An Occult Insight on Letters

Qaballa, at its inner most core, is a study of the occult nature and construction to and of "the Letters". That Letters have special occult properties is an accepted Occult reality, although the application of Occult concepts to the English language has remained (publicly) suspiciously absent. "New orders" and "values" have be sought after in obeisance to Crowley, but an actual Occult construction, even among the "new order-ists" and "value-ists", equally meets with a chasmic void.

Why is that?

An occult deconstruction is really about revealing the nature of the design and the Construct. This "deconstruction" is only regarded as being "of the Occult" owing to the nature that the Construct, which, although hidden in plain view, remains essentially unexplored, lacking in discussion, and hence hidden (occulted).

One need not attach mystical mumbo-jumbo bogeyman principles to this philosophical reality: the Letters, and with it, the Language, remains a system of overlapping constructions that, when taken as individual units or as sub-units, reveals in subtle shadows the larger Construction upon which it has been based.

This very concept, of course, flies in the face of some mass market academic thinking. I cringe every time I hear of some "etymologist" spinning yarns about how the language evolved without any logic or reason and that it "evolved". The very fact that the language has a "grammar", or rules, tells you that the construct HAS BEEN BASED on some form of logic and reason.

Extending this "logic and reason" to include the fabrication of the very Letters soon follows.

Food Tastes Better when Eaten out

One observation that always amazed me was "Why do people feel a need to go and study foreign letters such as Hebrew or Runes?" Mind you, as a student who was formally educated into these affairs, I really did not have much choice myself.

The study of the Runes and Jewish letters seemed as if a "requirement" before one could "graduate".

At one point, and don't ask me to do such now, I was writing whole letters in runes with the idea that if I used the runes as an actual tool of personal communication, I would be better able to penetrate their mysteries.

Regarding Jewish letters, which at that point in time fell under this idea of Jewish exclusivity regarding Kabballah, most of it appeared to me to be conjecture and nonsense - irrational at best, and borderline psychopathy at worst.

The main issue for me, however, during the whole process of this education was this: "Why do people have this pressing need to go off in search of these "mystical letters"? I could never really answer such satisfactorily, but I do have a theory.

Human nature, sorta like eating out.

Have you ever noticed that when you go out to eat, or otherwise dine out at a friends house, etc., that the food always seems to taste better? The "uniqueness", the "difference", the "unfamiliarity" adds to the mystique and experience. What one has tasted dozens of times, on the other hand, breeds familiarity. With the familiarity comes a desensitized sensory experience.

The study of runes and "Jewish letters" carries this mystical equivalence. Yet nothing, at least relative to solving the riddle of the Construct, can be solved through the singular study of any of these given "esoteric systems".

It is sorta like "Kabballah! Oooh! This is so mystical!"

Yeah. Sure. And eating out always tastes better too.

A Traditional Study of the Letters

A "traditional study of the letters" hints at a formal structure to one's study. However, in the case of an "occult study of the Letters", our "traditional study of the Letters" incorporates a vast amount of material drawn from "occult" sources.

For example, we may draw from Plutarch who says,

"As for the robes, those of Isis are variegated in their colours; for her power is concerned with matter which becomes everything and receives everything, light and darkness, day and night, fire and water, life and death, beginning and end. But the robe of Osiris has no shading or variety in its colour, but only one single colour like to light. For the beginning is combined with nothing else, and that which is primary and conceptual is without admixture; wherefore, when they have once taken off the robe of Osiris, they lay it away and guard it, unseen and untouched. But the robes of Isis they use many times over; for in use those things that are perceptible and ready at hand afford many disclosures of themselves and opportunities to view them as they are changed about in various ways."

In this instance, the "Robe of Osiris" is the Alphabet, while the "Robes of Isis" are the individual Letters which are spun into words that describe physical reality in all its manifestations.

Name Values and the Letters

When one immerses themselves into a traditional study of the Letters (note that I am not saying that a traditional study implies a proper and accurate study), one invariably is led into the Rabbinical schools. One is taught that the "Alphabet" comes from the Jewish "Alef Beit", for starters, but this whole logic is predicated on a particular vein of religious thinking.

"If God created the world as described in the Bible, then all things must derive from Jews because Jews were the first created." Then you can snicker and laugh at the academic rationalizations that turn Hebrew into a root language which branches out to eventually evolve into a hyper Occult link to English (as taught in some Setianist schools).

However, our business is not a business of irrational insanities justified through the application of funded agenda after funded agenda at the academic level - ours is a precise and surgical study into the Occult nature of the Letters.

In this way, we can rapidly cut through the obfuscations.

We know that "reality" as exhibited through the Alphabets of the world present a series of precise mathematical or phonetic transpositions. Further, there are "letters" and there are "names". A deeper study into Rabbinical Kabballah reveals, for instance, an often tortured logic relative to their lettering system. There are holes in their system of Gematria.

For example, the phrase (YHVH)

brings one to an elaborate illogical conclusion.

The actual phrase is translated in English as YUD HE VAV HE. What happened to the "UD" in the term YUD? What happened to the "AV" of VAV? So we just ignore the letters UD in YUD when we make up its calculated Occult value? So how did you arrive at "26" while ignoring the total value of the letters within the phrase?

The Rabbinical Systems have no choice but to invent further rules that deal with these glaring holes and anomalies in their larger "kabballah" system.

