According to Manley P. Hall, various mythologies of the world are really cryptic codes set against "acroamatic ciphers". Says Hall,
"The creation myths of the world are acroamatic cryptograms, and the deities of the various pantheons are only cryptic characters which, if properly understood, become the constituents of a divine alphabet. The initiated few comprehend the true nature of this alphabet, but the uninitiated many worship the letters of it as gods."
Assuming this is "true", then what letter, logically, is "the Risen God"?
Risen God Mythologies
In our Western mythological constructions, we have many "risen god" or "god-man" mythos to draw upon. The most famous, of course, is the Setianist import called "Christ", or "Jesus" of Christianity fame. What few of said faith take into consideration is the historical record of "risen gods" through the ages. Christianity, for instance, is but a mere copy of the ancient worship of Mithras, a religion so prevalent that it stretched from England to modern day Palestine.
The similarities of Mithras to Christianity are impossible to reconcile without coming to the conclusion that the Jewish inspired Christos was taking over the more Pagan centric Mithras cults:
Both "Christ" and "Mithras" were "born" on December 25, Mithras being an offspring of the Sun. Actually, Mithras was always said to be born on December 25, while there is little to no evidence to support the Jewish Jesus of magically incarnating on this day.
In a temple located in Rome, Mithras is seen being held by a "virgin" archetype. Both were regarded as wandering teachers and masters. Each brought along 12 sidekicks (disciples). Each performed "miracles". Mithras was knows as "the Good Shepherd" and "the way, the truth and the light, redeemer, savior, Messiah." Both the lion and the lamb were primary symbols attributed to Mithras.
Mithras "died", was buried again, and rose 3 days later. This event was celebrated annually at the time of Easter. Mithras sacred day was "Sunday". Mithras had his own "Lord's Supper". Stealing from the Persians, Mithras practitioners partook of a ritual called "baptism".
The Christian Father Manes, who founded the sect Manicheans, believed that Mithras and Christ were one and the same.
The Catholic Church was apparently so obsessed with wiping out the traces of its major roots to Mithraism that it built the Vatican over the former site of a temple dedicated to the worship of Mithra.
Yet we are reminded of the acroamatic cipher:
"The creation myths of the world are acroamatic cryptograms, and the deities of the various pantheons are only cryptic characters which, if properly understood, become the constituents of a divine alphabet. The initiated few comprehend the true nature of this alphabet, but the uninitiated many worship the letters of it as gods."
Which "letter" is "Mithras"?
The Tale of Dionysus
No list of "risen gods" would be complete without a mention of Dionysos.
Dionysus is, perhaps, one of the most popular of the Greek gods. Patronage of "wine", Dionysus namesake, like Mercury, remains much embed into our modern culture. Even the Celtic name of "Dennis" is derived from Dionysus.
As the tale goes, Dionysus' parents were Zeus and Semele. Zeus would come to Semele as an unseen presence. When word spread that Semele was pregnant, Hera convinced Semele to cause Zeus to swear on the River Styx to show his real presence to Semele, which, bound by the oath on the River Styx, he did, promptly burning Semele into a crisp. But Zeus was able to save Dionysos and stitched in in his leg until he was ready to be born.
However, Here was still jealous of the infant Dionysus, so she plotted with the Titans to have the Titans kill the baby Dionysus. Does this remind anyone of the tale of plot to kill the baby Jesus? But we digress...
The Titans succeeded and ripped Dionysus to shreds. However, Rhea brought him back to life, after which Zeus arranged to have Dionysus raised in the mountains with the nymphs. It is said that Dionysus wandered the world actively promoting his philosophy, accompanied by "wild women" known as Maenads who carried poles tipped with pine cones. In our profane speech, a woman who simply cannot get enough sex is known as a "nymphmaniac", a fusion of Nymphs and Maenads, which returns one back to the tales and power of Dionysus as a popular figure in Western culture.
An important note to this narrative is that Dionysus also was considered closely related to the "feminine" and had a softer, feminine look - a key point in the crafting of the acroamatic cipher, or a letter masquerading as a letter.
It is said that Dionysos was apart from his followers, but also inside them. Hence it was believed that followers of Dionysos when, filled with the presence of Dionysus, would be able to accomplish things far greater than would normally be possible.
It is said that Vesta (Hestia) relinquished her seat on Mount Olympus when Dionysos became immortal.
Dionysos "flew" up to the Gods.
The Circle of Rhymes and Acroamatic Ciphers
Since the various mythologies are speaking oft in terms of "acroamatic ciphers", it becomes necessary to use the Qaballistic arts in order to discern the exact Letters being assigned to the story.
In the term "Qaballistic Arts", what is being referred to is an "esoteric", or simply "study" of "the Letters".
