unprocessed (un-reasoned) emotion as represented by Pisces "recedes" into the same but processed waters of Aquarius, which can draw from the core of the intellect of Gemini.
Aquarius acts as a form of stored, processed emotions, which we should remind ourselves to draw upon in our current environment (Aries - the Dowsing Rod). In this way, the darker/deeper unprocessed emotions of Pisces and the pure capacity of the intellect as represented by Gemini may be balanced by the stored emotional/rational experiences of the past, which feed into Aquarius from Gemini and Pisces.
These ideas present some points of reflection for those interested in a deeper understanding of the qaballistic arts.
An advanced qaballistic analysis of English allows us to peer into some of the esoteric insights into the manner and construction of the English Alphabet.
Watch the above video of bread rising. What esoteric insights can you glean or gather from the properties of bread and the nature of the Alphabet? Let us review, or share, some of these insights.
Nature is fused to the Language and the Alphabet. The archetypes, or form contained within the Alphabet, is transmuted into Nature. Observing and analyzing the properties of Nature enables us to ascertain the correct design of the Alphabet and its underlying esoteric and philosophical constructions. The names contained within Nature reveal further the absolutes of the philosophical Construction designed, or woven, into the Alphabet and the corresponding language.
Again. Observe the bread rising.
One should be able to observe two parallel constructions with the words "bread" and "rising", each based upon food and named with perfection. Each word, "bread" and "rising", reveals overt and covert occult significators, or signatures.
Each significator is as a source of light that reveals "the epoptic part".
The "epoptic part" is best referred to as coming
from the
ancient Greek ἀκροαματικὰς which literally translated means "things
designed for hearing only" and refers to the lessons which Aristotle
himself reserved for his closest disciples.
Similarly, epoptic is also a cognate, this from the ancient Greek word
ἐποπτικὰς which literally means "highest mysteries" but refers to the
teachings reserved for the ἐπόπτης, or "observer" who is an initiated
member, often of a religious group. - source
These words, being an epoptic part of the design, are hidden by the very nature of words themselves, or the Letters that make up the words. Hence we say that words as speech are "veils of Isis" that no man hath been able to peer behind.
The Nature of the Veil - Clouds as an Epoptic Part
Clouds are a seemingly innocuous word to describe a phenomena of Nature. However, the word cloud (CLOUD) is an epoptic part of the design.
CLOUD = OCUL(D) = OCUL(T)
The word "CLOUD" and its observable properties reveals the nature of the Construct.
Basic Qaballistic principles hold that the source of light is so bright (as the Sun which is the fount) that one cannot behold the Construct in all its brightness without becoming overpowered and blinded by the nature of what one was viewing. Hence, it is necessary to observe the Nature of the Construct (some may call this "God") through the shadows and adumbrations which are created within the material realm. These become "the Things" that make up physical reality.
Thus a "CLOUD" at times reveals the whole of the Construct through a lack of covering the construction, and at other times can completely obscure the Construct such that the properties become oppressive. Generally, however, we find that CLOUDS, or the OCCULT, shades and covers in parts or mystification such that the source remains within sight though obscured.
This advanced qaballistic analysis provides what is otherwise a clear demonstration of what is generally considered to remain epoptic.
Bread and Rice - Parallel Epoptic Patterns
Rice shares an absolute similarity to bread. Each "rises" when properly prepared.
However, when we consider that C and S are Isisian Cipher (Code) equivalents, we find that the word RISE and RICE are identical in design. Although such is apparent and obvious enough, the occult significance is akin to a cloud that covers not the source of light that is shining behind, or if such occult influence is said to be hiding the source, it would be as a very thin mist that barely covers or hides anything at all.
In the case of the word RICE, we can break apart the word into its constituent designs, namely the Letter R and the word ICE, wherein the properties of ICE are such that at 32 degrees, the water freezes and "rises" above the waters.
Peering deeper into the analysis, since R is letter of the Goddess, we can surmise that it is from and through the Goddess that one is able to "rise up" and "see".
We can then expand on the R and relate it to the B as B and R are identical in design and number.
The relationship of BREAD, the root in this case is the Letters B and R, or more accurately BR. R s the feminine and B is the profile of a pregnant woman.
The BREAD that rises is very much observable in nature as a woman's pregnancy. Notice in the video how the bread, as it hardens (heartens), it bubbles and kicks (as a child in the womb).
All of this is esoterically being built around the Letters B and R, which is B as "latent life" and R as "manifested life", a past and present tense demonstration: 2 B and U R.
Of course, another word that is working around or patterned after or structured upon the latent life letter B is that of the B (om) B er.
There are many words crafted around the archetypal constructions set within the Letter B.