But the food is always better when eaten out, right?

Acrophony and Occult ConstructionsThere is a simpler reality going on.

Hebrew, Runes, and Greek, are but examples of "acrophonic alphabets." Acrophonic alphabets essentially assign a word to the first sound of the letter of the Alphabet. In this way, the Greek "delta" is for the letter D, while in Hebrew it would be called "Daleth". The concept of use of "acrophony" in and of itself, if done in a random fashion, would theoretical contain no inherent Occult signature aside from the injection of synchronicity. It is no more complicated that we in English assigning to English "A is for Apple" and "B is Boy", "C is for Cat", and so forth.

Aviation letter call outs such as "Alpha Bravo Tango" for ABT are but examples of an acrophonic construction.

So to apply some mystical value to Hebrew without having some rational basis for the construction sends one into superstition. Why is Pei of the Hebrew called Pei? To solve this, you MUST USE ENGLISH (fancy that), just as sure as to solve for the "esoteric significance of Gimmel"?

Who died and made "acrophony" "mystical", after all?

The key is in what we may term "interlocking ciphers" and was hinted at in the Matrix Reloaded,


Interlocking Ciphers - Transpositions

In the Matrix Reloaded, the "Keymaker" is speaking with Seraph.

Seraph: The code is hidden in tumblers. One position opens a lock. Another position opens one of these doors

Keymaker: If one fails, so must the other.

Such a script is actually quite a Qaballistic insight.

Gimmel is one of the locks, which I call a "hinge point" for it fuses one system to another and at the same time reveals the "Qaballistic" deconstruction for the name "Gimmel" as an acrophone for the phonetic of "G".

Phonetically clear enough. The Letter G is located at 3 and shares with it a phonetic equivalent to C. The shape of Gimmel reveals nothing. It's revelation is seen in the "English" in that the Letter C shares a clear design parallel to the Letter G.

C = G

Each is made of the Letter C, with the G having but a T located such that the horizontal of the T is set at the middle of the C. As per the Isisian Codes, the Letter C is 3 and the Letter T is 4.

C(3)+T(4)=G. The Glyph G is encoding the mathematical formula. The CODE is in English. The clue is in Hebrew, wherein the "clue" is but one of the many "robes of Isis" that lead us to the primary and principle truth, which may lead us to an appercetion of the conceptual.

But you don't have to stop at this explanation. We are dealing with often HYPER RATIONAL CONSTRUCTIONS across multiple language systems. For the LETTER G, we can surmise through direct esoteric analysis that indeed G is comprised of 3+4, or C+T (see the Isisian Codes value for T below).

In Hebrew, the Letter G is given an acrophone of GIMMEL WHICH ONLY MAKES SENSE WHEN ENGLISH MATHEMATICAL (ISISIAN CODE) ANALYSIS IS APPLIED. The mathematics clearly have not failed, but we do not need to stop. We can then delve and "check" our work even further.

The Cryllic alphabet as used in Russia, for instance, clearly shows the principle of "transpositions and modifications". Here is the Letter G in Cryllic.

The Construct is clear, and as shown in this case, the Letter G is the comprehensive glyph.

Gimmel is a corrupted transposition, per say, while Crylic provides us with an equally partial view of the larger philosophy behind the Construct which is the Letter G.

And you wonder why G is held in such high esteem within certain secret societies?

The letter is at the very core of the rational construction.

A Contemporary Analysis of the Letters

Fortunately, the Construct has been so finely crafted that it is now possible to shortcut much of the traditional study. For instance, it is said that one can "get their vitamin D from the Sun". Ingenious. Vitamin D, or "the Letter D", is the glyph that represents the Sun coming up over the horizon.

Of course you can get your "vitamin D" from "the Sun". They are one and the same.

Vitamin A "helps you see", but the Letter A is the "pyramid letter", and how, really, do you separate the pyramid from "the Eye of Providence"?

Of course vitamin A helps you see.

And what of vitamin C? Vitamin C is an "anti-oxidant". What is an "oxidant" but that which "rusts"? What "rusts" is symbolic of Jehovah/Typhon/Seth, and so an intake of "vitamin C" (SEE) is as an "anti-oxidant" which then fights back the oxidizing properties of Jehovah/Typhon/Seth.

Then there is the Letter O made quite popular by OPRAH. "O" of course is feminine, and, when fused to its representative number, or that which is called ZERO, we have but an anagram play on the word "ROZE", which then becomes ROSE which then becomes EROS which then becomes....

The Letter T (tee) is what "raises you up", or, when represented as "tea", is what "wakes you up".

O is Feminine is 15 is the "quince anos" celebration through much of Latin America.

It is all there to be explored and unlocked, but you will never get there trying to bang your head figuring out how the heck "gimmel" is a "camel" when the answer to the riddle remains hidden in the Isisian Codes and the English order and placement of the Alphabet.

An Esoteric Play on Words

Let's put things into perspective.

Those of us from my generation (40 something), we grew up in a different world than what the current generation will ever be able to appreciate. I guess such a statement rings true for many a generation of humanity that has come along the way, but let's put this idea into a very real perspective.

When I was a child, the Vietnam War was raging - literally.

Televisions were in the majority "black and white".