In the Letter "A", we may easily note that the Letter is the "One Eye'd God", the "Pyramid Letter", and so forth.
However, the study of the Letters from a Qaballistic perception must, by definition, extend much further into the nature of the design or "Construct", for the purpose is to ascertain an apperception of the conceptual, whether said conceptual is by design via divinic force, conscious force, or a fusion of the two.
What this means is that we should break down the Letters into their literal and conceptualized patterns.
One of those patterns I term "the Circle of Rhymes" in that we take the Alphabet from its beginning and place the Letter A in the top row and follow it with all the Letters that rhyme with A.
In this case, we see that A rhymes with J and K. This is the "Ace, Jack, King" of the playing cards, and the number sequence 11011, or the Master Number in that A is 1, J is 10, and K is 11.
The next letter which follows A is B. B is then set in the second row, and all the Letters that rhyme with B are set in order.
B is rhymed by C, D, E, G, P, T, V, and Z.
We can begin to see a pattern emerge. AJK and BCD would be a 3 set pattern, while the word EGPT follows.
This is then taken to its logical conclusion through the Alphabet.
The first thing we notice is the pre-eminence of the Letter M. It is set precisely in the center. There are 6 letter rows above and 6 letter rows below.
The "pre-eminence of the Letter M" is unquestioned. Here, in the "5x5 Matrix", the Letter M holds the center position:
However, the "pre-eminence of the Letter M" does not end here. In another matrix, which is termed "The Circle of Mirrors", we see that the Letter M is again, holding a key "center position".
The Circle of Mirrors is derived from placing the symmetrical letters of the Alphabet into their "Pi positions".
The Letters M and W are 13 and 23 respective. 13+23 = 36. The X to the right of the W is 10. 36 * 10 = 360 degrees of a circle. The V to the left of the W is 5. 360+5 is 365 days to a year.
The "I", which shares a value (phonetic and mathematic) with Y, is in a "leap" or "elevated row", which may then be added and termed as a "leap year", for I is 1 and in a leap year we must add one day to bring the Solar calendar back into balance.
We now return to the idea of a "Savior god", said "god" being a "Letter".
As we analyze the the Circle of Rhymes, we notice more than a few patterns, aside from the pre-eminence of the Letter M. One of the first patterns we see is a 3 x 3 "magic number" matrix that encodes the "Master Number" or 11011, or 36:36. This is accomplished by breaking off the "first 3 Letters" in each column where there are 3 or more Letters.
When the Isisian Code values are placed into the grid, we note that the total value of the grid is 26, while Row/Column 1 has a value of 4 and Row/Column 2 has a value of 9.
4*9 = 36, and thus the Circle of Rhymes encodes the Precession of the Equinoxes and the number of weeks to half of a year (26).
The "Pi Proportion" has been preserved.
Further, aside from the rows that contain our 3 Letter/Number combination, only the Row with the Letter I and Y has a total in excess of a single Letter/Number, while to the right of the Letters BCD we find the Letters EGPT, which of course is the root for the word EGYPT.
Since the Letter H is Pi (inviolable), the row containing the Letters I and Y is preceded by the Letter F and L respective. What must "FLY" then, but the Letter Y?
It has both "masculine and feminine properties" in that V is the Feminine and I is the masculine. The Letter is associates with sexual union as preserved in Indonesia's "Temple Candi Sukoh", then the whole of the picture becomes clear.
The Letter Y is the union of Male and Female. The Letter Y is so constructed as to be the Letter V, which is 5, and the sum of 1:5 is 15, or the O Letter/Number. The Letter V is the 22 Letter, and since 2*2 is 4, and since 16 is the square of 4, then V as 22 as 2*2 as 4^2 = 16 = P.
P is generally regarded as a Male Letter (male phallus), but since I is 9 and 3 is the square of 9, then I is 9 and V is 16. When combined, I+V=Y.
W is 23 letter which is 3^2 = 9
H is Greek Letter PI = P = 16 (V as 22 as 2^2=4 or square of 16)
Y is then the combination of 3^2(W)+4^2(H)=5^2 (Y)
The "Savior God" is WHY (Y) which "FLIES up to the accompaniment of the Gods". There are originally "12 gods" or the Letters AJKBCDEGPTVZ, which consists of 12 Letters.
Hestia "gives up her seat", which means that the Letter V must be removed and given appropriate mythological considerations.
And what of the Letter Y relative to EGYPT? Why?
Return all Letters back to Numbers:
AJK clearly encodes 11011, which is 1/2 of the Platonic Cycle or 1/2 of the time it takes for the earth to complete one wobble on its axis.
There are originally 12 "gods" seated in Olympus.
AJKBCDEGPTVZ are on "Mount Olympus".
AJK is clear.