One needs only to peer with a little bit of extra focus to see the light source behind the mystification created by the clouds.
Under threats from Jewish media censors monitoring TalkStreamLive,
TalkStreamLive has removed without any notification the popular
political talk show, Inside the Eye – Live! with The Fetch, from
TalkStreamLive’s Saturday aggregation line-up. Sources note that Jewish
groups have been active in monitoring online media sites in an effort
to put a total blanket on the information flowing out to the American
people and larger global community and that Inside the Eye – Live! was
specifically targeted for deletion from TalkStreamLive’s aggregation
Saturday morning line-up.
Unseen and Unaccountable Jewish Censors in the Alternative News Media Market
Indeed, there has been a disturbing trend in the alternative
streaming news segment. When seen in the light of defacto operating
unaccountable Jewish censors, Americans and the world at large are
seeing their choices of media programming increasing censored, including
completely disappeared from the World Wide Web, in an effort by Jews to
preclude any mention of Jewish involvement in the theft of trillions of
dollars from the United States economy, Jewish involvement in the
poisoning of the food supply, Jewish involvement in the phony “War on
Terror”, Jewish involvement in the attack on the United States known as
“9-11″, and Jewish media manipulations, to name but a few.
All of the above realities, plus the Jewish involvement in the
attempted frame-up of the Syrian government in the use of chemical
weapons in the early part of May, 2013, hint at an agenda by global
Jewish interests to bring the citizenry of Western civilization powers
into another war in the Middle East for the benefit of Jewish
geopolitical interests.
And it is precisely this effort to keep reality “under the blanket”
and out of sight and earshot that has de-facto Jewish censors working
tireless to bully and threaten website owners and aggregators.
Traditional American and Western values of free speech are being ground
down in favor of an Orwellian Jewish Bolshevik construction.
As Alexsandr Solzhenitsyn so aptly revealed,
“We can not state, that all Jews are Bolsheviks. But: Without
Jews there would never have been Bolshevism. For a Jew nothing is more
insulting than the truth. The blood-maddened Jewish terrorists had
murdered sixty-six million victims in Russia from 1918 to 1957!”
Jewish Imposed Constructions on Language
The idea of “imposed constructions on language” are not so difficult
to comprehend: the manner in which constructions are imposed is through a
focused effort to control definitions and word usage. In this area,
owing largely to Jewish control of media cultural (film) assets and
intelligentsia (higher education), the task of controlling definitions
and accepted “word usage” has proven to be markedly easy and effective.
“The Fetch” will make a guest appearance on Temple Radio on Blogtalk Radio on Saturday, May 4, 2013.
Show: Temple Radio with Amenti Show Date: May 4, 2013 Show Time: 2:00 – 2:30 pm EDT Show URL: Temple Radio on BlogtalkShow Time: 2:30 – 4:00 (show final not firmed) Show URL: Temple Radio on Talkshoe
Join us for what should be a fun and insightful discussion on the
Isisian Codes, esoteric constructions in language, and much more.
Live chat rooms will be available at the respective show pages.
Show Review
This show was very light and went REALLY fast. It was a half hour or so long. General discussion of the Isisian Codes.
This article will highlight the Letters D and T and provide some insights into simple transpositions (temurah).
What has changed in the sign above? Nothing, really - if we allow for transpositions and modifications and co-relational use of numbers.
666 is clear.
491 is crypted.
(4*9) 1 = (36)1 = 6*6 (1).
Since "1's" are "6's" (cursed are you, because you have done this, onto you belly you shall and dust you shall eat all the days of your life), then 49 is 4*9 is 36 is 6x6 is 66 and 1 is 6, and so 666 is 491 is "true".
Of course, the number 666 is also known as the Number of the Sun as established by the Magic Square of the Sun.
This 6 x 6 matrix reveals that all columns, rows, and diagonals total 111, while the sum adds to 666.
Now, as we apply the principles of Notaricon, or the use of single letters to denote full concepts, we are told equally that the BEAST has a value of 666, yet through NOTARICON we can see that BEAST appears clear a contraction of BE AS T.
What we can infer through a simple analysis is that the Letter T is being used to denote, then, the Sun.
Here is how the whole puzzle is put together.
The Letters D and T
Our Letters are but two dimensional pictograms of multi-layered archetypal coding, some of which we can see embed into ancient language pictogram sets as the Egyptian heiroglyphs.
For instance, the letter C is a representation of "Jehovah/Typhon/Seth", which we also refer to as "Caine". It is "half a heart" for, as Crowley tried to reveal, "the Jews have the half, through thine art combine the two and make the former disappear".
Combine two "canes" and you craft a HEART.
The "anchor", however, is the Letter T, which is shaped as a "D". The archetype of the D is the Sun as it arises or sets on the HORIZON.