It was not uncommon to have to stand and hold the antenna to watch some perceived critical bit of television, and what was often seen as a perceived bit of must watch television was Walter Cronkite talking about an unfolding human tragedy in some far away land.
Make no mistakes, Cronkite was "Illuminati", and, with his recent passing, we are reminded of him dropping his script and, for a brief few moments, brought America a glimpse behind the curtain and essentially, from the heart, told the American people,

"It is increasingly clear to this reporter that the only rational way out will be to negotiate, not as victors, but as an honourable people who lived up to their pledge to defend democracy, and did the best they could."

President Johnson, witnessing such from his very own television, is reputed to have remarked to an aide: "If I've lost Cronkite I've lost Middle America."

Imagine the parade of morons and idiots we are confronted with today doing such a thing? Perhaps Steve Olberman comes close, but he did sports in Los Angeles with a comedic twist before advancing to the national sports stage and then on to "political commentary and reporting".

The days of the front line reporters with even a remote sense of intelligence and honesty were long ago submerged as Setianist force came to dominate and control the airwaves. "Embedded" war bound cheerleaders have become the norm as opposed to the semblance of front line responsible reporting.

Vietnam taught Setianist force the dangers of even moderately insightful reporting. MindWar was in early throes of being launched.

It is a different time...

Regardless.

Within mass and popular culture was an undercurrent of esoteric creativity, especially with the "dawning of Aquarius". Music was filled with esoteric innuendo. Can anyone see a black band like "The Fifth Dimension" singing a honky tonk tune like "Let the Sun Shine In" in todays world?

Imagine the Piscean Age as being the Age of Darkness and then a call from the "5th Dimension" requesting its audience to "Let the Sun Shine In"?

And computers? Forget it. The Texas Instrument calculator was yet to obsolete the slide rule, and logarithm charts were still a staple of higher level mathematics.

Comedians were different, or so they seem to me. Don Rickles, Buddy Hackett, and Bill Cosby come to mind. Shows as "Get Smart" seemed to provide clever comedic hints and glimpses into the larger Occult War raging around. The "Cone of Silence" that Occult force sought to project over humanity never worked.

Media was controlled. You can imagine that it would be much easier to inject Occult agenda into the fabrication of mass culture.

To assume otherwise is naive.

George Carlin, the Comedic Play on Words

Perhaps of all the comedians, one that stood out was "George Carlin". Not so much because he was "funnier" - it was because he was "brainier". He played with words as a master and made people think - using humor along the way. He was a favorite of those a few years older than I, to be truthful.

I thought he was funny, but he never elicited the rip roaring laughter I could get from Get Smart.

George Carlin had either a trained or natural insight into the Occult nature of language. He would state,

"By and large, language is a tool for concealing the truth."

Hardly the stuff of a comedian, but in such a way he made his points.

Then, in typical word inversions, he would spin,

"I went to a bookstore and asked the saleswoman, "Where's the self-help section?" She said if she told me, it would defeat the purpose." He had a point.

He was not afraid to take aim at religion.

"I would never want to be a member of a group whose symbol was a guy nailed to two pieces of wood."

He had a point.

But like most of us involved in releasing information, Carlin was giving direct insights. If you don't think so, watch this video called "Who Owns Americans".

An Esoteric Play on Words

The real genius to the language is that it provides us with a voluminous insight into the Construct in the form of puns and philosophical constructions.

If a "pun" is a play on words, what then is the esoteric link between a "pun" and the word "punish"?

We slowly grow from a word to a word.

Through an esoteric transposition wherein "G's" are "C's", then what is the first thing to CROW or GROW in the morning? A "cock a doodle do"? And if a "cock a doodle do" is what "crows" in the morning, then what is the relationship between "doodling" and "cock a doodle do"?

What then is the PEN but half of O-PEN, wherein the O is the Female and the PEN the male? Would you expect to "doodle" with a PEN or an O? Are DUDES (doodlers) male or female?

You can carry this form of insight across the entire breadth of the language.

For instance, LIFE is comprised of the NUMBERS 12,960. This number may be derived from the LETTERS AJK, or the ACE, JACK, and KING. ACE is 1, J is 10, and K is 11. 11011. However, the summation of A, J, and K reveals the following:

A = 1 = 1
J = 10 = 55
K = 11 = 66

1+55+66 = 122. 122 can be re-ordered in LETTERS as

12=L
2=B

Here we have the roots to LIBRA and the SCALES, which is of course PI, which is LIFE.

But what if we order the NUMBERS 122 as

1 = A
22 = V

Here we have AVIARY, but when reversed, the term VA. Through reversing the word AV to VA, we can presume that VA has a meaning of "anti-LIFE". Then we work our way through the language.

VA-MPYRE = The Empire of VA
VA-HALLA = The HALL of VA
VA-CANCY = VA CAN SEE (but there is nothing there)

These are just some ways in which you can begin to create esoteric constructions within the language. In all ways, you must add foundations of form and reason, and preferably supported through multiple views - a single eye lacks perspective.

And regarding the first thing that "CROWS in the MORNING".

The Feminine is the Goddess is the TRIANGLE.

For the younger generation still chasing the feminine, or, of course, if you are the feminine being chased, OPEN your EYES and SEE that the TRIANGLE is the TRY ANGLE - the guys are "always trying".

And of course, there is so much human nature encoded into the phonetics.