The "Savior God" or WHY (as Pi) "flies up to be with the Gods, while "Hesta" "gives up her seat". Y is placed between the EG and PT, forming the word EGYPT. When we return all Letters back to digits, we see that EG is 57 and Y is 9. Since 57+9 is 66, this is a number that is the SUM of 1:11 (K), or 11. P and T are 16 and 20 respective. 16+20 = 36 = 6*6, or a co-relational 66 number.
When Hesta gives up her seat (V and Z are remaining), V as feminine is removed, leaving Z as now a "1", for the pattern is Z-B-C-D = Z - B - C - D = Z - 2 - 3 - 4.
Any "IQ test" would have a pattern recognition and ask you to solve for Z. Since Z is 1 (in reverse of the Alphabet), then clearly Z in this pattern is "1" and so Z+B+C+D = 1+2+3+4 = 10
11(10)11 = 11011
The Letter Y is the archetype for the Savior God mythologies and this letter is required in order to return the Circle of Rhymes back to a value that encodes the Precession of the Equinoxes.
In a temple located in Rome, Mithras is seen being held by a "virgin" archetype. Both were regarded as wandering teachers and masters. Each brought along 12 sidekicks (disciples). Each performed "miracles". Mithras was knows as "the Good Shepherd" and "the way, the truth and the light, redeemer, savior, Messiah." Both the lion and the lamb were primary symbols attributed to Mithras.
Mithras "died", was buried again, and rose 3 days later. This event was celebrated annually at the time of Easter. Mithras sacred day was "Sunday". Mithras had his own "Lord's Supper". Stealing from the Persians, Mithras practitioners partook of a ritual called "baptism".
The Christian Father Manes, who founded the sect Manicheans, believed that Mithras and Christ were one and the same.
The Catholic Church was apparently so obsessed with wiping out the traces of its major roots to Mithraism that it built the Vatican over the former site of a temple dedicated to the worship of Mithra.
Yet we are reminded of the acroamatic cipher:
"The creation myths of the world are acroamatic cryptograms, and the deities of the various pantheons are only cryptic characters which, if properly understood, become the constituents of a divine alphabet. The initiated few comprehend the true nature of this alphabet, but the uninitiated many worship the letters of it as gods."
Which "letter" is "Mithras"?
The Tale of Dionysus
No list of "risen gods" would be complete without a mention of Dionysos.
As the tale goes, Dionysus' parents were Zeus and Semele. Zeus would come to Semele as an unseen presence. When word spread that Semele was pregnant, Hera convinced Semele to cause Zeus to swear on the River Styx to show his real presence to Semele, which, bound by the oath on the River Styx, he did, promptly burning Semele into a crisp. But Zeus was able to save Dionysos and stitched in in his leg until he was ready to be born.
However, Here was still jealous of the infant Dionysus, so she plotted with the Titans to have the Titans kill the baby Dionysus. Does this remind anyone of the tale of plot to kill the baby Jesus? But we digress...
The Titans succeeded and ripped Dionysus to shreds. However, Rhea brought him back to life, after which Zeus arranged to have Dionysus raised in the mountains with the nymphs. It is said that Dionysus wandered the world actively promoting his philosophy, accompanied by "wild women" known as Maenads who carried poles tipped with pine cones. In our profane speech, a woman who simply cannot get enough sex is known as a "nymphmaniac", a fusion of Nymphs and Maenads, which returns one back to the tales and power of Dionysus as a popular figure in Western culture.
An important note to this narrative is that Dionysus also was considered closely related to the "feminine" and had a softer, feminine look - a key point in the crafting of the acroamatic cipher, or a letter masquerading as a letter.
It is said that Dionysos was apart from his followers, but also inside them. Hence it was believed that followers of Dionysos when, filled with the presence of Dionysus, would be able to accomplish things far greater than would normally be possible.
It is said that Vesta (Hestia) relinquished her seat on Mount Olympus when Dionysos became immortal.
Dionysos "flew" up to the Gods.
The Circle of Rhymes and Acroamatic Ciphers
Since the various mythologies are speaking oft in terms of "acroamatic ciphers", it becomes necessary to use the Qaballistic arts in order to discern the exact Letters being assigned to the story.
In the term "Qaballistic Arts", what is being referred to is an "esoteric", or simply "study" of "the Letters".
In the Letter "A", we may easily note that the Letter is the "One Eye'd God", the "Pyramid Letter", and so forth.
However, the study of the Letters from a Qaballistic perception must, by definition, extend much further into the nature of the design or "Construct", for the purpose is to ascertain an apperception of the conceptual, whether said conceptual is by design via divinic force, conscious force, or a fusion of the two.
What this means is that we should break down the Letters into their literal and conceptualized patterns.
One of those patterns I term "the Circle of Rhymes" in that we take the Alphabet from its beginning and place the Letter A in the top row and follow it with all the Letters that rhyme with A.