We can see clearly that the SUN is as the glyph represented by the heiroglyph for T.
Further more, we know that the Letters T and D are but the same in that they are models of hardness and softness as represented by the Book of Formation, or the Sepher Yetzirah,
"The two sounds of each letter are the
hard and the soft--the aspirated and the softened."
As designed into English, the T would be "hard" and the "D", soft. They are represented not as "hard and soft" of a single letter, but "hard and soft of a single number", or the number 4.
Here we see that the Number 4 is D and T and M., yet we understand that the crafting is set against "phonics", and so the DNT(als) are the primary number 4's.
N shares a co-relational value at 14, which reveals that the Sum of 1:4 is 10. This is further clarified in the Arabic where the sound of N is assigned a value of 10. The word "arba" is 4, and the sound "arba - een" is 40.
That D is 10, or a 1 and a 0, is obvious by its design. Through the principle of Summation we see that D, located at number 4, shares its summative value of 1+2+3+4=10, or a 1 and a 0.
Hence the HORIZON is 1 and the Sun is the 0.
If we rotate the image 90 degrees to the right, the 1 and the 0 clearly emerge. However, if there is any confusion, we may still "check" our reasoning through additional word constructions.
The HORIZON breaks out to the following:
H = Greek Letter Pi Transposition
ORIZ = ZIRO = ZERO
ON = ONe
HORIZON = Pi is equal or comprised of the ZERO and the One.
The Letter T, then, must too be the SUN. Hence BE AS T, which "rises in the EAST", is the SUN, but in this case measured or exalted at "noon zenith" with full exaltation at the Winter and Summer Solstices. It's "anchor point" is the Winter Solstice, and hence we see in the small letter "t" the image of an anchor, which is too the "ANKHr".
We can end our discussion that T, too, has a value of 10 through both an analysis of Summation and phonics.
The following phrases reveal clear:
4T = 40
6T = 60
7T = 70
8T = 80
9T = 90
In each of these mathematical equations, T MUST EQUAL 10.
Still, the Sum of 1:20 (T's ordinal placement) is 210, or "the 2 10's".
DUEL at High Noon - The DUAT and the DEAD
We have established the Letters D and T are archetypal representations of the SUN.
The BEAST has a value of 666, and the Magic Matrix of the SUN is 666, and the NOTARICON phrase of BE AS T "which rises in the EAST" are but a few allegorical examples within a single archetypal set that reveal that T is "the SUN".
More accurately, the T is reflective of the rising up and the SUN on the HORIZON to reach its noon zenith, at which time it will come to fall back to set at the end of the day.
In the story of Nefertum of the Egyptians, we see that sunrise was represented by birth and sunset as death, hence the underworld of darkness was the night. As the evening is the realm of "stars", an appropriate symbol would be that of a "star" for which the DUAT was symbolized by a 5 pointed star.
We can then begin to piece the concept of D and T together through simple modifications and transpositions:
D;'s are T's.
The idea of the Birth and Death is on a daily basis relative to the Egyptian cosmology of the SUN as represented in the stories of Nefertum.
Thus a "rising from the DEAD" as attached to "the Christ" on "the T" is but mythological coding of this more ancient philosophical system encoded into the Letters and Alphabet.
Thus we see that "He is RISEN" is linked to the T, and through a simple transposition of L's to T's, the DUAT comes back to life in the name of "CHRYSLER", wherein L's are T's and hence a CHRYSLER is a CHRISTER as this early 1940's era logo intimates.
The T and the King (CHRIST as King) would be replaced later with a more elegant and simplified symbol, or the DUAT.
From here, additional simple modifications can be used to highlight the nature of the DUAT and DEAD.
Since we see that E's are U's, DUAT = DEAT, which reveals DEATH.
DUAL = DUAT reveals the double nature of the DAY (day and night).
DUAT = DEAD (E to U and T to D transposition), from which we can infer a mathematical sequence in that a removal of a single entity (life) is the same as DE- ADDING from the total value of available captured spiritual capital.
Perhaps there is more you can find, but this provides you with a pretty insightful analysis into the some of the aspects of the Letters D and T.
Isis was, perhaps, the greatest of all the "Love Goddesses", and she is linked with other "Love Goddesses", including Hathor, Astarte, Ishtar, and Inanna, to name but a few. The Oxyrhinehus hymn mentions in several places that the worship of Isis occurred under the name of Aphrodite.