The next time you see a guy "teaching a woman" how to do something - just remember: there is absolutely NO DIFFERENCE between "GUIDANCE" and "A GUY DANCE".

Somehow, I would like to think that Carlin would give some of this a thumbs up.

Esoteric Codes in the Alphabet

Let us turn our attention to a demonstration of esoteric codes in the Alphabet.

The idea of esoteric codes in the Alphabet was openly secreted by Aleister Crowley when he wrote his Setianist document "Book of the Law",

"Thou shalt obtain the order+value of the English Alphabet; thou shalt find new symbols to attribute them unto."

From these words, located as they were in the very cryptic code of "Chapter 1, 55", a cipher for AJ (leaving off the K, yet while presuming same, perhaps) has resulted in legions of souls seeking out a "new order and value" for English, and yet all the while, the hint of "finding new symbols to attribute to them" is often simply left on the sidelines.

However, a comprehensive study into these matters shows that there is not, nor has there ever been, a singular methodology. Consequently, the reliance on singular methodologies, be they NA-EQ11, Etterian English Qabalah, among so many others, may provide you with some insight into the Construct, that singular systems by their very nature trend to being discretionary, will often fail to solve for the larger philosophical riddle of what we call "the Construct".

Numbers as Channeling Mediums

Many many years ago I was riding the subway in Los Angeles when a young guy walked up to me and said, "Excuse me. I am not sure if you remember me, but I heard you speak once at a hotel. You are the guy that speaks about codes in the language, right? You are called "the Fetch", right?"

I was a bit taken back, but of course, answered in the affirmative.

He went on to tell me how fascinated he was with my work and that this was reinforced by the recent death of his grandmother. In his words, the last words from his grandmothers lips was "3, 6, 9! 3, 6, 9!" He then queried, "What do you think this means?"

The story hints at a larger reality.

Numbers act as very powerful channeling mediums and may, in some cases, open dark caverns into the psyche. At the end of the day, reality, as demonstrated by virtual reality, may be broken down into a series of 0's and 1's.

Hence what we find is that as individuals immerse themselves into any variety of "Qaballa" systems, the natural properties of numbers and letters as channeling properties results in an enhancement of one's beliefs in their system of number channeling.

However, we should caution that the primary purpose is to come to an understanding of "the gods" as hinted at by Plutarch, and in so doing, as we apply logic and reason, we are able to come to an understanding of what is termed "reality", even if such reality is rooted wholly in Occult principals.

The "gods" are the Letters of the Alphabet. The God is the Alphabet.

The whole is based on a system of letters/numbers/sounds fused as one.

Esoteric Codes in the Alphabet

To those of you who are regular readers of the Illuminatus Observor, what you might have begun to realize is that you participate in a grand experiment - a hitherto never been publicly disclosed Occult discourse on the Letters.

Alvin Boyd Kuhn wrote in his work "The Esoteric Structure of the Alphabet"

"Now, perhaps strangest of all the channels through which it (wisdom traditions) was given expression, comes the momentous revelation that the sagacious genius had even insinuated a form of its basic outline into the very structure of that ground-base of all literature - the alphabet. The announcement and elucidation of its presence in this, the fundamental semantic code for the transmission of human thought, should rank as the epochal event of world culture."

Inherent truths were encoded into the Alphabet precisely to give expression to the larger mystery and wisdom traditions, themselves a protest to the patriarchal genocides of the Edomitish intelligentsia.

That esoteric codes exist within the Alphabet remains still one of the best guarded realities. Yet the Alphabet, designed as a reflection of "cosmic truth", where Letters are fused to Numbers and Sounds, and further infused with archetypal imagery, truly provides us with a system through which we may attain a glimpse of that euphemistic light known as "truth".

1's are Male.
0's are Female.
X is the Union of Female (V) and Male (inverted V), and so we present a very simple truth.

1+0=X = TRUE

The answer is not "1", for then one has assigned arbitrary values for both the 1 and 0. The esoteric code in the Alphabet is unerring.

1 = I = 9
0 = O = 15
X = 24

I+O=X = 9+15=24

This "esoteric code" is "true".

O+P=Q = TRUE

O is the Feminine
P is the Masculine
Q is the Fertilized Egg.

Imagine the genius pun in the face of Occult force bent on destroying life having to deal with a blind mass that gives thanks to Q, or the fertilized egg as the found of all life, billions upon billions of times a day?

Who won the Occult War?

It is merely the effort to awake the masses.

"MindWar" and the "Mindless Press"

"ONLY LIES PRINTED" - Protocol 10 of the Protocols of the Learned Elders of Zion


We must distinquish between lies and truth, for this, ultimately, is the object and aim of Occult study. To be able to peer into the darkness sure footed, to be able to view the totality of reality as opposed to the fragments that are intended; these are sanquine fruits of all our efforts.

We must be educated into the ways of deception, but even more so into the ways of the Construct.

During the run-up to the invastion of Iraq in 2003, a curious side show occured. As part of the grand scheme of lies being crafted through control of the press, a story came out that Niger was trying to sell Iraq "yellow cake", a key ingredient for the manufacture of nuclear weapons. Of course, like nearly everything coming from what is essentially a Jewish controlled press, the story was a lie, but this did not deter the editors and talking heads from seeking to aid in the selling of the story ad nauseum.