In this case, we see that A rhymes with J and K. This is the "Ace, Jack, King" of the playing cards, and the number sequence 11011, or the Master Number in that A is 1, J is 10, and K is 11.
The next letter which follows A is B. B is then set in the second row, and all the Letters that rhyme with B are set in order.
B is rhymed by C, D, E, G, P, T, V, and Z.
We can begin to see a pattern emerge. AJK and BCD would be a 3 set pattern, while the word EGPT follows.
This is then taken to its logical conclusion through the Alphabet.
The first thing we notice is the pre-eminence of the Letter M. It is set precisely in the center. There are 6 letter rows above and 6 letter rows below.
The "pre-eminence of the Letter M" is unquestioned. Here, in the "5x5 Matrix", the Letter M holds the center position:
The Circle of Mirrors is derived from placing the symmetrical letters of the Alphabet into their "Pi positions".
The Letters M and W are 13 and 23 respective. 13+23 = 36. The X to the right of the W is 10. 36 * 10 = 360 degrees of a circle. The V to the left of the W is 5. 360+5 is 365 days to a year.
The "I", which shares a value (phonetic and mathematic) with Y, is in a "leap" or "elevated row", which may then be added and termed as a "leap year", for I is 1 and in a leap year we must add one day to bring the Solar calendar back into balance.
We now return to the idea of a "Savior god", said "god" being a "Letter".
As we analyze the the Circle of Rhymes, we notice more than a few patterns, aside from the pre-eminence of the Letter M. One of the first patterns we see is a 3 x 3 "magic number" matrix that encodes the "Master Number" or 11011, or 36:36. This is accomplished by breaking off the "first 3 Letters" in each column where there are 3 or more Letters.
When the Isisian Code values are placed into the grid, we note that the total value of the grid is 26, while Row/Column 1 has a value of 4 and Row/Column 2 has a value of 9.
4*9 = 36, and thus the Circle of Rhymes encodes the Precession of the Equinoxes and the number of weeks to half of a year (26).
The "Pi Proportion" has been preserved.
Further, aside from the rows that contain our 3 Letter/Number combination, only the Row with the Letter I and Y has a total in excess of a single Letter/Number, while to the right of the Letters BCD we find the Letters EGPT, which of course is the root for the word EGYPT.
Since the Letter H is Pi (inviolable), the row containing the Letters I and Y is preceded by the Letter F and L respective. What must "FLY" then, but the Letter Y?
It has both "masculine and feminine properties" in that V is the Feminine and I is the masculine. The Letter is associates with sexual union as preserved in Indonesia's "Temple Candi Sukoh", then the whole of the picture becomes clear.
P is generally regarded as a Male Letter (male phallus), but since I is 9 and 3 is the square of 9, then I is 9 and V is 16. When combined, I+V=Y.
W is 23 letter which is 3^2 = 9
H is Greek Letter PI = P = 16 (V as 22 as 2^2=4 or square of 16)
Y is then the combination of 3^2(W)+4^2(H)=5^2 (Y)
The "Savior God" is WHY (Y) which "FLIES up to the accompaniment of the Gods". There are originally "12 gods" or the Letters AJKBCDEGPTVZ, which consists of 12 Letters.
Hestia "gives up her seat", which means that the Letter V must be removed and given appropriate mythological considerations.
And what of the Letter Y relative to EGYPT? Why?
Return all Letters back to Numbers:
AJK clearly encodes 11011, which is 1/2 of the Platonic Cycle or 1/2 of the time it takes for the earth to complete one wobble on its axis.
There are originally 12 "gods" seated in Olympus.
AJKBCDEGPTVZ are on "Mount Olympus".
AJK is clear.
The "Savior God" or WHY (as Pi) "flies up to be with the Gods, while "Hesta" "gives up her seat". Y is placed between the EG and PT, forming the word EGYPT. When we return all Letters back to digits, we see that EG is 57 and Y is 9. Since 57+9 is 66, this is a number that is the SUM of 1:11 (K), or 11. P and T are 16 and 20 respective. 16+20 = 36 = 6*6, or a co-relational 66 number.
When Hesta gives up her seat (V and Z are remaining), V as feminine is removed, leaving Z as now a "1", for the pattern is Z-B-C-D = Z - B - C - D = Z - 2 - 3 - 4.
Any "IQ test" would have a pattern recognition and ask you to solve for Z. Since Z is 1 (in reverse of the Alphabet), then clearly Z in this pattern is "1" and so Z+B+C+D = 1+2+3+4 = 10
11(10)11 = 11011
The Letter Y is the archetype for the Savior God mythologies and this letter is required in order to return the Circle of Rhymes back to a value that encodes the Precession of the Equinoxes.