Ptolemaic queens, descended from Macedonia, strengthened the link between Aphrodite and Isis as evidenced by numerous temples and shrines dedicated to both Goddesses
The logical connections of Aphrodite to Isis were easy to reconcile within Greek civilization. Both were Goddesses of marriage. Both were protectors of sailors at sea. Both shared the epithet of "Pelagia", "Lady of the Sea"; Pharia, "Lady of the Sail"; and Euploia, "Lady of Smooth Sailing".(1)
Both Goddess were also "mourning Goddesses". Isis mourned after slain Osiris whereas Aphrodite mourned for her lover Adonis who was slain by a boar.
The word "mare", of course, linked as it is to the "Sea", is also known etymologically to refer to "horse" in the Old Saxon, with etymologists arguing that "mare" and "sea" have nothing to do with "mare" and "horse",
Yet as we peer into this peculiar acrophonic creation in combination with the homonyms associated within the acrophonic crafting, we find that much of the language revolving around the Letter C is indeed an ingenious crafting of superb Qaballistic expression.
Why else would a "whore" as in "The Whore of Babylon" be linked to a "mare", which is known as a w"horse", and Goddesses of Love are linked to the Knots of Isis and Mare Age (marriage)?
Isis - the Goddess of Sailors
At a very basic level of construction, Qaballistic crafts centered around Isis are intrinsically linked to "spoken word" traditions.
Historically, at least so far as the great battle between Seth (Jehovianism) on the one hand, and "Isis/Osiris" Mystery Schools on the other, the oral traditions were and remain those traditions wherein knowledge has been or had been transmitted orally.
Some of the more relevant examples of this are the Vedas of the Hindus and the Kalevala of Finns.
The Vedas, for instance, had 11 different forms of recitations, many of which still exist to this day, while the Kalevala of the Finn's has been relegated to the "written word" in an effort to at least preserve the text and richness of the story.
What is lost is the intangible human element within these oral traditions and it is the loss of these intangibles, still to be discerned and understood, which has been the primary target of "written word" atheistic cultures as Judaism/Setianist religious cults.
One of our first hints at the relationship of Isis to "Sailors" is in the homonymic play "sailor" and "say lore", where in "say" is the "oral tradition" and "lore" is the ancient treasure trove of stories to be told or spoken.
Adventure on the High C's
A study in the mythologies and memes surround "the C" as the "sea" provides us with a rich insight into the manner and nature of archetypal coding and the use of acroamatic ciphers.
In a very distinct way, equally, we can see the nature of inversions and homonyms as they are used in the Occult.
An example of an inversion (inverse duplicity) is the nature of that which "sees" and the nature of the "sea" and the "c". The letter C is a definition of the Occult in that it is formed from the covering of one celestial body over another, as in, say, an eclipse.
What the Letter C is doing is showing that one celestial body is covering or hiding (occulting) another celestial body, yet we understand that it is through the Occult that one gains vision and insight into the nature of the Construct.
Yet, equally, the Letter C is "Jehovah/Typhon/Seth", set as it is on the 3 and the 9 (C and I) and it is Jehovah/Typhon/Seth that occludes and confuses.
As the Construct is further fused to Nature, the properties of the Sea hint at the nature of the Letter itself (C). The water is not drinkable, even as the salt which one may partake therefrom is essentially to maintain proper blood ph levels.
The water is hard on one's eyes.
Life that exists within the Sea is "cut off and removed from the Sun", or occludes the true brightness of the Sun, whereas "the Sun" is implied to mean "truth".
Within the homonyms, which are 3, we find "sees", "seas" and "sieze", words that. With the word "sees" we have the past tense of "saw", which is a word that both a noun and a verb used to imply the cutting of something and the instrument used to achieve the cutting. This link is a link, again, back to Jehovah/Typhon/Seth where is is said that Typhon tears to pieces the sacred mysteries and which are recollected and put back together again by the adherents of the Greater Mystery Schools.
Thus it is through this same Occultation through a tearing of the pieces and scattering to the winds of the sacred writings that one is also able to achieve "enlightenment" or an understanding of the Construct. This is accomplished through a gathering and reconstruction of the scattered elements of the Construct.
Thus "saw" and "saw" represent inversions of parallel yet opposite positions within the Construction.
In the word SEIZE, we have the idea of grabbing and holding something as well as the freezing up and destruction of movement, as in machinery that "seizes".
Within this context, we are reminded that an immersion into the realm of Jehovah/Typhon/Seth causes one to be "seized" by the lower realms and that such immersions run the risk of a total cessation of advancement of one's spiritual development. This idea of "being seized" (seased) works its way into the word "cease", which is but "seas" with modifications of hardness and softness applied to the letters (seas - cease).
Within the Principle of Inverse Duplicity, we may discern that the true meaning of the word "deceased" does not mean "to die" but rather "to cease existing within the realm of Typhon".
There are far more insights to be gleaned from a study of Isis, Say Lore's, the sea, and more.