As part of an apparent pre-emtive strike against those forces who could check the lies of the "Niger yellow cake" story, Robert Novack, on July 14, 2003, released a bombshell: Valerie Plame, the wife of a former Ambassador to Niger, Joseph C. Wilson IV, was a CIA Agent. Overnight, Valerie Plame, the grand daughter of the emigrated Ukrainian Rabbi Plamevotski, had effectively seen her career as a CIA agent, terminated.

In order to cover for the leak of a CIA asset, rumors began circulating through the controlled press that it was "common knowledge" that Plame was a CIA asset. All of this was so because, according to the crafted lie, it was none other than former Ambassador Wilson who said so.



Arriving right on cue was a Fox News "military analyst" by the name of Maj. General Paul Vallely. Vallely would claim (bold faced lie, really) that former Ambassador Wilson personally had told him that Valerie was a CIA agent, a charge that the Wilson's denied and for which they sought a retraction from Maj. General Vallely.

What Fox News conveniently neglected (planned lies and deception by a Zionist company) was that Maj. General Paul Vallely, retired, was a known psyops agent and one of the primary architects of using the media to turn lies into reality.

Maj. General Paul Vallely, retired, was simply taking a page from the Protocols of Zion and dressing it all up in a contemporary manner such that the strategies contained in the Protocols of Zion would become defacto US Military policy.

MindWar - the Essence of Setianist Metaphysics

In 1980, a "High Priest" in the Temple of Set, Major Michael Aquino, teamed with then Col. Paul Vallely to pen a conceptual document intending to redefine "psychological warfare". This pamphlet, entitled "From Psyop to MindWar: The Psychology of Victory", would become a seeming unwritten policy of America's Israeli centric elite, and its implementation would be thrust into the mainstream with the attack on the Republic of Iraq in 2003.

Even the author of MindWar admits to this when he states in the most recent forward,

"..it was with some fascination that I saw specific prescriptions applied during the first Gulf War, and recently even more obviously during the 2003 invasion of Iraq. In both cases, extreme PSYOP was directed both against the object of the attack and upon U.S. domestic public perceptin and opionion, in 2003 to the extend of "embedding" journalists with military units to inevitably channel their perspectives and perceptions."

Putting aside the FACT that it is ILLEGAL for the military to engage in PSYOPS against the American people, the reality is that MindWar is specifically designed to control all perceptions such that all participants in a conflict, whether foreign or domestic, MUST BE TARGETED.

Says the author,

"MindWar must target all participants if it is to be effective. It must not only weaken the enemy; it must strengthen the United States. It strengthens the United States by denying enemy propaganda access to our people, and by explaining emphasizing to our people the rationale for our national interest in a specific war."



MindWar is simply a play straight out of the Protocols of Zion.

It is a concept through which overwhelming force is brought to bear on the minds of the targets, be such foreign or domestic. This force is brought about through the actual and total control of media assets. Indeed, MindWar relies on the overt use of controlled media to create realities that, if they do not exist today, will exist at some point in the future. To quote the authors again.


"It is deliberate in that it is planned, systemic, and comprehensive effort involving all levels of activity from the strategic to the tactical. It is aggressive because opinions and attitudes must be actively changed from those antagonistic to us to those supportive of us if we are to achieve victory. We will not win if we content ourselves with countering opinions and attitudes instilled in enemy governments. We must reach the before they resolve to support their armies, and we must reach those armies before our combat troops ever see them in the field."

In typical Setianist delusions, the document reads,

"...it must be axiomatic of MindWar that is always speaks the truth. Its power lies in its ability to focus recipients on the truth of the future as well as that of the present. MindWar thus involves the stated promise of the truth that the United States has resolved to make real if it is not already so."

MindWar is the strategic use of media assets against humanity.

Says the author again,

"To this end MindWar must be strategic in emphasis, with tactical applications playing a reinforcing role, supplementary role. In its strategic context, MindWar must reach out to friends, enemies, and neutrals alike across the globe - neither through primitive "battlefield" leaflets and loudspeakers or PSYOP nor through the weak, imprecise, and narrow effects of psychotronics - but through the media possessed by the United States which have the capabilities to reach virtually all people on the face of the Earth."

MindWar and the Mindless Media


In typical Crowlian fashion, MindWar seeks to redefine reality. Like the legions who seek to redefine and otherwise re-order and number the English Alphabet, and in the process destroy inherent encoded truths, MindWar seeks to alter what is an inherent truth for that which is a fabricated truth - or a LIE sold repetitiously as "truth".

MindWar is Setianist in nature.

Setianism is rooted in Israel and Jewish religious thinking, and so we should expect that the adherents and proponents of MindWar would be found hawking pro-Israeli and Jewish agenda's while embed into the leadership of the United States.

Indeed, supporting such a statement was not even difficult to find.

In an ABC News radio show called "The Batchelor and Alexander Show", or "American Voices in Israel", Paul Vallely admits freely that MindWar was not only implemented, but that it was executed nearly flawlessly.

In a show on March 22, 2003, in a radio show entitled "Onward to Baghdad", at minute 6:00, Vallely stated,

"We have been pushing for a very long time, John, the use of psychological operations to win the hearts and minds of the people and with this being a war of liberation, how important it was to really communicate with them to save the lives of the innocent people" He went on to add, "..this thing (MindWar) has been carried off meticulously as far as I am concerned..."

Of course, ABC News, being headquartered in Israel, had no intention of divulging precisely the planned nature of what was really a criminal enterprise - the shakedown and genocide of a sovereign nation in service of Israeli interests. Even less was ABC News interested in divulging that Maj General Paul Vallely was linked to the Temple of Set or that Maj. General Vallely was the architect with the High Priest of the Temple of Set of the very document that shaped and continues to shape the way in which the media is used to advance a hidden, foreign, ulterior agenda.

Such is the manner in which we may define America's mass media as "the Mindless Press".

"Funerals", A Qaballistic Deconstruction

For further insights into this article, see the article "Deception and the Principle of Inverse Duplicity". The Illuminatus Observor has surpassed over 100,000 words of intense English Qaballa deconstructions that demonstrate the Art and Craft of Qaballa. You are invited to use the "Search" function in order to explore the site. As always, your comments, insights, support, and interest, is greatly appreciated.



Many, many years ago, I went on a job interview. The pre-interviewer told me over the phone that the company was looking for good marketing people, people who could weave a story and who were creative at presenting information. It sounded like something right up my alley. When I arrived, a very dour older man eased into his recruiting presentation. "Our business has no downside. It is always going strong, and will continue to grow for the foreseeable future."

His business?

Selling funeral plots for his company owned cemeteries. As part of the package, he hired a team of 3-4 people who were charged with going into the life story of the deceased and providing an audio-visual story that utilized scripts, music, and family photos and videos for anyone who bought a plot when the customer passed away.

After he explained his "opportunity", I asked him, somewhat disappointed that his company had not been forthright in bringing me out for the interview, "Why didn't you explain more clearly what it is you are seeking, rather than cloak this as a more traditional marketing job?"

He explained, "If we tell people what the job is about, we might lose some really talented people who might not give us a chance because the whole idea of funerals turns a lot of people off."

In retrospect, the guy had a good idea, but yeah, I was one of those who was "turned off" at the prospect of being a story teller of the lives of dead people who just made the transition back to the Sun.

I took the recruiting material and never returned.

A Holistic Qabballa Worldview

For those of you who have read much at the Illuminatus Observor, or have listened to my podcasts at Inside the Eye (yeah, I know, some new content would be nice!), you have figured out by now that I have a pretty holistic world view as it pertains to Qaballa. I see "the Great Work" in nearly everything, and seem to have a natural affinity towards the Craft that allows insights to flow freely.

Of course, one of the topics that had to be of some interest is that of dying, and all the words that intermingle within the contextual of what "funerals" and "dying" are all about.

In the process, as a "Master of the Craft", as it were, it would make perfect sense that one would have to be able to provide explanations and examples of numerous words within the contextual framework, and then show that their is an interconnectedness to the larger "philosophy".

At the end of the day, everything must reduce to Letters/Numbers/Sounds. This is the core of our Craft. Once this is reduced to Letters/Numbers/Sounds, we can then reduce the concept to simple explanations based on the reduced values or the words.

This process is not as simple as simply "adding the numbers of a word" and then reducing the value to a single digit, as is often taught in the Western "numerology" and "kabballah" schools. In order to capture the essence of what has been designed, and how it all interconnects to the larger Construct, you must be aware of the various tools of the Craft, such tools to include Notaricon, Temurah, to name but a couple.

For example, if one is to star in the funeral, we may presuppose that the headliner is the one that is "dead". This word can be reduced to its prefix of "de", and thus it has a "root" of "add".

One who is "dead" has been "de-added", or subtracted from the equation or web of life.

A Contemporary Insight into the DUAT

You might be asking, "What does Chrysler have to do in an article about funerals, and more specifically, that of "the Duat"?

Here is a hitherto hidden Occult symbol being brought to the light - WITH its Qaballistic interpretation.

Notice that the manner in which the Chrysler logo is designed. By viewing any two contiguous triangles, what is revealed?



A Pyramid?

Yes.

If you stop there, you are right, but you are not "wholly right", and here is perhaps a good time to provide you with an Occulted insight. As stated in the Popul Vuh,

"It is not well what our creatures, our works say; they know all, the large and the small," they said. And so the Forefathers held counsel again. "What shall we do with them now? Let their sight reach only to that which is near; let them see only a little of the face of the earth!"

Insight may be gained by placing the words from the Popul Vuh against the study of symbols and the Occult. For the masses, it is well that they remain simple and not know too much as to how the Construct has been crafted. When symbols are set before you, as say, the Letter T, it is well that you know that it is a Letter T. It is not well that you be given the keys to the Letter T.

When you view the Chrysler logo, it is well that you see a pentagon with a figure with lines emanating from the center to the points. It is "okay" if you see the hidden occulted pyramid set into the design (providing further insights as it does). If you saw the pentagon, you saw near. If you saw the pyramid, you saw a little further.

But you still had to look further.

The Chrysler symbol is a modified form of the Duat, which is shaped as follows:

Since L's are "fallen T's", we can change the word CHRYSLER to form CHRYST(er), or "Christ", and you begin to view the channels into the netherworld of archetypes, the psyche, and the Occult.

It was Christ who would replace Osiris. It was Osiris who would dwell and some say "rule" over the Duat. And, since the Isisian Code transposition is very precise, we can show the following:

D = D
U = E
A = A
T = D

There is absolutely no difference between the mathematics of the DUAT and that of the DEAD. What changes, then, is the archetypal framing as contained in the Letters that comprise the two words.

In the word DEAD, we have a seeming hidden code of DE-ADD, which makes sense, to a large degree.

In the word DUAT, we have DU as TWO and AT as in 14. The number 14 represents a material existence or marking point, which is defined in many ways, but here would be hinting at Sunrise T and Sunset T, a concept that fits with the larger held archetypal design of "the Duat", for the Duat held an archetypal relevance of Sunset to Sunrise, meaning that at Sunset "the Sun died" and would be "born again" at Sunrise.

This idea of "birth" as Sunrise and "death" at Sunset, again shows absolute equivalent Qaballistic design.

D = D
E = E
A = A
T = D
H = (silent) Pi Proportion Ending

An analysis of DE AT (H) would hint that one has been removed from physical existence, or the number 14, or AT.

It could be said then "At Death, one has been removed from AT, or more simply, DE-ADed". One has been "de-added". DEAD.

Makes one wonder why it is that "Chrysler" seems to always "die", only to be "resurrected" again?

Ma'at as Pi

No treatise on "funerals" would, within a Western esoteric construction, be complete without an analysis and reflection of the importance of the Goddess Ma'at.

Ma'at was held to be supreme in that the Pharoahs were said to rule by and were bound to uphold the rules of Ma'at. Ma'at represented universal harmony and balance, and was represented by "the Scales" in much the same way that Isis would morph into a more mortal version of the same said principles.

But relative to Ancient Egypt, Ma'at's pre-eminence was unquestioned. Ma'at was the agent through which the souls were said to be judged. However, everything has its Qaballistic interpretation, and Ma'at is no different.

The word MA'AT is comprised of a very simple cipher.

M = 13
A = the Scales
' = Cipher Clarifier
A = 1
T = 4

13 (1) 14

Set against Pi, the Letter M represents the 13 digits between the two 26's, while the 9 digits to the right of the second 26 and the 5 digits to the left of the first 26 add to a value of 14, or the Letters AT. In this way, the number 13 is viewed as being in harmony with the Scales, or the two 26's (that just happen to also be the number of weeks to half a year of Earthly travel), while the 14 represents a "material existence" which is not in harmony with the Scales.

In short, 13 = the Spiritual World, while 14 = the Material World.

When a soul was "weighed against Ma'at", the philosophical theory was that if the value was 13, the soul would join the company of the Gods, while if the soul was heavier than a Feather, a digit of 1, which would be 14, then the soul would forever destined to wander in the lower realms.

In other words, the soul would not return from the first 0 in Pi and thus enter into the Mysteries (the first decimal digit of Pi), for the Tarot paths are too set against the Letters and Pi, but rather after emerging from the Egg (the 0), the soul would go on ad infinitum as are the digits of Pi.

Since one would not be in the "company of the Gods", or the Letters, such would not be considered very "fun", so to speak.

(For further insights on this element of the article, visit the article "Ordo ab Chaos, Rationalizing the Irrational")

"Catholicism and "Wakes"

We may reduce the duality of reality to two digits again.

13 is symbolic of Spiritual Existence
14 is symbolic of Material Existence

Within "Material Existence", we may break down again this existence into its dualistic components.

13 is the Dream State
14 is the Waking State

Here is where we have a philosophical (qaballistic) dilemma. If the "waking state" is to "awaken" from sleep, then why is it that "Catholics" attend a "wake" for the deceased?

After all, the soul is said to traverse the heavens in a boat, and what is left behind when a boat travels?

A Wake.

Yet we already know that when one affixes an "a" to the beginning of a word, it means "not", and yet when removed, the "a" means "is". An example of this is

A THEIST is one who does believe in "God" as represented by the word THE

AN ATHEIST, on the other hand, is one who does not believe in the God as represented by the word THE.

So now explain the rationale behind

A WAKE and
AWAKE

What we may surmise then, is that in the word WAKE, we have multiple layers of reality. The "body" of the "deceased" could be viewed as "the wake" of a ship. The ship has passed by, but the emanations from the ship have reached those within its reach and so is viewed by those who remain behind. The wake of a ship, of course, is that which remains "behind", only to dissolve back into the ocean upon which it makes its presence.

The parallels are easy to forge and see.

Yet philosophically, a "wake" too, has the "a" removed, and so equally must represent a state of "a - wakening".

What this hints at, by the way, is a qaballistic duplicity in the design of the word AWAKEN, equally, but that may be saved for another day.

"Funerals. A Qaballistic Deconstruction"

In an article entitled "Light from Ancient Egypt" by I.M. Oderberg, we find the following statement:

De Briere expresses it in astronomical terms: "The sensitive soul re-entered by the gate of the gods, or the Capricorn, into the Amenthe, the watery heavens, where it dwelt always with pleasure; until, descending by the gate of men, or the Cancer, it came to animate a new body."

This statement hints at the very root of the word "FUNERAL" as a Qaballistic design.

But let's digress to cover some of the philosophical underpinnings.

The Construct is based on the Tale of Isis and Osiris, and in particular, the work of Plutarch. The first "god" to "die" was "Osiris." It could be said that he went from being "black" to "white". The process of "changing colors" is known as "dying", and so the parallel of changing an object from one color to another shares a philosophical equivalent as a Qaballistic design.

Plutarch says of those who worshiped Osiris,

"Just as the rainbow, according to the account of the mathematicians, is a reflection of the sun, and owes its many hues to the withdrawal of our gaze from the sun and our fixing it on the cloud, 359so the somewhat fanciful accounts here set down are but reflections of some true tale which turns back our thoughts to other matters; their sacrifices plainly suggest this, in that they have mourning and melancholy reflected in them; and so also does the structure of their temples,97 which in one portion are expanded into wings and into uncovered and unobstructed corridors..."

This drawing of Los Angeles's "City Hall" exemplifies what Plutarch is referring to in that the "expanded wings" and "uncovered and unobstructed corridors" are the "wings" that form the long "halls" within the building's structure.



Since there is a "qaballistic link", or transposition, between H's as ciphered "P's", the term HALL is a sort of "code" for PALL, and hence, as part of this melancholy over Osiris's death, the tradition is carried forth under the term PALL BEARER.

But the word FUNERAL itself is a fascinating word, at least from a Qaballistic analysis.

Within Qaballa, we know that the Construct is based on Letters/Numbers/Sound. We know that "the entry point" as hinted at by Mr. Oderberg is through "Cancer".

Now just as we have duality being represented by 13 and 14, or a "left of the decimal" and "right of the decimal", we can also represent this dualistic concept using two different Occult Matrices.

Spiritual existence may be viewed as "the Garden of Eden" as represented here:



Material existence may be represented by the "Rabbinical Tree of Life" as shown here":



When the spiritual body is fused to the material world through a body, it then assumes that which is known as "the Philosopher' Stone", or this:



Essentially, "life" dances, or revolves, around "the 6". The "6" is comprised of the following formula:

S = 3 = 1+2+3 = 6
IX = 9 (Roman Numeral)

(S)(IX) is a code for 69, or the astrological sign of Cancer, and the START POINT AND END POINT is at the SIGN OF CANCER. Although CANCER is the "4th sign" of the Zodiac, it maintains the "6th" Sephera" of the "Tree of Life".

Thus in the word FUNERAL, we must break down the word into its constituent components. Once we do this, we see that the operative philosophy within the word is that of the Letter F, which again, is the 6th Letter.

When you are buried, how deep is it said that you are buried?

SIX FEET UNDER, which is then sometimes accompanied by a "21 Gun Solute". 21 is is simply the Sum of 1:6 and represents "the World". The World is the 21st card of the Major Arcanum. What the word FUN is saying is:

NOT (UN) 6 (F).

Borrowing from the article "Principle of Inverse Duplicity",

"Setting all of this back against Continental Masonry, one may be aided by an understanding of inverse duplicity. As defined, the word duplicity has the following general definitions:

1a. Deliberate deceptiveness in behavior or speech.
1b. An instance of deliberate deceptiveness; double-dealing.
2. The quality or state of being twofold or double.

Duplicity, inferring as it does the word "duplicate", clearing hints of the twofold nature of an item, which in our case, remain words. Inverse duplicity is simply the logical inversion of the planned deception in the word. For instance, a "funeral" contains as a root the word "FUN", and yet "funerals", by their very nature, generally tend to be quite sad affairs. There is nothing fun about them. This word is a very good example of an inverse duplicity. Funerals are not fun, they are sad, so we can simply inverse the "fun" to reveal the duplicity in the word. However, still further, within the word "funeral" remain the phonetics of "funnel".

Human life may be seen as the funnel filled with fluid. The funnel holds the liquid in check but still it drains the fluids in a constricted basis. Set this concept against the current level of human life on the planet, and death is as the liquid that flows out from the funnel. The liquid (loss of human life through death) remains in a state of constriction: as we add more liquid (life) we are able to maintain fluid in the funnel, and when we do not create enough life, the funnel slowly empties.

This is the inverse duplicity of the word FUNERAL contained in the root (consonant sounds) of the word. While a FUNERAL encodes the word FUN and is yet oft a sad affair, the reason for the FUNERAL is that someone's soul has left their body (risen up and flown away), and yet the fundamental macro philosophy is encoded into a "FUNNEL" that constricts the mass and secretes the fluids in a set constricted manner.

When we view the Compass and the Square, it is necessary to understand the principle of inverse duplicity. To say "good mourning" means we are happy, and the very saying of the phrase "good mourning" adds cheer to the invoker and the receiver, and yet the word is phonetically linked to "mourning" such as to be in a state of sadness.

This is inverse duplicity, and as you become aware of it, you will find it everywhere.

That there is a level of duplicity such as to be 180 degrees opposite in meaning relative to sound implies that there is a rational cipher being set into motion by a "higher power" or force who maintain a rational understanding of the underpinnings of the language.

It is a great fraud to assume that there was no rational component to the fabrication of the language against the sounds of the Alphabet. This was part of the "Great Work", after all.

What is above is below, but it is often turned 180 degrees from original perception. 6 is to 9. G is to Pei. Mourning is to Happy. Funeral is to Sad. The mountain is reflected in the lake, inverted."

Of course, there is much more to explore within the word FUNERAL, but I hope that assuages the interest of more than few who sought a deconstruction of this rather inescapable reality.